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In over half a century of cinema-going, I've seen a (deliberately) wide range of movies, including some really strange and cryptic work, and I have to say that the Australian "Sleeping Beauty" falls firmly in the odd and opaque category. Coincidentally another film in the very unusual bracket is the similarly named "Sleeping Furiously" set in Wales. "Sleeping Beauty" is not quite as slow - although it is very measured indeed - but the obscure meaning of many scenes sets it apart. There is as much nudity as "Eyes Wide Shut" with which it bears (sorry for the pun) some comparison, but a much weaker storyline.

This is an adventurous selection for a first film from Julia Leigh who both directed and wrote this strange tale of a Sdyney student who is prepared to sell her body in a variety of circumstances in order to pay her bills. And it is a bold choice for Emily Browning who moves on from "Sucker Punch" to take the eponymous role, meaning that she is rarely off screen and has to appear totally nude. There is virtually no music and very little dialogue (especially from Browning) so there is an astonishing focus on her face - doll-like with high cheek bones and cupid lips - and her body - diminutive, pale and slight.

But this is far from being an erotic work; in fact, it is a depressing one. None of the characters elicits our sympathy or warmth and Browning's character Lucy seems to be sleep-walking and drugged when she is not actually sleeping and drugged.

I left the theater after seeing Sleeping Beauty shaking my head. Both my wife and I felt more than a little cheated. It really takes a special kind of bad to make a beautiful girl -- prostrated naked all over the screen for the better part of the movie -- boring and unappealing. And yet, this is precisely what we got from it. Why? The problem seems to be that much of the tension and drama hinges on empathizing with Emily Browning's character, a girl shallow and adrift, yet simultaneously cold to the world. Financial predicaments and dissatisfaction with life make her teen angst blossom into ugliness. The expression "bored people are boring" comes to mind.

I do not wish to recount plot details beyond what is outlined in the summary, in case you decide to see the film for yourself. However, tonight my wife discovered an earlier film from Germany, which shocked us, having seen Sleeping Beauty so recently. The film is called "House of the Sleeping Beauties", directed by Vadim Glowna in 2006, based on Yasunari Kawabata's much older novel. What's peculiar is that House of the Sleeping Beauties is so painfully close to Sleeping Beauty, it's not funny. Virtually every critical plot point is present in both films. And yet, House of the Sleeping Beauties is made from a completely different perspective and strikes a decidedly different tone. It's more nuanced, more three-dimensional, more mysterious. It's... just better. The night we saw Sleeping Beauty, my wife and I agreed that despite all the drawbacks, the premise held something and the film could have been good. House of the Sleeping Beauties is that better film.

I sincerely hope that Julia Leigh meant to reference the earlier German work and create an interplay between them. It's an interesting idea. Though, I'm a bit skeptical, seeing as there appears no mention of the other it anywhere in the credits, nor in marketing or writing around Sleeping Beauty itself.

When you create a film and title it "Sleeping Beauty," you had better not make it boring. Otherwise, you'll get reviews utilizing every possible play on the word "sleep," but more importantly, word of mouth will spread using the same types of puns. When you use a title made famous by the Disney animation, you're going to have to guard against those comparisons as well. As you can see, this film is already on the defensive.

To put even more pressure on "Sleeping Beauty," before it has even begun, is the fact that it is the directorial debut of a novelist. Julia Leigh also wrote the screenplay, but it is her first time stepping behind the camera to helm a film production. This isn't necessarily a bad thing, but it means an even bigger risk was taken by the studios, and just as many debuts fall flat as they do flourish. Luckily, Leigh's is a success, even if her film isn't going to be something that many people are going to enjoy.

To start the film, we begin by watching the daily routine of a young woman named Lucy (Emily Browning). The first scene made me cringe, as we find out that one of her many jobs involves testing out medical equipment. We watch a tube being inserted down her throat. This is done in one unflinching shot that has the opposite effect on the viewer. Later on, we learn she also does office work and works at a restaurant, but the medical testing was by far her worst job.

Why does she need to work three jobs? That's really a good question. We learn that she's behind on her rent, and also goes to school. Maybe school is really expensive, but she only seems to have one class, which can't be too heavy a burden. She's renting a room from people she knows, and I wouldn't think that would be that expensive either. Why she doesn't pay her rent on time, I'll never know. This isn't a film that's going to lay things out for you.

