Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.Una mujer que alquila un alojamiento en Airbnb descubre que la casa en la que se aloja no es en absoluto lo que parecía.
- Premios
- 5 premios y 38 nominaciones en total
Sophie Sörensen
- Bonnie
- (as Sophie Sorensen)
JR Esposito
- Jeff
- (as J.R. Esposito)
Reseñas destacadas
For most I think this is one of those either you love it or you hate it movies. After viewing a couple of days ago I still am having issues deciding on which side of that divide I fall. For me, the opening act was exceptional. Skarsgård was fantastic in his role and Campbell also played her part excellently ( for the entire film really), but the two together had a perfect horror chemistry for me. I really was craving more screen time with both of them.
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
The movie then tries to combine a couple different backstories and attach them all together. I would say this was done with moderate success. The exposure of the character flaws was achieved through these backstories that helped the movie display the themes it set out to, however I felt a lot of time was wasted on irrelevant scenes. I suppose this was an attempt to keep you on your toes, but after knowing how the story ends I would have liked other areas of the story to be explored in a little more detail. Specifically, focusing a little bit more on "the mothers" history could have been quite powerful and informing. Instead, the audience is tasked with having to sort of use its imagination to envision exactly how "the mother" became what she is.
Overall, it was fine, loved some parts and hated others. However, I definitely don't see how this would ever be elevated to the level of a "classic".
The first act is pretty good. Atmospheric, nuanced, interesting, decent acting - especially from Skarsgard. I did have to really suspend my disbelief a lot to allow the film to move forward though. Double booked AirBnB, no hotel rooms available, the main charcater had done no research on the area before arriving. Really?
The second act started well and was enhanced because of the events of the first. It works because it sets the audience up in a position where we have more knowledge than the newly introduced characters. It added tension and I was interested in what direction they would take the story.
I liked the way the first two acts played with the personalities / backgrounds of the male leads. Hinting and leaning into social stereotypes but leaving a few clues to the real intentions. It works quite well. I may be crediting the writers too much here, but I think I get the underlying message of this film, but it just gets lost by the end.
The longer the film goes on (and it does feel a bit overlong), the more ridiculous it gets. It feels like it's written by two different people; or they spent so much time on the first half of the movie they had to rush the rest. There are some truly stupid moments that are almost farcical comedy. All the tension drained out of the film, and it just became a series of ridiculous scenes strung together. Events are telegraphed way ahead of time. All the nuance is gone.
It's so disappointing that something so creepy and initially interesting can go so wrong. Ignoring the stupid decisions made by the main charcater in the first act, I would have scored it a 7. The acting is good, the direction is solid, but the story just drags it down so much that by the end I can only give it a 4.
The second act started well and was enhanced because of the events of the first. It works because it sets the audience up in a position where we have more knowledge than the newly introduced characters. It added tension and I was interested in what direction they would take the story.
I liked the way the first two acts played with the personalities / backgrounds of the male leads. Hinting and leaning into social stereotypes but leaving a few clues to the real intentions. It works quite well. I may be crediting the writers too much here, but I think I get the underlying message of this film, but it just gets lost by the end.
The longer the film goes on (and it does feel a bit overlong), the more ridiculous it gets. It feels like it's written by two different people; or they spent so much time on the first half of the movie they had to rush the rest. There are some truly stupid moments that are almost farcical comedy. All the tension drained out of the film, and it just became a series of ridiculous scenes strung together. Events are telegraphed way ahead of time. All the nuance is gone.
It's so disappointing that something so creepy and initially interesting can go so wrong. Ignoring the stupid decisions made by the main charcater in the first act, I would have scored it a 7. The acting is good, the direction is solid, but the story just drags it down so much that by the end I can only give it a 4.
The first half of the movie was very engaging. And let me just point out that the cinematography was some of the best I've seen in recent movies- you get to clearly see what is happening, as well as what's happening in the background at the same time. Camera shots are lined up really well, no shaky cam and don't cut back and forth, which is sorely missing from modern movies especially in the horror genre to build tension. Both actors give excellent performances. Gave this part 8/10.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
Then the second half of the movie happens. Oh ok, this is different but how does it relate to the first part?? Oh ok I see, I can roll with that. 7/10.
