Los Ángeles: Distrito criminal

I just finished the 1st episode and it is fresh and intriguing! All new actors that I never seen before! It is Hollywood based not the gloomy NYC atmosphere. I like the Hollywood & LA plot too. It straight, no side subplot in the episode. All the law enforcement are dressed up proper and the guests are in design t-shirts, nice rides and lots of fashion dress. The court room is in light color wood like birch, oak and modern lighting, big windows.

In some way this is better then Law & Order, the original! It more understated like real detectives are. I look forward to the future season one episodes!

I'vde noticed most reviews here are not kind. They whine about no theme song or opening credits. They complain about bad chemistry & story and say its just another Hollywood show. They say that this is not real L&O. I say shame on them. Yes, the opening dialouge is gone and I miss it but it doesn't ruin the show. Yes..., the theme is gone, but I actually love how they play the most recognizable notes of the song in a ghostly manner as the new logo comes onto screen. As for the stories, there's only one to judge so far but I liked it. Ya, it had the Hopllywood to it, but the producers have said not every episode will be Hollywood focused like this weeks. As for the actors, they are great! The detectives have great chemistry and the same is said for the DA's. To sum this up: The show is well written, acted, and laid out. I hope that this show does run for many years and doesn't suffer the fate of the equally good Law & Order: Trial By Jury. Yes, it's never going to replace the mother ship that NBC shouldn't of canceled (I cried when they did), but I feel as time goes on the show which has started out great will get better and better. I hope everyone else will give the show a chance. From just one episode I have to agree with USA Today's assessment when they said "What you get from LA is a show that's as solid and reliable as a well-built sedan. You know, the kind that keeps running for 20 years."

I began watching this show expecting it to be pretty bad based on what I read here. The first episode did seem a bit too LA, what with starlets and the goings on in Hollywood and all. After a few episodes, the series did pick up steam and find its direction. I must admit, after Molina and Stoll became partners it really all came together.

If I have to find some criticism it would be the complexity of the crimes. I've watched all the L&O franchises but this one seems to have the most outlandish twists and turns. By the time the episode ends you are typically miles away from how it started. Not a bad thing but at times way too contrived.

Finally, did the episodes air the way they are arranged on the DVD? A major character is killed off midway only to re-appear in subsequent episodes. Really odd way to arrange the shows.

At first I was sad to see Skeet Ulrich go, but the new lineup is working much better. It's grittier, more suspenseful, more like real L&O should be. I like the switchup of Alfred Molina's character, it adds some depth to the story. The UK Version is still my favorite now that the original is off the air, but I plan on hanging in there with this one. They took the ratings and feedback seriously and made changes. I'm not sure why Skeet was apparently part of the problem, I thought he was good and there was good chemistry with his partner, but the new mix works also. We don't see much of the Lieutenant anymore either. But I'll take any chance to look at Terrence Howard on a weekly basis!

Skeet Ulrich and Corey Stoll, two relatively unknown actors, make an intriguingly contrasting pair--one a handsome young family man with a quick mind and a nose for the hidden truth, the other older, single (possibly gay?), completely bald and endlessly patient, and bringing a profound knowledge of human nature to crime solving.

Here is a wealth of original ideas such as subtitling each episode with an area of Greater LA, which Dick Wolf knows intimately. The whole idea is to spotlight the differences between Los Angeles, a new city shaped by and built to suit the automobile, and centuries-old New York, a product of the age of sail.

There are some lyrical camera shots, almost elegiac, of the canyons and vistas of Los Angeles, of its suburbs-in-search-of-a-city lifestyle, of its public beaches, its palatial beachfront homes and its slums. Best of all is its exploration of human types, so varied yet so...well, so LA.

Alfred Molina in a recurring role as a trial prosecutor, is part Englishman, part Spaniard, he has no non-European ancestry at all. Yet he is believable as a boy of humble Latino origins who has risen high in public service. There are exciting guest stars, original yet believable plots with the "ripped from the headlines" aspect remaining an L&O trademark.

If this show fails it will be because of its harshly realistic view of gender. The first two episodes feature women who have killed without legal justification. There are other repugnant acts committed by women. L&O - SVU, this ain't!

What it is is a crime show with scripts that other great chronicler of Los Angeles Raymond Chandler might have written.