Because working three jobs isn't enough for Lucy, she inquires about an ad in the paper that requires her to serve dinner to old rich men while wearing lingerie. It pays $250 an hour, although it's freelance work, we're told. She works once, and after she gets home, she burns a $20 bill. Why? Again, I don't know, and it's actions like this that make me think she isn't wanting for cash. Regardless, working multiple jobs, including the dinner-while-wearing-lingerie one, continues for most of the film, even as her performance gets so bad that she sometimes sleeps on the floor while working.

Sleeping is something she'll end up doing quite a bit as the film continues on. She was told when she took the server job that there were opportunities for promotion. She gets that chance later on, when she's told that she can take a drug, lay naked in bed while passed out, and sleep for a few hours. Oh, and an elderly man will come in and sleep with her while she's knocked out. "Sleep with" in the literal sense of the meaning, as actual intercourse is forbidden.

Not that Lucy really cares. She doesn't seem to care much about herself, and would probably have accepted the job without the binding rule. She's the type of nihilist that will do whatever anyone wants her to do at the flip of a coin. At a bar, she's approached and asked if she wants some cocaine. "Why not?" is her response. Later, two men she just met actually use a coin to decide which one would have sex with her that night. She doesn't care, although come to think of it, I can't remember her saying "no" once to anyone in the film. She's very polite, even if she has no regard for her own body.

There's a lot of symbolism in the film, and if you thought this was a film that's going to make it easy on you, you can look elsewhere. You're going to have to infer a great deal about the characters and their reason for doing what they do for most of the time you watch them. I can see this being seen by some as a lack of character depth and development, but I think it's all there and just hidden behind imagery and a classic fairy tale. The way I saw "Sleeping Beauty," it actually does steal a couple of things from Disney cartoon. Unfortunately, giving that away now might change the way you view the film, so instead, go in with as fresh a mind as you can. This is a movie that will reward subsequent viewings.

If there's a problem here, it's the character of Lucy. She's often difficult to like, and because she's such an apathetic person, not a lot goes on. She's little farther, for better or worse, when the film ends than when it began. None of the blame can go to Emily Browning, as she plays her without fear, but the way the character is written means that she's not exactly amiable or has a decent enough personality to build a film around. This is largely forgotten about once it gets going, but upon reflection, making her grow as the film progressed would have improved it as a whole.

Regardless, I was engaged by "Sleeping Beauty." Is it for everyone? Not at all. If you like artsy films that are there for you to figure out instead of being told everything about them, then it might work for you. It has a solid performance from Emily Browning in the lead role, and it has enough imagery and symbolism to keep you coming back for another watch. That is, if you don't fall asleep during the first time.

Featuring Australian actress Emily Browning in the titular role, this bizarre and uncomfortable art film is almost worth watching for her exquisitely pretty face alone; but alas, she plays an utterly depressed character completely devoid of feelings, emotions, and, well, character—a combination uncomfortable to watch whatever face is behind it.

Sleeping Beauty finds Emily Browning portray a college student who allows herself to be drugged into unconsciousness and played with by perverted old men for money—though in a bizarre turn of events it turns out she seems to care for the money as much as she does her maltreated body.

She also has a bizarre friend known as "Bird Man" who seems to be in love with her. Whatever the case—long periods of naked unconsciousness; old wrinkled men in the buff; and a seriously depressed, repressed, oppressed, and suppressed protagonist make this a very bizarre and uncomfortable art film.

(Disclaimer: The film features gorgeous cinematography and has an affecting plot, even if it isn't entirely discernible. Certainly worth watching)

I will carefully watch the career of Director Leigh and at all costs avoid anything that she ever makes again. There is a severe and astounding lack of story line or plot and any promise of a haunting, thrilling complex tale is a flat out lie. The film is a disjointed sequence of odd non relating scene's some of which are totally pointless and the rest are only fairly pointless. I would recommend anyone to watch anything else than this. There is no subtext, there is no complexity only pretentious gibberish. I hope this does not mean the end of Emily Browning, who was faultless in Sucker Punch but if that is the cost of never hearing of this film again it will be a bargain. 1 star and a grudging one at that!

This movie's trailer got people talking because of its very Kubrick vibe. And, in fact, the movie explores territory very similar to 'Eyes Wide Shut'. How sex has become more liberal and extreme, yet also sterile and disconnected.

The lead character, Lucy, (Emily Browning - a long way from Lemony Snicket) exhibits this. She'll sleep with people at the drop of a hat, yet with little evidence of desire. In fact, there's hardly any evidence that she processes strong emotions at all. She just goes about her business. Things happen to her, and she's too reticent to shrug them off.

