La mujer de negro

In London, the lawyer Arthur Kipps (Daniel Radcliffe) still grieves the death of his beloved wife Stela (Sophie Stuckey) on the delivery of their son Joseph (Misha Handley) four years ago. His employer gives a last chance to him to keep his job, and he is assigned to travel to the remote village Cryphin Gifford to examine the documentation of the Eel Marsh House that belonged to the decently deceased Mrs. Drablow (Alisa Khazanova). Arthur befriends Daily (Ciarán Hinds) in the train and the man offers a ride to him to the Gifford Arms inn.

Arthur has a cold reception and the owner of the inn tells that he did not receive the request of reservation and there is no available room. On the next morning, Arthur meets the solicitor Jerome that advises him to return to London. However Arthur goes to the isolated manor and soon he finds that the Eel Marsh House is haunted by the vengeful ghost of a woman dressed in black. He also learns that the woman lost her son drowned in the mush and she seeks revenge taking the children of the scared locals.

"The Woman in Black" is a dramatic horror film by Hammer with a good ghost story developed at a slow pace. The beginning is very similar to Bram Stoker's Dracula, when the young lawyer Jonathan Harker is sent to a remote village to a real estate business and has a cold reception by the villagers.

The vampire is replaced by the evil ghost of a woman in black that takes the children from the dwellers. The conclusion is a little disappointing but the film certainly makes the viewer startle many times along 95 minutes running time. My vote is seven.

Title (Brazil): "A Mulher de Preto" ("The Woman in Black")

"The Woman in Black" is an exceptional horror film...and much of it is because the plot is very unique and the ghost is one god-awful creature!

When the story begins, Arthur (Daniel Radcliffe) is sent on a business trip to sell Eel Marsh House....a mansion that's somehow sat vacant for years. Soon after arriving, Arthur starts to understand why....it's because the place is haunted. However, it's not a typical sort of ghost...it's an evil and vengeful spirit who is angry at the town and has been killing its children! The deaths are all very creepy and vivid...and Arthur is bent on trying to appease this evil ghost. Good luck with that, Artie!

The film really excels when it comes to a creepy atmosphere. A lot of time, you are waiting for something terrible to jump out at the screen and it works well because they both kept the tension building AND made a great payoff when it did happen! Overall, a wonderful and very creepy horror film...one of the best I've seen...and nearly earning a 10.

I am vividly aware, as are most avid moviegoers, of the horror movie machine. It churns out Final Destinations, exorcism films, and at an even higher frequency, ghost films. At first glance, The Woman in Black appears to be yet another of these "ghost films," where cheap scares, predictable plot "twists," and horrible acting drag the viewer down into an hour-and-a-half maelstrom of mediocrity that can only end at the appearance of "Directed by..."

According to most of the reviewers thus far, The Woman in Black was a letdown. So perhaps it is because I went into the film with no expectations that I came out of it impressed and very, very shaken. I do not plan to explain the plot to you (many have done this already and there is a synopsis which does a far better job than I could), but I will argue in favor of how successfully scary this film was. Yes, it contains ghost film elements we have all seen before, but they are cleverly and patiently arranged so that the viewer becomes totally enveloped in atmospheric dread. Sure, there are "jump" scares, but these are also complimented by many shots which unfold slowly and effectively. It sometimes reminded me of the 1961 film, The Innocents, if that gives you a better idea. Radcliffe is also a worthy focal point of the film, keeping most of the fear and anticipation unspoken throughout.

I would not nominate this film for any kind of award, but it achieves what I believe should be the ultimate goal of all "horror" movies: to draw us in so close that when our fear manifests itself on-screen, it is already too late to turn away. It rates high as one of my favorite horror theater experiences, alongside The Descent and The Strangers.

The Woman in Black is a great relief at times where blood and gore depends on whether a film is scary or not. Daniel Radcliffe delivers us a mighty fine performance. The best thing I felt about this film was, the atmosphere which remained dark throughout the 90 minute runtime. The first thirty minutes or so depend a lot on jumpscares that are somewhat effective but bland. In fact, the terrifying moments in this flick, are rare. It focuses on the content, and everything that makes a film perfect. However, the entire subject of children walking to their own deaths is rather unsettling. The film scares a person based on how they define 'scary'. If you are the person expecting a lot of gore and messed up faces and things like that, turn away, this film ain't for you. Watch this one for stellar performances, a great story, and fine scares that are actually the epitome of 'actual horror' A good watch.(Moreover, this one is set in the early twentieth century. There is something extremely pleaseful about period horror, dont you think?) So, I rate this film a much deserved-7.2/10

There's nothing to dislike about this new version of Susan Hill's classic ghost story, THE WOMAN IN BLACK, except that it's been filmed before (in the 1980s) and, inevitably, the earlier one was better. But this release of the story, made by the newly-revamped Hammer films, gets most things right.

First off, the production has a wonderful look to it. The locations are wonderfully bleak and isolated and the backdrops scream Gothic. The characters look and feel right, from the reliable Ciaran Hinds to, yes, Daniel Radcliffe as the youthful hero (I'm no fan of Radcliffe in the Potter films, but having seen MY BOY JACK I'm convinced of his talents).

The horror aspects of the story are where this new production falls down a little. Not because they're bad, because the scares are efficient enough in themselves...it's just that they're so, well, predictable. THE WOMAN IN BLACK is one of those films that suckers the reader into a quiet moment before startling them with a sudden movement or loud noise (and sometimes both together). And it does it over and over again. And again after that.

Still, for me, mood and atmosphere is everything, and at least this gets that right. The scares may be predictable, but in all other respects THE WOMAN IN BLACK is a film that pays affectionate homage to both its source material and the kind of glorious ghost stories of old.