PUNTUACIÓN EN IMDb
6,2/10
5,5 mil
TU PUNTUACIÓN
La vida de un vendedor de seguros se desintegra rápidamente cuando se une a un psicópata para robar un violín raro en la casa de un granjero solitario.La vida de un vendedor de seguros se desintegra rápidamente cuando se une a un psicópata para robar un violín raro en la casa de un granjero solitario.La vida de un vendedor de seguros se desintegra rápidamente cuando se une a un psicópata para robar un violín raro en la casa de un granjero solitario.
- Dirección
- Guión
- Reparto principal
Jennifer Edwards-Hughes
- Sherri
- (as Jennifer M. Edwards)
James Michael Detmar
- Glen Vandenhoevel
- (as James Detmar)
Reseñas destacadas
Even if I disliked Thin Ice, I'd still have major sympathy for co-writer/director Jill Sprecher, who seemed to have went through hell and high water just to get this film a release. Thin Ice was originally released to Sundance under the name "The Convincer," in a one-hundred and fourteen minute cut that received strong reception from audiences and critics. However, the studio that purchased the film insisted that the score be redundant, the editing reworked, and the pace of the film increased, making the picture ninety-three minutes instead of one-hundred and fourteen. Sprecher, obviously embarrassed and frustrated, has basically given up on Thin Ice and likely looks at it as a sore spot on her career.
That note alone should make one hesitate before publishing something negative about the film. It makes me consider my position as an online film critic deeper, too. Here I am, a viewer of many movies a year (last year almost five-hundred) by choice, and I don't always take into account the effort it takes to make a picture and the stress that numerous people likely go under. Thin Ice is a perfect example of a film I hesitate to review because I feel as if I have not seen the real thing. The ninety-three minute cut has received mixed reception, contrary to the original films near-acclaim.
Regardless, I find Thin Ice - in and of itself - a solid crime caper. The story centers around Mickey Prohaska (Greg Kinnear), a third rate insurance salesman in a dire financial predicament, looking to invest in something that will increase his reliability, win back his wife, and get him out of the frigid, merciless conditions the Wisconsin cold has brought him. He teams up with another man to try and sell Gorvy Hauer (Alan Arkin), an elderly, senile farmer, insurance despite knowing the man doesn't have much money at all. When Mickey discovers he has an expensive-looking violin, he has it appraised only to realize it is slightly rare and valued at $25,000.
This seems all well and good until Randy Kinney (Billy Crudup), a local con-man with an unstable temper, discovers Mickey's plans and, in the process, kills one of Gorvy's neighbors. Now, in an effort to save his own skin, Mickey must work with Randy to cover up the murder, while trying to turn a profit from Gorvy, and sneakily sell his violin for what soon becomes an unruly amount of money.
One film that will cross nearly every mind that watches this film is Fargo, the Coen brothers classic. The entire picture seems like a spin off of the film, from the similar plotpoints to the locational weather to the darkly funny direction the film takes. Despite this, Sprecher and her sister Karen do a bold job of making this film stand on its own, simply because of the way events are piled on each other in a rapid-fire order and how the twist is tacked on at the end.
The acting, however, is the film's strongest feature, with Kinnear, Crudup, and Arkin being on top of their game in terms of convincing performances. Kinnear is a great everyman, but he has a way about playing a man who has a bigger, brasher internal view of himself in contrast to the way he actually appears. This kind of character's mannerisms are seen in the wonderful Little Miss Sunshine, where he played a father hellbent on selling success advice in a cheap twelve-step book. Here, he plays a deadbeat husband hellbent on selling insurance in a cheaply wrapped package and achieves the same level of success.
Meanwhile, Crudup's character is a tricky one to pull off. He is a character that requires the actor playing him to go from collective to explosive in a matter of seconds akin to a time-bomb. This works tremendously in contrast to Kinnear's "gotta keep everything subtle and cool" persona. Finally, it should come as no surprise Arkin is great here, but the role is made more special because it shows Arkin as something he rarely is - gullible.