To solve financial worries, Lucy gets a job at a posh, exclusive establishment where she is willingly placed naked and unconscious in a bedroom for a client, to do with her as he wishes (except penetration).

Through Lucy and the various clients, we see how we need vulnerability in others to relax the masks that we wear. Otherwise, we are so preoccupied with maintaining an image that we don't even try and connect with others. Emily Browning does well at rounding out the expressionless Lucy, and the voyeuristic nature of the material makes the movie entertaining. Unfortunately, the ending, though a pretty logical conclusion, also feel anti-climatic, a tad obvious and leaves us feeling short-changed.

The film is an interesting, respectful, non-gratuitous effort, yet many will ultimately find it like the leading lady - pretty impenetrable.

Sleeping Beauty is a fanciful 'indie' movie about a girl, Sara, who has numerous mundane jobs as she attends an Australian university, but decides to take on some *ahem* nightwork as an inanimate object who sleeps alongside paying customers.

It's one of those films that leaves me wishing that I was smarter. I figure that way I'd like movies like this more.

Let's face it - it's different. It's different in the way it's shot, the way it tells it's story, the way the actors speak and are asked to perform and it's definitely not your average Hollywood output. It's an independent film which, if it's lucky, will achieve a cult following.

The dialogue is slow (if there is any at all), there is even less background music, it is filmed largely with one static camera shot per scene (scenes which tend to go on for longer than you might expect) and the actors all behave very aloof.

I have nothing against films that go against the 'classic Hollywood narrative.' The film industry needs them. And I'm no prude when it comes to tackling sensitive adult issues on film. However, sadly, I have to come down on the side of those who thought this film was just simply boring. I know it tries to be shocking and different. I just thought it was dull.

It's basically one of those love/hate films. I've read plenty of other reviews on it and about half side with me, while the others praise its artistic merits and depth of film-making. That's fine. Just expect to either turn it off after twenty minutes or sit riveted to the end in admiration.

Now, if you'll excuse me, I'm now off to watch Bruce Willis slapping bad guys and giant monsters trashing New York.

This is just a quick slapped together opinion.

I found this movie interesting and it kept my attention the entire time. I was slightly disappointed with the ending, however there were a lot of very important messages in this film particularly relevant to the world that we live in today.

I am surpirsed that it's rating is so low after actually taking the time to watch it.

I had a lot of depth and considering what most Australian films are like that makes me want to give this one even more credit.

Worth a watch I think.

It's not like I'm not capable of appreciating a good artistic or original movie, on the contrary really but this movie is offering far too little to make it stand out on any level.

Perhaps it's true that I'm simply getting fed up with these sort of movies, since I have seen far too many of them already. It's the sort of movie that's all too well aware of its style and realizes very well its being part of the more artistic, independent movie genre. It's therefore being just like any other movie out of the genre basically, without offering anything new or provoking.

It has a very deliberate and well thought out and planned, style of film-making to it. It doesn't feel spontaneous in any way. The movie very rarely cuts away. When there is a cut in this movie, it means that the scene is over and another one, set at another place will start. The camera does move at times but lots of times the movie only consists purely out of static shots, with characters sitting or standing in the foreground. It's all too forced and obvious and if I want a front-view of actors, with a few props and sets, I'll go and watch a stage-play. The possibilities with movies are now days pretty much endless, yet the movie is doing absolutely nothing with it. It's minimalistic and slow, up to a point that the movie actually starts to become a bit of a drag. It manages to make 104 minutes seem like a very long time!

So is the movie pretentious? It's deliberately trying to be an artistic one, with its images and storytelling but I wouldn't go as far as saying it's being a pretentious one, since this is director's Julia Leigh first movie and I do believe all of her intentions with it were very honest. Still she really needs to work on developing a style of her own, that really suits her and the stories she is trying to tell with her movies. There now still is nothing that makes her style unique from anything else, or distinctive in any way. It also wouldn't had harmed the movie if she got a more experienced screenplay writer to come in and help to write the story with her. I actually do feel and believe that the story worked well on paper but on the silver screen it really falls flat.

It all really could had still worked out well if the movie indeed had an intriguing story or main character in it. But the movie tries to tell its story more so with its images, rather than featuring a real good main plot line or emotions in it. It does come across a bit as some lazy film-making; 'Don't worry about the script or actors, just place a camera in a room and let the emptiness and remoteness of the scene tell the whole story'. Sorry, I just really wasn't falling for that.

