Perseo se enfrenta al traicionero inframundo para rescatar a su padre, Zeus, capturado por su hijo, Ares, y su hermano Hades, que desatan a los antiguos titanes sobre el mundo.Perseo se enfrenta al traicionero inframundo para rescatar a su padre, Zeus, capturado por su hijo, Ares, y su hermano Hades, que desatan a los antiguos titanes sobre el mundo.Perseo se enfrenta al traicionero inframundo para rescatar a su padre, Zeus, capturado por su hijo, Ares, y su hermano Hades, que desatan a los antiguos titanes sobre el mundo.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 3 nominaciones en total
Edgar Ramírez
- Ares
- (as Edgar Ramirez)
Birkett Turton
- Elite Guard No. 2
- (as Kett Turton)
Reseñas destacadas
All right, I agree with most people when they say 2010's Clash of the Titans was not a great movie, but I didn't hate it. I didn't walk out of the theater with a feeling like "OMG, that movie kicked ass!". It was OK, I thought the film had pacing issues and the 3D was, well... about as bad and pointless as people made it out to be. So is the sequel, Wrath of the Titans, an improvement?
I'm happy to report that yes, Wrath of the Titans is better. It's not a great film by any means, it is flawed, but if you're looking for 99 simple minutes to kill by looking at some pretty darn impressive action sequences, then you are in luck. Also, if you thought the 3D in Clash was bad, that's not the case with Wrath. Don't expect anything along the lines of Avatar, but I gotta say, the 3D was used pretty nicely and didn't come off as a total gimmick.
My biggest issue with the film, however, is one that I had with the previous film. The film sometimes feels a bit slow and that it takes a while to get started, and there's not really much investment in the story or the characters. Some of the characters are mostly there to provide comic relief, but even that is very hit-or-miss. For the most part, Sam Worthington played his role pretty good, a fine example of under-rated acting. It's nothing great, but it's far from abysmal. Liam Neeson was also rather enjoyable to watch, but hey, it's Liam Neeson. Everybody else isn't particularly interesting, but they're not unforgivably boring or useless. There's also a small romance in the film between Worthington and a female side character, but it comes off as pointless and un-needed. I just don't see why the majority of popcorn action flicks require a relationship when we go to see explosions and amazing special effects, it's just not necessary.
Flaws aside, I enjoyed Wrath of the Titans. I am aware of the hate that this movie is receiving and I can understand some of the quibbles that one may have against it, but hey, at least it's better than it's predecessor.
I'm happy to report that yes, Wrath of the Titans is better. It's not a great film by any means, it is flawed, but if you're looking for 99 simple minutes to kill by looking at some pretty darn impressive action sequences, then you are in luck. Also, if you thought the 3D in Clash was bad, that's not the case with Wrath. Don't expect anything along the lines of Avatar, but I gotta say, the 3D was used pretty nicely and didn't come off as a total gimmick.
My biggest issue with the film, however, is one that I had with the previous film. The film sometimes feels a bit slow and that it takes a while to get started, and there's not really much investment in the story or the characters. Some of the characters are mostly there to provide comic relief, but even that is very hit-or-miss. For the most part, Sam Worthington played his role pretty good, a fine example of under-rated acting. It's nothing great, but it's far from abysmal. Liam Neeson was also rather enjoyable to watch, but hey, it's Liam Neeson. Everybody else isn't particularly interesting, but they're not unforgivably boring or useless. There's also a small romance in the film between Worthington and a female side character, but it comes off as pointless and un-needed. I just don't see why the majority of popcorn action flicks require a relationship when we go to see explosions and amazing special effects, it's just not necessary.
Flaws aside, I enjoyed Wrath of the Titans. I am aware of the hate that this movie is receiving and I can understand some of the quibbles that one may have against it, but hey, at least it's better than it's predecessor.
