Gray

Season one started slow, none of the agents working with her showed a normal level of skill that usually these agents have in films. Gray was the one that had it. Sara is given an attention that isn't required in a similar setting, she isn't brought-up to it naturally. The whole series lacks a motility, and the only one that makes it is Gray. Is it a great series, I don't know, cause all the other characters are acting like NPC's and some with a small character defined roles. When it comes to veterans playing the secret service game, I like the Red film series and the Slow Horses TV series. This one is not a contender in that segment. It's a series that hopes to be many things with a unique take, and only fairly justifies it's intention. It doesn't go above and beyond. I am not a fan of cliffhanger's but it seems like a second season is already being filmed.

I see that some are not impressed by the show. It seems that the main basis for that is that it's claimed to be dull, etc. The only way that's true is if one is looking for a James Bond style action show. It's not that. It's much more in the style of classic slow burner spy movies. Not that I thought it was slow burner-the tension was broadly kept bubbling along and not as predictable as one would expect. There was only one part of one episode where I wondered where the plot went, but it climbed out of that hole fairly quickly. I was originally watching this while working out, but the last few episodes I binged on the couch, bc I wanted to see what happened. It's a good spy show, it doesn't imagine a female spy is physically stronger than a man larger than her, it does image, though, that she's very silver and sneaky, so using her ostensible weaknesses as strengths, which I think came off well. The only issue I have is that I can't tell if the season ended or if my platform is missing a show, etc. I got to episode 8, and it did not feel like a season ending.

Well, I hardly think you're able to call this a thriller, as surely that requires some thrills. This definitely has...none. It's bland and boring, and so incredibly slow. Glaciers move quicker than the plot pacing here!

I'm all for talkie dramas, but the dialogue needs to be able to stand up. This script falls down 90% off the time, leaving seasoned actors looking amateurish at best, incompetent at worst.

I'm not sure the dreadful mis-casting helped matters either. Patricia Clarkson (usually a favourite of mine) was as wooden as spoon, with about as much depth. But by far the strangest casting was Rupert Everetts'. I have to ask if his character was supposed to be comedic? Because, we'll...Honestly! I couldn't believe who I was watching, and how badly he was performing.

If it is renewed, I will not be tuning in.

This has good potential and a good premise with a spy coming back from self imposed exile to find a mole but then it goes downhill fast.

The flawed characters all lie constantly and undermine each other. They are also just plain weird but I did love Tag's house and guest house.

It is hard to identify with Cornelia because we never see who she really is and she is just weird. The way she constantly touches people is just strange and the aging femme fatale angle is creepy.

If you like answers... Don't bother watching because the answers are not there. It isn't even a cliffhanger. Just dragging things out.

You'd think a show about a former spy coming in from the cold and helping hunt down a mole would be action packed. But you would be wrong. Over the course of the (first and likely only) season there was surprisingly little action in this series. And I don't just mean action in terms of fight scenes or car chases. I mean very little actually *happens* in this show. The lack of action is especially surprising given that there were several plot lines that could have been further explored or developed but that were needlessly left unresolved at the end of eight episodes. I'm not sure if this was meant as setup for a second season, but given how underwhelming the first season was, I can't imagine watching a second. On the plus side, the performances were strong and it's always nice to see Patricia Clarkson, Rupert Everett, and Lydia West. They just deserve better writing.