Paa

For once, I was entering a Hall with the assurance that the movie I was about to watch was something ORIGINAL, something not copied from the West. And so, OBVIOUSLY, my expectations were low. You never know what you can expect from an original Bachchan movie! The credits began, and Jaya Bachchan could be heard individually pronouncing each name (the cast, the team behind the movie), and slowly, by the time she reached "Writer and Director", you wished her to stop. And then, in a magical tone, she says "Paa!", laughing along, and a soothing tone fills your ear and heart... and you know, yes, this is going to be a good show.

Paa has its moments that touch you, that move you, that make you laugh, that make you feel warm, that make you happy... etc etc. There are moments that are supposed to make you cry... but they don't. I guess that's where Paa fails. Amitabh Bachchan in the lead role delivers a sweet performance, and Abhishek is seen trying very hard to fit in. Vidya sort of stumbles out of her "Vidya" character. The music of the movie is simple. The end credits song sung by Amitabh Bachchan was one amazing track. Even "Hitchki" was nice. The direction and flow was simple, though the cuts between Auro's waiting and Amol's political moves were rather jerky. The cinematography was simple and fulfilling, though the editing required spicing up.

In the end, definitely go watch Paa. I was disappointed to find only 15 had come for the first day first show... me being one. It's films like these that should be more prevalent. In contrast, if Kambakkht Ishq was a HIT, then in that case this should be a BLOCKBUSTER. Sadly, I know that will not be the case.

7/10.

Amithabh Bachchan is flawless acting in Paa. But why make him look like extra terrestrial. There was a point in the movie where there were explaining the disease that his character is suffering - Progeria. In the movie itself, when the doctor is explaining, none of the images depicted them as abnormal heads. The children just looked old, why does fiction take undue advantage of medical science.

Sr. Bachchan who plays the character called Auro, I would not be surprised, if we have dolls being sold in Shoppers Stop, Big Bazaar, very soon. But one thing for sure, whenever Auro is in front of the screen, he just lightens up the moment.

This movie it seems like Bachchan Sr. is passing the baton to Bachchan Jr. It is high time, he does that. There is no competition amongst each other, but then there are a only a very few movies of AB Baby that are actually good. Naach, Guru, Sarkar, Sarkar Raaj and now this. Abhishek Bachchan is good political MP; no, this is not an oxymoron, it is the character. To that extent that you can actually see his voter's mark on his middle finger in the movie.

Simple Story. The 12/13/14 year old child suffers from Progeria and the disease brings the parent together. Three different occasions, when the age of Auro has been mentioned differently by different characters. One sincere request, stop comparing the movie to Benjamin Button, it is not! It was actually Robin Williams who was suffering the same disease in the movie Jack. It is not actually the original concept. The execution there are just too many cuts, that too very fast ones. The cuts becomes irritating towards the end. (Reference to Jack on IMDb) Songs are well intertwined and the lyrics bring an amazing soothing effect to the whole scene, last time this feeling seeped into the heart, mind, body and soul, during Taare Zameen Par. Hichki, Hichki and Mere Paa is simple and nice and my favourites.

The movie has its moments, but it just doesn't make you cry. The performance reminds you of Amitabh Bachchan in Black, but then that it was different, that was acting. In Black, when he was smiling, you were laughing, when he was upset, everyone in the theatre had tears in their eyes. Here, he just falls a little short of the getting the audience moved.

The other characters that needs mention is bum, grandmother to Auro played by Arundhati Nag (theatre personality, wife of Anant Nag). She was simply level headed, strong character. She was when faced with moral questions, she would be you take a stand, and you will have my support - that was brilliant. At the same time, the relationship between Paresh Rawal (Dad to Amol Atre) and Abhishek Bachchan does not come out that impactful. But individually there were sound.

Google being subtly being endorsed by Auro. (Tweet) Public Relations angle to the story, creative people need to stop treating like media as you can buy them. It isn't like this always, please do not under-estimate the media as your pawn. The movie does bring out the current affairs element in the movie through redevelopment issues and media being used to create a hype on this.

In short, it is a complete worth it paisa wasool movie for Amithabh Bachchan. I would like to highlight, even though Auro is cute it is not for the kid viewing at the same time.