60U
I personally felt that the sequel to the remake of Clash of the Titans was much better movie than the remake itself. What made this film work more than the 2010 film was that it a better story, better performances and overall a bit more engaging action. The remake was a mess because the action was all over the place, and you simply lost interest after a while. With Wrath of Titans, they seemed to take a step back, and focus more on a writing a better story, with effective action that would please fantasy fans. The film is far from perfect, but overall it's a satisfying movie that might surprise viewers that hated the Clash of the Titans remake. The run time is shorter, thus it gets to the point fairly quickly and in the case of this film, it's a big plus because, the original just tried too hard at being grand, ambitious and epic, and in turn it turned out to be a tiresome mess of a film, one that wasn't worth investing your time in, and it showed plenty of weak points instead of strengths because it copied the 80's original, instead of trying to come up with a new angle to tell the story. The filmmakers have succeeded at crafting an entertaining movie with lots of action that is not boring or dull, and it's got a good story as well, maybe not the best, but far better than its predecessor. This is not great cinema, but it's a fun, entertaining popcorn action fantasy film if you're in the right frame of mind to watch. The film won't get any awards, but it's not bad either. I was very much entertained by this follow-up, and considering it follows-up a remake, they managed to make it better than its predecessor.
That was really fun!
COTT was really bad and disappointing. In WOTT, Worthington is much better (I love the guy, but he was bland in COTT, and he says so himself, very professional guy), pretty intense, loved the scenes with his son Helius, nice moments with Zeus as well, he gets his ass kicked and kicks some major ass.
Neeson is great, Fiennes is really at ease, Kebbell is good, Nighy great as usual, Ramirez great (even though critics don't seem to think the same thing).
Incredible CGI, really, Kronos, Chimera, Tartarus, great set pieces, great monsters, beautifully shot, Liebesman really has an eye for the visuals, sometimes hand-held and shaky cam is used, and it works well. The action was for me most of the time mind-blowing, especially the last third of the movie.
Story is much better, even though dialogues are weak, it's more light- hearted. The 3D (and I'm pretty much a 3D lover) is great, lots of pop out, great depth, works really well with the scenery, creatures, action scenes. There are some really bad-ass scenes throughout the movie.
All in all, a truly bad-ass, kick-ass, fun movie that will get destroyed by the critics who seem like they can't just enjoy a blockbuster for what it is.
COTT was really bad and disappointing. In WOTT, Worthington is much better (I love the guy, but he was bland in COTT, and he says so himself, very professional guy), pretty intense, loved the scenes with his son Helius, nice moments with Zeus as well, he gets his ass kicked and kicks some major ass.
Neeson is great, Fiennes is really at ease, Kebbell is good, Nighy great as usual, Ramirez great (even though critics don't seem to think the same thing).
Incredible CGI, really, Kronos, Chimera, Tartarus, great set pieces, great monsters, beautifully shot, Liebesman really has an eye for the visuals, sometimes hand-held and shaky cam is used, and it works well. The action was for me most of the time mind-blowing, especially the last third of the movie.
Story is much better, even though dialogues are weak, it's more light- hearted. The 3D (and I'm pretty much a 3D lover) is great, lots of pop out, great depth, works really well with the scenery, creatures, action scenes. There are some really bad-ass scenes throughout the movie.
All in all, a truly bad-ass, kick-ass, fun movie that will get destroyed by the critics who seem like they can't just enjoy a blockbuster for what it is.
SPOILER FREE REVIEW
Let me start this right off the bat and tell you it's better than Clash of the Titans(Even though that's not saying much)However, Wrath of the Titans supplies enough action set pieces, that you have a good enough flick that you should check out this weekend. The plot is very simple, it's set 10 years after the events of the first film where Perseus and his son fish for a living. Hades and Zeus' son Ares trick Zeus and capture him. Now, the titans are getting stronger while Zeus is getting weaker. Perseus has to go to hell to save his father. There are some pretty cool monsters in this film, like the demons Makhai and the scene with Kronos is AMAZING. If you're looking for a good time this weekend and go into this movie with an open mind. Then you will definitely have a good time watching Wrath of the Titans. 8/10
Let me start this right off the bat and tell you it's better than Clash of the Titans(Even though that's not saying much)However, Wrath of the Titans supplies enough action set pieces, that you have a good enough flick that you should check out this weekend. The plot is very simple, it's set 10 years after the events of the first film where Perseus and his son fish for a living. Hades and Zeus' son Ares trick Zeus and capture him. Now, the titans are getting stronger while Zeus is getting weaker. Perseus has to go to hell to save his father. There are some pretty cool monsters in this film, like the demons Makhai and the scene with Kronos is AMAZING. If you're looking for a good time this weekend and go into this movie with an open mind. Then you will definitely have a good time watching Wrath of the Titans. 8/10
The Gods indeed deserved better than the 2010 remake of 'Clash of the Titans', a wholly ill-conceived attempt at revisiting the campy Ray Harryhausen sword-and-sorcery epic that instead replaced the original's stop-motion visual effects with second-rate CG effects. And certainly, the producers seemed to have heeded the call with this sequel, retaining the fine cast from the original- Sam Worthington, Liam Neeson and Ralph Fiennes- while opting for fresh writers and a new director.
