Byzantium

In the present days, the lonely sixteen year-old Eleanor "Ella" Webb (Saoirse Ronan) and his sexy and protective mother Clara (Gemma Arterton) are vampires for two hundred years. When a dangerous stranger hunts Clara down, she severes his head, burns her apartment and flees with Ella to a coastal town. Clara meets the lonely Noel (Daniel Mays) that is grieving the loss of his mother and is completely broken. He lodges them in his derelict Byzantium, a former hotel and bed-and-breakfast that belonged to his mother. Clara sees the chance to make money for Noel and she with a brothel. Eleanor befriends the teenager Frank (Caleb Landry Jones), who has leukemia, and they fall in love with each other. Meanwhile two strangers are tracking Clara through the deaths of their victims. Eleanor is tired of living on the run and decides to tell their secret to Frank, but there are parts in Clara's past that she does not know.

"Byzantium" is a classy and cult vampire movie directed by Neil Jordan that once again makes a great vampire movie. The story is disclosed in slow pace and the characters are very well constructed. The performances are top-notch and Clara has an amoral behavior while her daughter is the opposite, but there is explanation along the story. My vote is eight.

Title (Brazil): "Byzantium: Uma Vida Eterna" ("Byzantium: An Eternal Life")

This poster drew me to this film. Not the poster shown here on IMDb, but the colorful green, yellow and red which are used other places. I wasn't expecting too much, but was surprise ad when I saw the casting, and that it was a Neil Jordan-flick. I've admired Jordan since I saw The Crying Game.

This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.

If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.

The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.

Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.

I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.

'BYZANTIUM': Three and a Half Stars (Out of Five)

Another vampire tale from director Neil Jordan (who also directed the critically acclaimed 1994 film adaptation of Anne Rice's popular book 'INTERVIEW WITH THE VAMPIRE: THE VAMPIRE CHRONICLES'). This movie is based on the play by Moira Buffini (she also wrote the screenplay) and tells the story of a mother and daughter vampire duo who have been on the run for 200 years. It stars Gemma Arterton and Saoirse Ronan as the mother and daughter vampires and co-stars Sam Riley, Johnny Lee Miller, Caleb Landry Jones and Daniel Mays. It's a pretty standard vampire film with some nice directing and decent acting.

Arterton plays Clara and Ronan plays her daughter Elanor (even though she's only eight years younger than Arterton). They've remained the same age for 200 years (when they became vampires, that can live in the sun) and need human blood to survive. They're constantly on the run from other vampires (as they've broken their 'brotherhood's laws). Clara has now befriended the shy Noel (Mays) and is running a brothel out of his recently inherited rundown coastal hotel (the Byzantium). Elanor has fallen for a young waiter named Frank (Jones) and has begun exposing her and her mother's secrets to him, through (what he thinks) is a beautiful fictional story.

The movie looks good and Arterton (like always) is gorgeous in it. She makes a great femme fatale vampire and Ronan is decently cast as her sheltered daughter. Jordan's directing is fitting and the story is interesting, if you like vampire movies (although I didn't like it that these vampires can survive in the sun). It's nice to see a vampire movie about a mother and daughter for a change and the romance and male characters are pretty minimal. It's also interesting to see sympathetic vampires, in a film, that still kill and prey on innocent people. Very flawed heroes to say the least. It's nowhere near as classic as Jordan's 'INTERVIEW WITH THE VAMPIRE' but it's still a decent vampire flick.

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I have just seen this film as part of the famous Bridport Film Festival called "From page to screen". It features films that have been adapted from books and are very often accompanied, either before or after the screening, by a question and answer session with either the Director, Producer or Author etc. Bridport is in the county of Dorsetshire in the United Kingdom. This pre-release screening of Byzantium was enhanced by a very informative Q&A with the Producer Stephen Woolley. If you are expecting fangs, crucifixes, coffins and garlic prepare to be surprised! These vampires are a new take on a familiar theme. Much of the film is shot on location in the seaside town of Hastings which gives it a fabulously grungy and stark atmosphere. I have to admit that I didn't really want to go and see "another" vampire film. Believe me when I say that this is not just "another" vampire film.

Over the course of five years I think it's safe to say the reputation of vampires has been well and truly tarnished. Instead of being blood sucking beasts, audiences seem more interested in watching them make love and glisten in the sunlight, however that's were director Neil Jordan steps in. Admittedly Byzantium isn't the most traditional vampire movie, but that's not a problem, because the end result is a fresh, innovative take on the creatures that may have installed some credibility in the post Twilight era.

Essentially the main-plot of Byzantium follows the mother and daughter duo of Gemma Arterton and Saoirse Ronan. The two continuously move from location to location due to them having to hide their secret that no-one is aware of, however upon seeking refuge at a rundown coastal area, their secret is uncovered, which results in their past calling for blood.

Now as I have said, in the last few years vampires have been getting a hard time. Whenever you see or hear of vampires these days, the first thing that usually comes to mind is that of Robert Pattison. Personally I am not a fan of the Twilight movies and I have to confess I was quite sceptical going into Byzantium, due to the supposed vampire themes. However, I am happy to report that Byzantium is an original, different and genuinely great movie that I would regard as one of my favourite films of the year so far.

The films concept is in my opinion superb. As soon as the film began I was invested. One thing that I liked in particular was that the film showcased rarely a dull moment. It is very well paced and the story is just great, with some rather intriguing flashback sequences being utilised brilliantly to connect all the dots.

Aside from being very well written, the films' setting is another factor as to what makes it so enjoyable. Personally I felt that the run-down coastal setting was just superb. Not only because it sets the tone and feel of the movie, but it just gave it that added creepiness that you would expect from a movie like this.

The cinematography is very good and in terms of visuals I think the film was one of the best looking that I have seen in a long time. Understandably the mood is very dark and occasionally quite Gothic, but again, not only is the seaside primitive in establishing that, some of the other locations really are just as good.

Aside from Jordan's fantastic direction, the thing I liked most about Byzantium was the acting from its two leading ladies. Beginning with Saoirse Ronan, as we all know she is a fantastic young actress who very rarely fails to come up with the goods. In this movie she is playing quite a reserved, intellectual who is quiet but intriguing nonetheless, whereas her on screen mother portrayed by Gemma Arterton is the exact opposite. Now I think it would be unfair to compare the two because although they are both playing vampires, they are very different characters to say the least. There's no two ways around it, Ronan is genuinely great in this movie, but I thought the real star of the show was Gemma Arterton, who I felt was absolutely fantastic. In my opinion Arterton showed a very different side to her normal self in this movie. Whilst I wouldn't go as far as saying the role was too demanding, I have never seen her play a part like this, and honestly I think she should do it more often, because it has shown a massive amount of versatility on her part.

In terms of chemistry Ronan and Arterton work wonders on screen and if it wasn't for their performances I honestly think that this movie would have panned out very differently. So in terms of casting I think it's a job well done.

This really isn't the type of film that you're going to forget in a hurry. Personally I could watch it again and that really is saying something, as I rarely watch something more than once, however with that being said one final thing that I would like to touch upon would be the musical score.

Again this was another key factor in establishing the look and feel of the film and it really worked. This is a rare movie where everything just blends simultaneously and for that reason alone I most certainly feel it's worth investing two hours in.

Byzantium is a great movie that really makes me feel passionate as a critic. In a year where films have been slightly hit and miss, this film is definitely a hit. It has a great vision and knows exactly what it wants to be. Supported by two stand out performances this is British-Irish film-making at its near best and as I stated it is one of my favourite films of the year so far.

8.5/10

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