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This, I must admit is one of those movies, not made very often. Watching it is obviously a delight. It is a cocktail of emotions, love, pity, hopefulness and well, hopelessness, and everything more. The acting of course is quite brilliant, Amitabh and Abhishek did wonderfully. Vidya Balan too, fits quite well into her roll. The rest of the roles too are quite well handled. Nice, simple, predictable, but nonetheless interesting plot. A genius and rare script, wont allow you to get bored, even for a moment. The comedy too is quite well done, sort of rare, considering contemporary. It will permit you to laugh, even in front of the most innocent of your relatives. The music score, maybe not big, is in a way befitting. Overall, I would say, it probably is not a must-watch, but definitely a worth-watch. It surely will bless you with a rich experience. And a piece of advice, relatives would be a rather more convenient company for this one.

Just got back from the theatre, I am so happy I have seen this movie on the big screen. Paa is an original product. The movie revolves around progeria and has a wonderful story around it.

Amitabh Bachchan excels as Auro, he delivers an astonishing performance as a kid. It's been long since I really really REALLY appreciated a performance by Big B, since his last few outings were crazily commercial.

Abhishek Bachchan is wonderful as Amol, he delivers a confident performance as the clean politician wishing the best for India, kudos! Vidya Balan looks beautiful, and delivers a perfect performance. We all know she is a fine actress, she was gone for a while after Kismat Konnection, which I thought was kind of bad, but she's back with a bang! Paresh Rawal is again absolutely wonderful as Amols father, his expressions always rock.

All in all, I am very pleased with this movie, after a great start with Cheeni Kum, R. Balki is on his way to settle his name amongst the quality directors of Bollywood.

The music is foot-tapping, the best of the lot is of course "Mudi mudi", of which the scenes in the film have been edited so beautifully.

Paa is beautiful, go watch it on the big screen while you still can! 10/10

Imagine this. R Balki arrives with his second film after Cheeni Kum (2007), starring Abhishek Bachchan, Vidya Balan, Paresh Rawal and introducing a twelve-year old child actor. We do not know this kid, although it is possible that he impresses us all after we see him perform. But does this essentially guarantee a bumper opening for the movie? Can we safely assume that the audience will come into the theatres? Now, take this. The entire cast and crew remains the same. And although it is indeed possible to find an immensely talented child artist and create the desired character using prosthetic make-up and voice modulation, the director decides to cast Amitabh Bachchan as the child. And he calls the film Paa. The result is for us to see, in the form of one of the most smartly promoted films of our time. This is what we call star power. This is what I admire about the phenomenon of a superstar. And this is what this film uses in the best possible way.

The film also uses the personality, and not the acting, of Abhishek Bachchan to create a gen-next politician, and we connect. It uses Vidya Balan to portray a strong, independent, modern Indian woman, and most importantly – a mother; and we connect. And it utilizes the human curiosity for the weird, our tendency to look at 'freaks' with wide eyes and held breaths, and converts that 'freak' into a warm, lovable and memorable character called Auro, and takes us into his world. It uses songs, melodrama and the Bollywood cliché to tell a story. It relies on the time-tested formula of emotional manipulation and succeeds in making the audience cry. It has decent production values, is marketed smartly and sold at cheap rates. The result is not a great, timeless, flawless piece of art. The result is a film that knows how to use the illusion of the medium. The result is a movie that moves.

The best thing about Paa is that it knows what it is doing. It does not claim to be 'socially relevant', and does not ask us to leave our brains home before coming to the theatres. Instead it asks us to bring our brains, our hearts, our entire selves, not excluding the 'curiosity for the weird' that we all have but fail to accept. It treats itself as a film for everyone, and successfully creates an entertaining cinema experience. In its attempt, it often gets inconsistent, but it never seems uncertain. It is an innovation, and yes, that it is, which is sure of itself, including how to sell itself. It is an innovation that does not go wasted, and that is indeed an achievement in the Hindi film scenario of today.

It has been a few decades now and Hindi cinema is desperately in the need for revival. For that to happen, if it ever happens, we need socially relevant cinema, we need cinema as works of art, we even need cinema with an international appeal, and with the guts to experiment . But what we need most is innovative ideas, true to Hindi cinema sensibility and tradition, not necessarily great in the absolute cinema-sense, but films which make people come, watch and connect. We need more films like Paa. I have no idea about how it is going to fare at the box-office. If it is a commercial success, my point would be proved beyond doubt. If it fails, well, I will try my best not to lose hope.