It does make Emily Browning's role also a bit of an ungrateful one. Ever since she had been appearing in movies and series as a child, it was apparent that she would one day not only grow into becoming a beautiful woman but also a great star and actress. However after seeing her in this movie it also becomes apparent that she isn't quite ready for it to play a lead role and carry a movie almost entirely on her own. But all of the blame can't fall entirely on her in this case, since it probably was director Julia Leigh that told her to play her character as a very distant and emotionally bland one. Seriously, she is hardly ever showing any emotions on her face. You can't really tell if she is ever happy or sad and as a viewer it makes you feel very detached from her. This is also because she is doing some very unusual and unlikely things in this movie. It never becomes really apparent why she does them and why she is the way that she is. The movie is not really offering you an exploration into a young woman's mind and her journey in life, on her way of becoming a true woman. Just like many of its scene's, the movie feels mostly as a very empty and distant one.

And what was with here wearing the same type of clothes throughout the entire movie? She is either wearing a skirt or a dress, with some high boots, or she is either half- or completely naked. Nothing wrong with showing some skin but Emily Browning's body looks like a 13-year old, even while she was 23 at the time. The clothes she was wearing really didn't seemed to suit her body type and it actually worked quite distracting for me. It made me want to send her some money, so she could buy some pants and normal shoes.

Some people might still get something out of the movie its images or will read deeper into some of the movie its moments but personally I got very little out of this movie. It was a very empty movie story-wise and an emotionally bland one, that by the end left nothing more than a very redundant impression on me.

5/10

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Sleeping Beauty is based on the novel The House of the Sleeping Beauties, by Yasunari Kawabata.

Its a tale of a young woman, who, dressed in very little, waits on and, as the film progresses, eventually sleeps, in a drugged state, with wealthy older men. No sex takes place, the men are only allowed to touch her, a rule outlined and enforced by the upper class madam, who farms the girls out to her prominent clients.

Sleeping Beauty is not an easy film to come to grips with. On the surface the overriding feeling is one of emotional and societal nihilism, expressed through a sexual medium. Delving deeper the real heart of the story would appear to be one of dispossession. The loss of one's self, which leads to nihilistic behavior on the part of its key protagonists.

Lucy, a university student experiences loss of home, family and her best friend.Her world is a cold place, inhibited by people who are indifferent to Lucy and only see her in terms of her "value" to them. Lucy's response to being treated as a commodity, is, to play her would be users at their own game, selling herself to the highest bidder. Lucy uses they money she is paid to create her own shallow, materialistic world. Predictably, however, money does not fill Lucy's emotional void any more than it does the other key protagonists of this film, her wealthy clients.

Lucy's clients are, in their own way, no different to Lucy. Like Lucy money has not freed them from their emotional bonds but has, in fact, bound them more tightly. Money obliges them to follow societal expectations in terms of their family and working lives, leaving them bereft and empty. Their attempts to escape their personal dispossession, play out in the perversely erotic fantasy world they share with Lucy.

In terms of acting and directing, this is a polished film. The quality of acting, in particular, is of a very high standard.The overall direction of the film is well managed too but the atmosphere of impersonal coldness that inhibits the film is overplayed. As a consequence, its very hard to empathize with Lucy, even though, intellectually, you know you should. The moments of humanity and warmth are simply far too few.

In summary, I would say Sleeping Beauty is certainly a quality film. That said, its not a great film. Its too clinical in its treatment of the subject matter, leaving the viewer numbed by the experience. Its an unwelcome departure from the book, which handles the subject matter with more humanity. Nonetheless a good effort and a worthwhile watch. Seven out of ten from me.

Australian dramas mostly fall into two broad camps - great crime-dramas, e.g. Animal Kingdom and Snowtown, or pretentious crap, e.g. Jindabyne. Sleeping Beauty is one of the latter, and it takes pretentious crap to levels of pretense and craptacularity usually only the French can muster.

No real point to the movie at all. Plot's initial idea is to shock the audience, and even that feels dull and drawn out, reminding me of Eyes Wide Shut. After that it just drifts around and goes nowhere.

Performances are generally unconvincing and dull, in keeping with the plot. Emily Browning was miscast in the lead role (though every other actress out there should be thanking their lucky stars that they don't have this on their CV).

Avoid at all costs. It will save you nearly two hours of your life.