En tierra de nadie

This "thriller" has a wandering yet fittingly weird plot, but the film sets the role of acting (and the lines actors are given to work with) into unusually high relief. A laconic loser whose expression almost never changes (with perfectly greasy hair) is coupled with a younger, fun-loving guy very much NOT of the overdone stoner-dude type that populates so many American movies. It takes a lot to worry this childlike "man," and the actor is possessed of a sweet, rubbery face of infinite expressiveness that makes the story a true joy to watch. For example, the transformations that flicker across his increasingly lustful countenance as a hot babe talks about sex are a wonder -- this is method acting at its most delightful. He's got a metal plate in his head that makes it bullet-resistant, which could have been cartoonish, but is somehow just right for his character. He's a 33-year-old (my guess) who never left junior high. His companion pulls his weight in the other direction with his world-weary ennui (not to mention boredom, anxiety and flickers of intelligence and terror). It's weirdly fun to watch an occasionally very suspenseful movie carried along by two such un-German Germans (to those familiar with Germans as they're usually portrayed). I was very entertained by this film.

In the dark realm of comedic exposition, films come and go. Location is always a factor. Dark and cold tend to coexist as partners in a loop.(Think Fargo) And this film displays both the dark, in humor, and the cold within the setting.

The emotional setting is clearly set in opening pieces to amusing extent. The acting and character development support this quite well.

Soooooo.....

Our aging, anti-hero,(a hit man) kills the wrong guy, in a botched job, and ruins his own dwindling reputation as a killer to the effect that he has been put to pasture. A former colleague offers him a job baby-sitting a former client that had been reported as dead. "Former" is an operative term here.

Our guy accepts the job, stoically, and goes forth into the dark unknown of the wintered Carpathian mountains in Eastern Europe to fatefully encounter yet another former colleague whose wits seem at odds with his lack of...well...wit.

They soon learn that all is not well in this frigid paradise, as a wonderfully cliché, gangster, bitch shows up and happens to enjoy being the clients toy. She has her own agenda and somehow becomes dead while our heroes are present. Sorry, no spoilers. That's the premise.

Dark comedy ensues as loyalties consume all to twisted ends. The acting is quite good and direction is directed upon a cast and film crew that know their setting. Scripting seems fairly tight and is carried forth by the basic pivot of the whores death...Although, I feel this plot device may have been developed more in the intro to the setting. But then, she was caprice in a shell.

All in all, a great romp and the dialog was well suited to the characters and situations. Only a European crew could do this the way it was done. I highly recommend this film to any fan of dark comedy, especially those with a mood for snow and ice, haha.

Walter is a professional killer who messed up a job. Therefore he has to leave the country and takes up an offer from the crime boss Berger to protect his house in the remote Carpathian mountains. His old friend Mickey - not the brightest one - comes along. What first looks like a holiday with little work turns out a nightmare when Berger's girlfriend is killed by accident.

"Snowman's Land" is full of fantastic black humor in the style of the Coen Brothers. The perfect cast, music and the setting in the snowy remoteness create a very atmospheric universe. Although some narrative threads may not tie in the end - until then the surprising turns of the story are highly entertaining.

A unique and, to me, hilarious film. The dialog is a treasure, with just the right density for the setting. The characters are well and carefully developed, for the relatively shallow people they are meant to be. I've seen it compared to "Dumb and Dumber", but that is really not a meaningful comparison, as this is a much darker and existential film. Indeed, there are a serious of tortuous situations the two main characters are run through. The film comes across a bit like a Tarantino in the woods but without the 70s baggage and with a touch of Stephen King. The film is full of great twists and turns and well paced, considering the idyllic setting. I cannot wait for another film from this writer/director. It is very nice that it was picked up by Netflix in the US. You will like it a lot or not at all.

I was at the German premiere night and I love this film. Kaurismäki, Cohen Brothers, von Trier and Faith Akin all rolled into one. Great cast, but the scenes with Eva-Katrin Hermann, Thomas Wodianka and Jürgen Rißmann should be singled out for their blue touch paper comedic timing and dramatic control.

Lensed by Ralf M. Mendle on Red, there's not a single duff shot in the film. The script is a delight and the direction is masterly. Thomasz Thomson helmed this low-budget cult pic: he will definitely be back with another in-your-eye script and a way bigger production budget. Watch this space.

Disclaimer: I have no work or financial involvement in this film.