It's still as important however to keep your hopes down for 'Wrath of the Titans', especially for those expecting a sweeping mythological epic. Taking over the reins from French director Louis Leterrier is Johnathan Liebesman, and going by his previous works- 'The Texas Chainsaw Massacre: The Beginning" and "Battle: Los Angeles"- the man is at best an efficient but uninspired director who pays more attention to visceral pleasures than to anything resembling depth.
That is certainly true of his work here, which vastly improves the action sequences of the original but little else. As if singularly devoting his time to create mind-numbing big-budget sequences, Liebesman invests little in the story and in his characters- God, demi-god and human alike. Both are mechanical at best and engineered with a specific purpose of taking his viewer from one jaw-dropping sequence to another, never mind the inconsistencies or the leaps of logic along the way.
So despite the exposition, the plot of the entire movie can be summed up in a one line- to save Zeus (Neeson) from his conniving brother Hades (Fiennes) and jealous son Aroes (Edgar Ramirez), the demi-god Perseus (Worthington) leaps back into full battle mode since retiring ten years ago to a quiet life in a small fishing village. Before facing the worst of them all, Perseus will have to go up against a host of hideous- looking monsters- a fiery-mouthed Chimera with two heads at the front and a snake's head at its tail; a trio of towering Cyclops giants; a Minotaur; and a band of half-man, half-rock soldiers with four arms and two bodies that twist around on a pair of legs.
There's no denying that the creatures this time are much more inventive, and the action sequences choreographed much more skilfully, adding up to a much more thrilling time than what its predecessor offered. Saving the best for last, Liebesman also crafts an epic finale with a gigantic lava-spewing monster known as the Kronos that also involves a whole legion led by warrior-queen Princess Andromeda (Rosamund Pike). The victory call at the end may be a tad overdone, but the climax alone is worth the price of admission and surprisingly impressive even in post- converted 3D.
Pity then that the rest of the movie often pales in comparison- and perhaps the most jarring of all is the poorly defined interfamilial conflict between Zeus, Hades and Aroes. Screenwriters Dan Mazeau and David Leslie Johnson (working off a story that's also credited to Greg Berlanti) give Aroes little motivation behind his father's betrayal other than his envy of Perseus, nor do they manage the sibling tension between Zeus and Hades convincingly. Worse still, they try to turn Hades into a less straightforward character by casting him as a reluctant pawn in Aroes' scheme midway into the movie, and the subsequent reconciliation between Zeus and Hades is laughable even with the considerable acting talents of Neeson and Fiennes.
Certainly, both thespians are well aware of the thin material here, but kudos to the pair for trying to imbue their Godly characters with the gravitas they usually bring to their roles. Among the more interesting additions to the cast are Bill Nighy as the loony weapons-maker Hephaestus whom Perseus approaches for help to gain entry to the underworld labyrinth Zeus is held captive, as well as Toby Kebbell as Poseidon's son Agenor and the only other character besides Hephaestus to have a sense of humour in the entire movie.
Indeed, the movie takes itself too seriously for its own good, ignoring its own campy origins in favour of a self-serious sensibility to its storytelling that only further exposes its plot and character flaws. This is, and perhaps has always been, about watching Gods, demi-gods and monsters go at each other with sound and fury- and thankfully, this sequel easily betters its predecessor on this regard alone. That's not likely to be enough to make the Gods happy though, but for those of us mortals looking for big-budget mind-numbing spectacle, this will do just fine.
