Llaman a la puerta

For some reason, despite a few bombs, I've always rooted for M. Night Shyamalan. I don't know ... he just seems like a good guy and someone who I would like to have as a neighbor maybe.

In addition to being a seemingly likeable person, he made one or two really great films (at least one, for sure) and for some reason that just adds to his likeability. The problem with this, is that because of his seemingly genuine affability and because of the one or two good films he has made, I always feel as if he has it in him to create something exceptional, and time and time and again I think that the 'next one' will BE the one ... only to find that it isn't. So is the case with his latest offering, Knock at the Cabin. With The Cabin At the End of the World (which was the source material for Knock at the Cabin), he even started off with more than half of the recipe for something amazing.

The fact that it falls SOOOO short of being so, is truly a shame, and makes me wonder if he will really ever reach the heights of another 'The Sixth Sense'.

In order to avoid a Spoiler Tag I will not go into detail, but there was ZERO FILMED backstory to any of the important characters, and the filming of the backstories (and getting to know at least a little about each of them) was NECESSARY / paramount for this film to work. Having each character just speak about themselves for what amounted to a handful of minutes, was the worst.

I don't know why I keep on falling for it. I keep on watching movies by M Night Shyamalan, and continue to hope to walk away with the excitement and awe I felt when I watched movies like The Sixth Sense, Signs, and The Visit. Instead, I keep on walking away shaking my head, thinking about the lost potential and opportunity. He continues to have very interesting ideas with very poor execution. The concept of this movie is excellent. The directorial choices, the storyline, the decisions made by characters were to be honest with you kind of blah. I didn't care enough about any of the characters to really care what happened to them. For a director that's known for his plot twists, this movie sure could've used one.

Okay, Streamers, I know we all have been waiting on pins and needles for M. Night Shyamalan's next feature film, and it's finally here. Oh, was that only me? Okay, then... Anway, I was anticipating Knock at the Cabin since I saw the first trailer last fall. Home invasion and the end of the world movies build on reasonable fears that many people have, so let's see what Shyamalan was able to do with the mix of these two.

Knock at the Cabin is based on a novel by Paul Tremblay, "The Cabin at the End of the World." Shyamalan and his co-writers have adapted that novel into this movie. The basic premise is that a gay couple and their adopted daughter are on a vacation in a remote cabin in Pennsylvania when four strangers come to the cabin and tell them that the world will end unless they decide to sacrifice one of their own. It's a moral dilemma - kill someone you love in order to save billions of people you don't even know. What would you do if these hijinks ensue.

Here's the thing - the premise of this movie is very interesting. It immediately makes the audience question what decision they would make and what questions they would ask if put in this situation. In that way, the movie easily grabs you. The problem is that Shyamalan doesn't do much more than pose the question and go through the motions of telling you what these guys do. It gets repetitive and there isn't enough development of the gay couple as characters to help the audience care about them or why they make the decisions they make. Therefore, the movie becomes pretty frustrating and unsatisfying.

On the other hand, there are some good aspects. Dave Bautista, who plays one of the strangers, Leonard, is an inviting presence on screen. He can be menacing by his sheer size, but his performance ably fights against first impressions. Rupert Grint, who play another stranger, Redmond, brings a bit of dark humor. He's probably the scariest of the strangers. I'll also mention that even though I don't believe they are well-developed characters, Ben Aldridge and Jonathan Groff, who play the gay couple, Eric and Andrew, have good chemistry and react appropriately in this situation. I'll also say that no one does anything really dumb in this movie, which typically happens in these home invasion movies. Eric and Andrew, generally, make smart decisions to help protect each other and their daughter. So, the movie isn't frustrating because anyone is dumb.

I also don't know why this movie is rated R. There isn't really any gore. There isn't anything visually scary about it. There may be some curse words, but I can't imagine they were enough to justify this not being PG-13.

In conclusion, Knock at the Cabin is a decent entry in the Shyamalan filmography. It is not one of his best, but it also certainly not one of the worst. There is a good premise, but the movie doesn't do anything more than present it as a morality play, which eventually becomes repetitive. Although there are good performances, there isn't enough character development to sustain interest in these individuals. Knock at the Cabin is only good enough for a handful of popcorn - there's no urgency to see this in a theater.

Just so you know where I'm coming from up front, I should preface this review by saying I'm not the biggest M. Night Shyamalan fan - in fact, I kind of like to tease and mock his movies when I watch them with friends. I think he often starts off with interesting ideas but, perhaps because of his early success with The Sixth Sense, always feels this need to cram in some kind of ridiculous twist (or multiple twists) at the end. Sometimes they work, sometimes they don't - but he seems to rely on the surprise of the twist to win people over too much. It was a surprise to me then when this movie didn't have a twist at all. I kept waiting for it - but it never came.

That's not really a good thing though because the movie is very slow and plodding, never really going anywhere, and at 1hr 40min the premise just isn't engaging enough to sustain interest for the duration. It's not all bad though. Perhaps the most surprising thing is Dave Bautista, who delivers a nuanced understated performance as Leonard. I still remember when I used to assume a movie was going to be bad if Bautista was in it - but over the past few years he has really come into his own as an actor and is showing his ability to take on some interesting roles.

While I can't really recommend this movie I do have to give it a few bonus points just for Bautista.

I read the book this film is based on before watching it. The Cabin At the End of the World was a great book that really dives into the histories of the characters, the philosophy behind the choice, and it ended with an ambiguous ending, where you weren't sure who was right at the end.

The movie was on par with The Last Airbender in how it took the source material and made a Wikipedia summary adaptation with poor dialogue, acting and an ending that missed the point. The only redeeming quality was Dave Bautista's performance. He really did a good job with the role of a giant with a heart of gold, who is forced to do something horrible. You can really see the sadness in his eyes, and his conviction that what he saw was true.

M. Night needs to get help with his scripts. He just doesn't know what he's doing.