Otra Tierra

This film pulled me in on its promise to deliver an interesting enough sci-fi plot. The cover suggested it as a major focus.

Unfortunately, this whole concept just sort of meanders around in the back ground.. literally, shots of 'another earth' in the sky, becoming more of a by-product.

This film, essentially a dramatic piece focusing on the aftermath of a tragedy, is actually good. Sadly, it just isn't what I came for and I felt slightly cheated at the lack of any actual sci-fi alien planet doppelgänger earth action. I'm aware of the concept, and it works as a metaphor - but it felt like the film was pulling in two different directions, marketing as one thing but delivering another.

This is not a commercial movie, but something like a documentary shot with a commercial movie like quality.

The storyline in the IMDb main page describes the premise of this movie, but thats not what this movie is about.

The other planet thing is just like the background music, its there for effect. Other Earth is all about beauty, the attention to detail and the simple yet delicate story.

Its a lot like those many many beautiful Japanese movies (Tokyo Story comes to my mind, though I have to say its not as good as that). Its a beautiful journey, and when its done you lie back and think about its beauty.

This movie is highly recommended if you enjoy simple movies like those.

This is not a sci-fi and even the logic behind the other planet is too far fetched and they don't even hide it, they never go into any scientific details. There is also no action, nor is it a thriller.

Cheers. :-)............

Mike Cahill's film "Another Earth" is less a sci-fi spectacle and more a deeply introspective drama, exploring profound questions about identity, forgiveness, and the possibility of second chances. While the backdrop of a parallel Earth adds intrigue, the heart of the movie lies in the human story of Rhoda Williams, portrayed with haunting sincerity by Brit Marling.

The narrative kicks off with a devastating tragedy. Rhoda, a brilliant young woman accepted into MIT's astrophysics program, drives drunk after a celebration and causes a fatal accident, killing a mother and a child and leaving the father, John Burroughs, in a coma. This event derails her promising future, plunging her into a life of guilt and isolation. Years later, in an attempt to seek atonement, she approaches Burroughs under the guise of offering cleaning services, unaware that her actions will intertwine their lives in ways neither could anticipate.

The central dynamic between Rhoda and John (played by William Mapother) is emotionally charged, as their relationship slowly evolves from a hesitant connection to something deeper. However, Rhoda's hidden guilt creates a poignant tension, underscoring the fragility of their bond. This intimate drama is what drives the film, making it a compelling character study.

The sci-fi element, represented by the discovery of Earth 2-a parallel planet that might house alternate versions of its inhabitants-serves more as a metaphor than a plot device. It symbolizes the potential for a new beginning, a chance to confront our past and imagine lives free of regret. However, the movie wisely avoids delving into the mechanics of this parallel world, focusing instead on the emotional resonance it holds for its characters.

Visually, "Another Earth" embraces the aesthetics of independent cinema with a modest budget. While the handheld camera work occasionally detracts from the reflective tone, it also adds a raw, unpolished feel that matches the emotional states of the characters. A more polished approach might have enhanced its meditative quality.

For those of us expecting a traditional science fiction experience, "Another Earth" might be disappointing, as it turns out to be a deliberately paced indie drama, which might seem slow or even monotonous.

Greetings again from the darkness. An award winning film at Sundance, this one seems to carry the same polarizing effect that "Tree of Life" does. The reviews and comments have been discordant and contentious. After sitting through a Q&A with Mike Cahill (co-writer, director) and Brit Marling (co-writer, star) I am guessing they are taking great pride in the love/hate responses. Their film was designed to take you deep ... make you think and self-analyze. This is not a fluffy Owen Wilson rom-com. Explaining what it is, well, that's a challenge.

The story begins with Rhoda (Brit Marling) out for a night of partying. We learn she has been accepted to M.I.T. and that she is quite the space and astronomy lover. Her very poor decision to drive home after drinking results in a horrific accident that changes her life and that of a young family. At the same time, scientists discover "another Earth" has been hiding on the other side of the sun. Flash forward four years as Rhoda is released from prison.

She is a broken spirit whose bright future has been dashed. She tracks down the man who survived the crash she caused and has every intention of apologizing. Instead, she cleans his house. She finds John (William Mapother) has dropped out of society and found numbness in the bottle.

I won't say more about the story because it is really something to watch unfold. What I will say is that I found the advertisements to be somewhat misleading. This is not a sci-fi film per se. Sure the second earth brings about numerous questions concerning the "other" us. What would we say? How would we react? Have I done better there than here? But that is actually an underlying element to this story ... always present in our thoughts and those of Rhoda. Instead, this film is a psychological drama. And a dark one at that.

You will recognize William Mapother (The Grudge, Lost), who plays John. He has a regular guy look to him and stretches well from happiness to depression to, once again, showing a spark. Brit Marling is one you don't know, but will soon enough. She is an amazing presence on screen and avoids the Hollywood acting crutches. She plays Rhoda as the damaged, confused creature she is in the story. Very well done.

A couple of other interesting notes include Kumar Pallana (The Royal Tenenbaums)as Purdeep. With minimal screen time, his character provides Rhoda with a lesson she needs. There is also a scene where John plays a saw as a musical instrument. The sound is amazing and the music is actually from Natalia Paruz, who is knows as the "saw lady". Other music in the film is outstanding and courtesy of Fall on Your Sword. Very unique, but a perfect fit for the film.

I am a psychiatrist and psychotherapist who can tell a hawk from a handsaw, and there is a wonderful handsaw in this movie. So, I feel qualified to tell you it is safe to see this movie as it is, without worrying about details like gravity. Do not allow unimaginative naysayers to keep you from enjoying this gem. I mean, we all can enjoy vampire and zombie movies, right? Is any movie any better than "Let the Right One In"? I saw this movie last night in Brookline Mass at a Q&A preview, with director, writers, and an actor -- all combined in two lovely people. No one in our sophisticated audience that included a CETI scientist cared enough about the "laws of physics" problems to mention them in the question period. All we cared about were the endearing characters, the music both acoustic and visual, the plot developments, the shocking climaxes, the compelling emotional plausibility.

The movie is not about anything as terrestrial as gravity. In the world of this movie, something has happened to upset some kind of cosmic symmetry, and the other earth has appeared from a parallel universe. I do wish some character or other had dispelled the physics with "I don't know why our orbits are not affected". But, the metaphor works as a way to discuss looking at oneself. It really does not matter. The acting is perfect, the camera-work perfectly beautiful, the plot deeply affecting with wonderful surprises.