It's still as important however to keep your hopes down for 'Wrath of the Titans', especially for those expecting a sweeping mythological epic. Taking over the reins from French director Louis Leterrier is Johnathan Liebesman, and going by his previous works- 'The Texas Chainsaw Massacre: The Beginning" and "Battle: Los Angeles"- the man is at best an efficient but uninspired director who pays more attention to visceral pleasures than to anything resembling depth.
That is certainly true of his work here, which vastly improves the action sequences of the original but little else. As if singularly devoting his time to create mind-numbing big-budget sequences, Liebesman invests little in the story and in his characters- God, demi-god and human alike. Both are mechanical at best and engineered with a specific purpose of taking his viewer from one jaw-dropping sequence to another, never mind the inconsistencies or the leaps of logic along the way.
So despite the exposition, the plot of the entire movie can be summed up in a one line- to save Zeus (Neeson) from his conniving brother Hades (Fiennes) and jealous son Aroes (Edgar Ramirez), the demi-god Perseus (Worthington) leaps back into full battle mode since retiring ten years ago to a quiet life in a small fishing village. Before facing the worst of them all, Perseus will have to go up against a host of hideous- looking monsters- a fiery-mouthed Chimera with two heads at the front and a snake's head at its tail; a trio of towering Cyclops giants; a Minotaur; and a band of half-man, half-rock soldiers with four arms and two bodies that twist around on a pair of legs.
There's no denying that the creatures this time are much more inventive, and the action sequences choreographed much more skilfully, adding up to a much more thrilling time than what its predecessor offered. Saving the best for last, Liebesman also crafts an epic finale with a gigantic lava-spewing monster known as the Kronos that also involves a whole legion led by warrior-queen Princess Andromeda (Rosamund Pike). The victory call at the end may be a tad overdone, but the climax alone is worth the price of admission and surprisingly impressive even in post- converted 3D.
Pity then that the rest of the movie often pales in comparison- and perhaps the most jarring of all is the poorly defined interfamilial conflict between Zeus, Hades and Aroes. Screenwriters Dan Mazeau and David Leslie Johnson (working off a story that's also credited to Greg Berlanti) give Aroes little motivation behind his father's betrayal other than his envy of Perseus, nor do they manage the sibling tension between Zeus and Hades convincingly. Worse still, they try to turn Hades into a less straightforward character by casting him as a reluctant pawn in Aroes' scheme midway into the movie, and the subsequent reconciliation between Zeus and Hades is laughable even with the considerable acting talents of Neeson and Fiennes.
Certainly, both thespians are well aware of the thin material here, but kudos to the pair for trying to imbue their Godly characters with the gravitas they usually bring to their roles. Among the more interesting additions to the cast are Bill Nighy as the loony weapons-maker Hephaestus whom Perseus approaches for help to gain entry to the underworld labyrinth Zeus is held captive, as well as Toby Kebbell as Poseidon's son Agenor and the only other character besides Hephaestus to have a sense of humour in the entire movie.
Indeed, the movie takes itself too seriously for its own good, ignoring its own campy origins in favour of a self-serious sensibility to its storytelling that only further exposes its plot and character flaws. This is, and perhaps has always been, about watching Gods, demi-gods and monsters go at each other with sound and fury- and thankfully, this sequel easily betters its predecessor on this regard alone. That's not likely to be enough to make the Gods happy though, but for those of us mortals looking for big-budget mind-numbing spectacle, this will do just fine.
- www.moviexclusive.com
¿Sabías que...?
- CuriosidadesGemma Arterton was originally supposed to return, but scheduling conflicts with Hansel y Gretel: Cazadores de brujas (2013) prevented that. Her character was written out, rather than being re-cast, as Andromeda was.
- PifiasDuring various battles the archers are told to "fire" or "hold fire" also the artillery was told to "fire". The term "fire" didn't come around until the advent of gunpowder powered weapons. The correct command would have been "Loose".
- Créditos adicionalesThere are no opening credits for this movie
- ConexionesFeatured in Maltin on Movies: Wrath of the Titans (2012)
- Banda sonoraWrath of the Titans
Composed by Javier Navarrete
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- How long is Wrath of the Titans?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Ira de titans
- Localizaciones del rodaje
- Tenerife, Canary Islands, España(exterior scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 150.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 83.670.083 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 33.457.188 US$
- 1 abr 2012
- Recaudación en todo el mundo
- 301.970.083 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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