Kushi

One more kinda movie from Vijay Devarakonda.

Story line is combination of ante sundaraki and sakhi.

Unnecessary dialogues and background music was copied from old Kushi in some scenes. Aishwarya Rajesh has done better acting compared to Vijay and Samantha.

Not sure what they were trying to show to audience in this film.

The 2 rating I gave was for some jokes and one action sequence.

It is not a theater watch. It will be OTT soon. I felt like I wasted 3 hrs watching this film. Interval ads are better than the film.

I don't even understand why this movie was named as Kushi.

Going forward please don't use hit movie names for such kind of flops and ruin the names of those movies.

Ordinarily regular story telling yet entertaining initial half!!

Simple intro to characters and their world... dives right into breezy love track!!

The humor is executed well and adds to the experience!!

Few unnecessary fillers during the movie setup are bearable... Exceptional production values... impressive in most of the parts, technically could have been better!!

Emotionally engaging later half!!

Throughly developed characters with perfect blend in arcs!!

Not so conventional conflict point, few forced sequences disrupt the viewing experience... Songs & BGM are the most impressive part of the film!!

VD & Sam nailed their roles, their chemistry is just perfect!!

Final 30min of the movie is where lies it's heart, emotionally exceptional!!

Although there are some drifts in the screenplay, resulting in a slightly lengthy narrative, anticipating these flaws makes the movie a good watch... 3/5.

Kushi is a 2023 Telugu film starring Vijay Devarakonda, Samantha, murali Sharma, Sachin khedekar etc. Directed by Shiva Nirvana and produced by mythri movie makers.

Kushi as the name suggests, has fun elements, drama, emotions and everything that'll make you feel exaggerated. Now coming to the plot, Viplav, works as an employee in BSNL Kashmir branch. There, he meets Aaradhya and falls on sight for her. How he'll impress aradhya and what made the actual drama start is the whole plot.

The romance drama shown in the first half felt routine and forced. It's literally the early 2000s technique of making a girl fall in love. Vijay with his impressing skills made Aradhya impressed but not the audience. His tone and the cheesy dialogues can be irritating. Hesham's fresh tunes and bgm will definitely make us fall in the love trance . The Kashmir sequence was just to introduce the characters and the story. And not for anything else. The location was used for the best reason (love) but was not presented in the best way.

As the film is entirely about love and aftermath, the screenplay gets faster in the first half and again it gets paused. The entire story is presented in the trailer and the same way. Viplav marries Aradhya by opposing each other's parents and gets the drama started. The second half is entirely about the post marriage effects. They were shot well but were dragged. Overall, ends with a good note .

The bonding between Viplav and Zoya (Rohini) was shown well and she carries the best emotions in the entire Kerala sequence vis-a-vis Jayram.

Parallel Films like ante sundaraniki, has the same story with added caste element, but, this has something new concept which was interesting and could be liked by few

Music plays an important role in every films, hesham is the aboard for kushi. The bgm and the songs are definitely a huge hit. Still hits you differently when listening it in the hall.

The film is focused.lre on the self respect of every individual and it lasts till the last. The conflict between the fathers of Viplav and Aradhya can be a whole new plot itself.

Coming to direction, Shiva Nirvana directed it well and carried a particular emotion throughout the movie. My pov, Shiva Nirvana is the only director in TFI who can portray emotions and carry it in the best way possible. His previous films like ninnu kori, majili are the best examples of how emotions travelled with the screenplay.

Few sequences like the bike chase, metro fight etc didn't impress and doesn't have any entertaining quality esp the metro fight.

While the new romantic dramas are mostly focused on convincing parents and getting married. Kushi gets it done in the first half and enters in the unseen zone.

However, kushi is the drama needed for the present romeos and Juliets and not for the devdas. Singles might like it and enjoy but may not relate to it. Overall, Kushi is the much needed comeback for both Vijay and Samantha. Not a perfect comeback but yes, a new and good way to start a fresh, new journey.

Verdict, kushi is the wholesome entertainer for this season which can be enjoyed with the family, friends or even solo. It has all the qualities of how a romantic journey starts. Another reason is Hesham Abdul Wahab. Kushi is the perfect musical ride and enough to rule your playlists.....

The movie doesn't explore groundbreaking themes, instead focusing on everyday relationship challenges. The second half takes a light-hearted approach to these issues and is enhanced by great music and stunning visuals.

The interactions between the lead characters in the latter part of the film are perfect for family audiences. While not entirely original, they are convincingly portrayed. Vijay Deverakonda impresses as Viplav, shedding his mass image for the role and maintaining an uber-cool demeanor throughout. His comedic timing and performance in pivotal scenes are endearing.

Star actress Samantha shines in her role as Kushi, exuding charm and delivering a nuanced performance. Her chemistry with Vijay Deverakonda is palpable, and she handles emotional sequences with ease. The humor is decent, and the emotional moments in the latter part of the film are well-executed. Supporting cast members including Sharanya, Murali Sharma, Rohini, Sharanya Pradeep, Sachin Khedekar, and Rahul Ramakrishna also deliver commendable performances.

The movie becomes somewhat predictable, which affects its impact. Knowing what's coming next can make it less engaging at times. The Kerala episode could have been better executed.

The film is lengthy and could benefit from some editing, particularly in the extended Kashmir sequences. The first half lacks momentum, but it picks up after the pre-interval scene. While the director mentioned the film addresses a sensitive issue during promotions, it doesn't offer a particularly fresh perspective and feels reminiscent of other films.

Hesham Abdul Wahab's music shines as the unsung hero of Kushi, with superb songs beautifully captured by cinematographer Murali. The rich visuals elevate the overall viewing experience, thanks to Mythri Movie Makers' commitment to production values. However, there's room for improvement in the editing.

Director Shiva Nirvana handles Kushi decently, opting for a relatable concept that resonates with married individuals, delivered in his signature style. His films consistently address everyday life issues, and Kushi is no exception. The casting and technical team are commendable, showcasing the director's skill in assembling a talented crew.

In summary, Kushi is an enjoyable romantic comedy with a strong second half. The film's central theme comes to life in the latter part, delivering compelling drama and emotions. Vijay Deverakonda and Samantha deliver charming performances, well-supported by the rest of the cast. However, the film's initial portions are less impressive, and a shorter runtime could have had a more significant impact. Nevertheless, Shiva Nirvana presents a relatable film for family audiences, making Kushi a worthwhile watch.

I watched the first day first show with a lot of anticipation and the movie really disappointed me. Before I get to that, the positives, the cinematography, especially Kashmir mountains are a joy to watch. Devarakonda does well as a modern, besotted lover. Samantha looks ill and lazy throughout the movie. Maybe she just was looking to complete the movie and her health did not support. Beyond all this, the movie is narrated from the woman's perspective on marriage largely. That is what I disliked the most. In many ways, this movie is similar to Alai Paayuthey, the Mani Ratnam classic. The storyline bears an eerie resemblance of two couples from polarising backgrounds coming together and going against parents to marry. Reality hits them hard after marriage and with parents alienated, they have nowhere to go. It's then that a couple outside the family (here Rohini and Jayram) and their Arvind Swamy and someone else show them what a true marriage is. That was a big, big letdown.