Ultimately, there are issues in Thin Ice that need to be addressed. The pacing is a bit too fast and the opening is a tad sluggish when it should look to grab our attention. However, these are issues that I am almost certain wouldn't exist if the original cut had been released like it should've been. The product we are left with is pretty solid and an easy thing to recommend, but the entire thing almost feels like a cliffhanger that has no writer to complete it.
Starring: Greg Kinnear, Billy Crudup, and Alan Arkin. Directed by: Jill Sprecher.
That note alone should make one hesitate before publishing something negative about the film. It makes me consider my position as an online film critic deeper, too. Here I am, a viewer of many movies a year (last year almost five-hundred) by choice, and I don't always take into account the effort it takes to make a picture and the stress that numerous people likely go under. Thin Ice is a perfect example of a film I hesitate to review because I feel as if I have not seen the real thing. The ninety-three minute cut has received mixed reception, contrary to the original films near-acclaim.
Regardless, I find Thin Ice - in and of itself - a solid crime caper. The story centers around Mickey Prohaska (Greg Kinnear), a third rate insurance salesman in a dire financial predicament, looking to invest in something that will increase his reliability, win back his wife, and get him out of the frigid, merciless conditions the Wisconsin cold has brought him. He teams up with another man to try and sell Gorvy Hauer (Alan Arkin), an elderly, senile farmer, insurance despite knowing the man doesn't have much money at all. When Mickey discovers he has an expensive-looking violin, he has it appraised only to realize it is slightly rare and valued at $25,000.
This seems all well and good until Randy Kinney (Billy Crudup), a local con-man with an unstable temper, discovers Mickey's plans and, in the process, kills one of Gorvy's neighbors. Now, in an effort to save his own skin, Mickey must work with Randy to cover up the murder, while trying to turn a profit from Gorvy, and sneakily sell his violin for what soon becomes an unruly amount of money.
One film that will cross nearly every mind that watches this film is Fargo, the Coen brothers classic. The entire picture seems like a spin off of the film, from the similar plotpoints to the locational weather to the darkly funny direction the film takes. Despite this, Sprecher and her sister Karen do a bold job of making this film stand on its own, simply because of the way events are piled on each other in a rapid-fire order and how the twist is tacked on at the end.
The acting, however, is the film's strongest feature, with Kinnear, Crudup, and Arkin being on top of their game in terms of convincing performances. Kinnear is a great everyman, but he has a way about playing a man who has a bigger, brasher internal view of himself in contrast to the way he actually appears. This kind of character's mannerisms are seen in the wonderful Little Miss Sunshine, where he played a father hellbent on selling success advice in a cheap twelve-step book. Here, he plays a deadbeat husband hellbent on selling insurance in a cheaply wrapped package and achieves the same level of success.
Meanwhile, Crudup's character is a tricky one to pull off. He is a character that requires the actor playing him to go from collective to explosive in a matter of seconds akin to a time-bomb. This works tremendously in contrast to Kinnear's "gotta keep everything subtle and cool" persona. Finally, it should come as no surprise Arkin is great here, but the role is made more special because it shows Arkin as something he rarely is - gullible.
Ultimately, there are issues in Thin Ice that need to be addressed. The pacing is a bit too fast and the opening is a tad sluggish when it should look to grab our attention. However, these are issues that I am almost certain wouldn't exist if the original cut had been released like it should've been. The product we are left with is pretty solid and an easy thing to recommend, but the entire thing almost feels like a cliffhanger that has no writer to complete it.
Starring: Greg Kinnear, Billy Crudup, and Alan Arkin. Directed by: Jill Sprecher.
www.Ramascreen.com --
Great performances, average movie, that's basically what you can take away from THIN ICE, which wants to be taken seriously as a Midwestern con flick with a bit of Coens' Fargo feel to it but the way it reveals itself at the end is so abrupt and hasty, it jams itself down the audience's throat and it doesn't care whether or not the audience is fully prepared for it just yet. Interesting concept, a con film through the eyes of the marked man, but interesting at best is what this film would have to settle for
Greg Kinnear is a fantastic actor, I think I find myself saying that about all of his previous performances. There are certain occupations out there that are not liked by general public, lawyers and insurance agents are examples, and Kinnear plays an agent who's also a compulsive liar and he sees a golden opportunity that could be used to his advantage. The story is basically told through his perspective, his character, Mickey, is not necessarily a protagonist but then again, the story doesn't actually have a protagonist to root for, because even the ones that get away with the prize don't grant themselves something likable, and because Micky finds himself digging deeper and deeper into problems with every unwise choice he makes, part of you would feel a bit sorry for the fella. As I said earlier, THIN ICE sorta takes style from Coen Bros' crime drama/thriller/comedy, even Mickey reminds me of Michael Stuhlbarg's character in A Serious Man, situations for them just worsen, no matter what they do, there'd be times when they think they've got it all figured out but they actually don't.
