El caso Fischer

Pawn Sacrifice gets to dramatize the real-life story of Bobby Fischer (Tobey Maguire), Cold War-era chess prodigy and champion. In a clear attempt at prestige candidacy, the film falls victim to the usual biopic pitfall by relying solely on the events as they played out, as opposed to using them to determine a story worth telling. Maybe a bit too long but certainly worth it

Greetings again from the darkness. Being such a fan of the expert documentary film BOBBY FISCHER AGAINST THE WORLD (2011), I found it a bit challenging to clear my head and accept a dramatized approach to the story. This was after all, one of the most fascinating reluctant public figure during one of the most energizing signature events of the Cold War between Russia and the United States … it was even described as World War III on a chess board.

Director Edward Zwick (Glory, Blood Diamond) and writer Steven Knight (Locke, "Peaky Blinders") wisely focus the story on the infamous World Chess Championship match in 1972 between American Bobby Fischer and Russian Boris Spassky. This was 8 years prior to the "Miracle on Ice" when the USA Olympic hockey team upset the powerhouse Russian hockey team, but this chess match caused every bit as much media frenzy and national pride as that day in Lake Placid. This international attention is as important to the story as the psychological state of Bobby Fischer and his genius-level chess skill. And it's the media and citizenry reactions that provide the contemporary comparison to what we see too often these days thanks to social media … icons are born, chewed up, and forgotten.

Tobey Maguire plays Fischer, and despite lacking the height and physical presence of the real chess champion, he expertly conveys the paranoia, fear, and arrogance that burdened the man and created even more suspense for those of us keeping a watchful eye at the time. Liev Schreiber ("Ray Donovan") plays Boris Spassky, and even speaks his lines in Russian. Schreiber captures the iciness for which the Russians were known, but also interjects subtle personality and insight in a story where his adversary is constantly over-the-top. Chess strategy isn't so much the story here, as are these two men from different worlds forced together on a stage in Iceland – with the full attention of the world.

Supporting work is varied, but exceptionally strong. Robin Weigert plays Bobby's mother, and we get glimpses of why he later suffered from Mommy issues – in no small part to her intimate gatherings of Communist friends. Lily Rabe is touching as Bobby's sister and possibly the only person who ever had his best interest at heart. However, the real intrigue comes in the form of Peter Sarsgaard as Father Bill Lombardy, and Michael Stuhlbarg as Paul Marshall. Lombardy was Fischer's coach and confidant, and seemed to be the only one who grasped the severity of Bobby's mental state. Marshall, a well known attorney in the Music industry, is a shady fellow who seems connected to the government, and is really the driving force behind getting Fischer to play Spassky. More background and the motivation for these two gentlemen would have been welcome and filled a gap.

The story of the tortured genius always makes entertaining fodder – think Van Gogh, Mozart, and John Nash. Bobby Fischer certainly fits that description, but his story is frustrating because we just don't understand the mental issues that caused him to evolve from teenage chess prodigy to World Champion to literal anti-social outcast spewing hateful words (watch the end credit film clips). This film is a worthy primer for the man and the times, and a reminder that we are always searching for the next hero … the next person to hoist up on the pedestal, only to be replaced soon after with another, and then another. Perhaps the film says as much as about us as a people, as it does about Bobby Fischer as a person.

When I was a kid, Bobby Fischer was a big deal. He was a brilliant chess player known for his eccentricities. And I was perplexed as to how chess had become a big deal.

Turns out it was another cold war proxy fight in which the U.S. and Russia were trying to prove their inherent superiority. This was not Bobby Fischer's idea; he just wanted to be a chess champ. In the movie, he's fairly oblivious to the tides of history, at least until he gets caught up in paranoid theories.

This is a very interesting movie with a terrific performance by Tobey Maguire that manages to make chess riveting even if, like me, you have to real idea what's going on. The story it tells is clear and concise, as a mercurial Fischer descends into paranoia while those around him push him forward at any cost.

In fact, the story is a little too neat. The movie feels very much like the movie you'd expect to see if you remember Bobby's weird demands and celebrity. But usually life is a little more complicated than a movie. Reading about Fischer on wikipedia, I saw things that didn't fit in with the movie's view. For example, Fischer was unusually athletic for a chess player, working out regularly during the World Championship, and his love life went beyond hooking up with a prostitute; he later married, which is hard to imagine of Maguire's version.

Still, this is a fascinating, well paced movie that is constantly engaging. This is one of these movies, like All the President's Men, that has figured out how to bring intense drama to hard work and tedious thoroughness.

It also makes me wish I'd actually read some of those chess books my dad bought me; I always just sort of stumbled through without ever understanding the complexities of the game.

Well, the reviewer before me absolutely trashed this film for its dramatic license, so now I don't know what to say.

This is the highly fictionalized story of Bobby Fischer, a chess fanatic and genius who rose to the very top of his field. He was part of a Russia vs. U.S. superiority struggle when he played Boris Spassky (Liev Schreiber), the world champion back then, in the '70s. It's unlikely he understood that; he didn't have a broad or worldly focus. The chess was all he cared about, that and money.

Biopics sometimes take a lot of liberties. Characters are made up, time is shortened, incidents are moved around, elements are put in for dramatic emphasis. That's why you can't take a biographical film as factual. It's better if you become interested in the person and read about him, as I did about Fischer, though I remember him.

Toby Maguire does a fantastic job as Fischer. Yes, Fischer was tall and Maguire is short. Frankly I wasn't made aware of Maguire's height while watching the film.

I believe the filmmakers were trying to give us a psychological story -- a complete genius with an IQ of 181 but one who also had mental problems. Lots of so-called geniuses are strange, I suppose, but Fischer was a real study in opposites.

He often made unreasonable, last-minute demands, made anti-Semite remarks, and accused the Russians of colluding against him. In the second game of his world championship against Spassky, he didn't show up. Nevertheless, his achievements in chess were remarkable, and many consider him the greatest chess player who ever lived.

His later life was a mess; he became reclusive; his passport was revoked and finally, Iceland took him in. By then he was off the wall completely.

Edward Zwick directed this film with a lot of zip and made it an intense and absorbing experience, as did the actors.

Look at this as the psychological story of a phenomenal talent whose emotional/mental problems interfered with his life and career. Don't take it as the detailed life of Bobby Fischer, his relationship with his mother, and who taught him what. The most interesting thing about him was his incredible talent.

Tobey Maguire is a very fine actor. Regrettably, he is not cast very frequently and since the failure of "Spider-Man 3" in 2007, his fans have not seen very much of him. With "Pawn Sacrifice", however, he once again showed his talent, depicting American chess genius and grandmaster Bobby Fischer from his childhood years up to the famous World Chess Championship in Reykjavík, Iceland in 1972. Co-starring Liev Schreiber, Peter Sarsgaard and Michael Stuhlbarg, the film has no lack of good acting.