But in the last 30 or so minutes, it REALLY falls apart. It's like they didn't really know how to properly build the final act and just threw whatever they could out there. 3/10.
It's a movie that I liked and didn't like at the same time. Do I recommend it? Yeah I'd say at check it out for the awesome cinematography and main character.
I had really low expectations when it started because because it begins exactly the same as "Weekenders" did which really wasn't a great movie, different genres though. Over half an hour in I still wasn't sure where exactly the movie was heading, but when things turn dark the thrill starts, old school horror-esque.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
My only complaint, which unfortunately seemed like it was done deliberately, is that once the horror starts, the movie introduces a completely new character arc and you have to wait for it to build up all again, it purposely teases the eerie stuff which is frustrating because you know the good stuff's coming but not yet. And it does this several times, keeps resetting which makes the second act seem off paced but it all comes together in the end.
It was a conventional horror like you'd remember in the 2010's, not really prismatic or director trying to reinvent the wheel; it's just people stuck trying to escape from something in a 'haunted' house. And I like how there was still logical explanation, albeit a disturbing one. A few details that weren't explained, didn't seem to have the time to as it tries to introduce all the characters properly.
The last act of the movie is all eerie, it however doesn't climax as hard as I anticipated, thought they'd have more fight but it still did a pretty decent job and the finale scene was sensible end. Almost everything about the movie was better than I expected, I suggest going in blind.
A lot of great things can and should be said about Barbarian. It's a masterfully directed film; Creggor always shows us just enough in each shot that we're left wondering about what's lurking in the empty space on the frame.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
The first two-thirds of the film are tense when it's quiet and shocking when it's loud. It kept me on my toes for nearly the entire time, which is refreshing for my desensitised eyes.
Efficient work is made of the character introductions. Cregor's script doesn't waste time at the beginning of each character's story. We get to know exactly what we need to know about each of them as a person before they get thrust into the metaphorical depths of hell. It makes the eventual carnage all the more nerve-shredding because no character is disposable.
So, yes, the film is good. But it's not all good.
The film's narrative and pacing are not nearly as compelling and tight, respectively, as they should be due to the fact that it tells the stories of three separate sets of characters (one after the other) before getting to the finale.
Also, the film's last act really took a dive into campy and I found it to be a betrayal of the rest of the story's bleak tone.
The final set piece is so out-of-left-field and ridiculous that it became unintentionally hilarious for me.
This may seem like a minor complaint, but when the ending of the movie leaves a bad taste in my mouth, it kind of sours the whole experience.
I wanted this to be better than it was. But it's still so tense throughout its majority and the many twists are so satisfying that I do heartily recommend this subversive horror flick.
¿Sabías que...?
- CuriosidadesThe script started out after Zach Cregger read Gavin de Becker's book, "The Gift of Fear," which encourages women to trust their intuition when confronted by obviously dangerous men. He used it as a writing exercise and began crafting a thirty-minute short that consisted entirely of a conversation in which a woman continues to ignore a mounting series of red flags. He liked it well enough that he knew that he had the makings of a longer film and began conceptualizing a broader story for the characters.
- PifiasOne of the characters drives an electric Nissan Leaf, bizarrely it has engine and ignition sounds dubbed over its movement.
- Créditos adicionalesSPOILER: There are three mini-scenes after the initial smash cut to "Written & Directed by Zach Cregger" credit, showing Tess sitting up in the street, walking away from the bodies, and limping away from the water tower as dawn breaks.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: Barbarian (2022)
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- How long is Barbarian?Con tecnología de Alexa
- Why didn't Tess leave when she starts feeling uneasy?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Bárbaro
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 40.842.944 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.543.948 US$
- 11 sept 2022
- Recaudación en todo el mundo
- 45.352.337 US$
- Duración1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Barbarian (2022) in Spain?
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