One credit I'd give THIN ICE is that unless somebody tells you that it's a con film, you probably wouldn't have guessed it from the get-go but halfway trough the film, you can kinda start sensing something's off and start piecing it together. I'm a tropical boy, so I can only imagine how uncomfortable it must've been for Arkin, Kinnear, and Crudup to be out there in dead winter, I'd freeze my ass off and wouldn't be able to say my lines correctly. I think the film was poorly edited and it could've used a more chilling score. Crudup is a treat to watch here because his character is unpredictable, unstable, psycho scary and because of that he also comes off funny, I've never seen Crudup this way on screen and so to see him do it so well, is refreshing, definitely not an actor you'd underestimate. Perhaps if the writers, the Sprechers, where to give Mickey more depth, thus allowing Kinnear to showcase more. That would certainly compensate for everything else that's lackluster about THIN ICE.
-- www.Ramascreen.com --
Great performances, average movie, that's basically what you can take away from THIN ICE, which wants to be taken seriously as a Midwestern con flick with a bit of Coens' Fargo feel to it but the way it reveals itself at the end is so abrupt and hasty, it jams itself down the audience's throat and it doesn't care whether or not the audience is fully prepared for it just yet. Interesting concept, a con film through the eyes of the marked man, but interesting at best is what this film would have to settle for
Greg Kinnear is a fantastic actor, I think I find myself saying that about all of his previous performances. There are certain occupations out there that are not liked by general public, lawyers and insurance agents are examples, and Kinnear plays an agent who's also a compulsive liar and he sees a golden opportunity that could be used to his advantage. The story is basically told through his perspective, his character, Mickey, is not necessarily a protagonist but then again, the story doesn't actually have a protagonist to root for, because even the ones that get away with the prize don't grant themselves something likable, and because Micky finds himself digging deeper and deeper into problems with every unwise choice he makes, part of you would feel a bit sorry for the fella. As I said earlier, THIN ICE sorta takes style from Coen Bros' crime drama/thriller/comedy, even Mickey reminds me of Michael Stuhlbarg's character in A Serious Man, situations for them just worsen, no matter what they do, there'd be times when they think they've got it all figured out but they actually don't.
One credit I'd give THIN ICE is that unless somebody tells you that it's a con film, you probably wouldn't have guessed it from the get-go but halfway trough the film, you can kinda start sensing something's off and start piecing it together. I'm a tropical boy, so I can only imagine how uncomfortable it must've been for Arkin, Kinnear, and Crudup to be out there in dead winter, I'd freeze my ass off and wouldn't be able to say my lines correctly. I think the film was poorly edited and it could've used a more chilling score. Crudup is a treat to watch here because his character is unpredictable, unstable, psycho scary and because of that he also comes off funny, I've never seen Crudup this way on screen and so to see him do it so well, is refreshing, definitely not an actor you'd underestimate. Perhaps if the writers, the Sprechers, where to give Mickey more depth, thus allowing Kinnear to showcase more. That would certainly compensate for everything else that's lackluster about THIN ICE.
-- www.Ramascreen.com --
Set in the snowy Midwest like "Fargo", "Thin Ice" seems like "Fargo" light. The convoluted story-line piles on problem after problem for our somewhat sympathetic main character, played by Greg Kinnear. Alan Arkin and Billy Crudup are also involved in this "insurance caper". My main objection to the film is that upon reflection, or perhaps a second viewing, things just don't seem totally "Kosher". I can't put my finger on it, but sometimes believability is stretched like a violin string, if you can excuse the pun. The movie is entertaining, and certainly the script is clever, perhaps just a bit too clever to be believed. Recommended for fans of "Fargo", "A Simple Plan", and others of the type. - MERK
What I thought is going to be a black humor comedy with a twist, turned out to be something much more. First of all, as many movies before almost the entire movie is set in snow ridden Wisconsin (death trip), and I love just how that setting immediately sets the atmosphere of the flick. With two experienced leads Greg Kinnear and Alan Arkin, who already worked together in a similar movie Little Miss Sunshine, Thin Ice is a thriller comedy with a weird up vibe involving scams, murder and black humor. Most of all I enjoyed the character of Mickey Prohaska masterfully played by Greg Kinnear, an average shifty looking insurance salesman who finds himself in quite a pickle... Since I would like you to fully enjoy the movie, I will not bother you much with anything else in fear that I might spoil the viewing pleasure.
Mickey Prohaska is an insurance salesman looking to move from freezing Wisconsin to some sunnier state. He has a silver tongue and a well thought-out approach to his future customers. Self-confident and always in control he decides to show how it's done to his new employee by helping him lock a deal with a forgetful elderly gentlemen Gorvy Hauer. While at his house he accidentally discovers that Gorvy has a very valuable violin, that he currently uses to play fetch with his dog. And then and there the plan is born in Mickey Prohaska's head, a plan that will get him out of snowy Wisconsin but he did not realize that sometimes things go wrong, very wrong. As events unfold we see him losing control over the situation and accusations of murder, heist and embezzlement are pending... Will Mickey manage to talk his way out of this situation (and should we want him to?) is up to you to find out. Enjoy.
Check out my review site Rabbit-Reviews.com for movies that are worth watching, Rabbit out...
Mickey Prohaska is an insurance salesman looking to move from freezing Wisconsin to some sunnier state. He has a silver tongue and a well thought-out approach to his future customers. Self-confident and always in control he decides to show how it's done to his new employee by helping him lock a deal with a forgetful elderly gentlemen Gorvy Hauer. While at his house he accidentally discovers that Gorvy has a very valuable violin, that he currently uses to play fetch with his dog. And then and there the plan is born in Mickey Prohaska's head, a plan that will get him out of snowy Wisconsin but he did not realize that sometimes things go wrong, very wrong. As events unfold we see him losing control over the situation and accusations of murder, heist and embezzlement are pending... Will Mickey manage to talk his way out of this situation (and should we want him to?) is up to you to find out. Enjoy.
Check out my review site Rabbit-Reviews.com for movies that are worth watching, Rabbit out...
This is a flawed but still watchable film that seems to steal characters and plot from the Coen Brothers' Fargo, yet manages to succeed. At least to an extent.
The problem may be - as we were told at our cinema previewing club - that the director lost final cut here, and found herself with a movie she no longer can even comment on, with 15 minutes cut, the film re-edited, and a score she never intended - and one that doesn't work well.
The result is a somewhat uneven, too dark black comedy. Or is it a drama? Or perhaps a "caper" movie? I'm not quite sure.
When it comes to the acting, though, this is a great film. Greg Kinnear plays a character too reminiscent of Wm. H. Macy's turn in Fargo, but he makes the most of it, though - team player that he is - he's outshone by more spectacular performances. Alan Arkin, for one, who also did it to Kinnear in Little Miss Sunshine. But the "steal the show" performance is by Billy Crudup, always sexy (my wife says he's "hot") and interesting to watch, and here at his very best. Bob Balaban is spot on as a violin dealer, and the rest of the cast is excellent.
Worth seeing for many, but mostly for those performances.
The problem may be - as we were told at our cinema previewing club - that the director lost final cut here, and found herself with a movie she no longer can even comment on, with 15 minutes cut, the film re-edited, and a score she never intended - and one that doesn't work well.
The result is a somewhat uneven, too dark black comedy. Or is it a drama? Or perhaps a "caper" movie? I'm not quite sure.
When it comes to the acting, though, this is a great film. Greg Kinnear plays a character too reminiscent of Wm. H. Macy's turn in Fargo, but he makes the most of it, though - team player that he is - he's outshone by more spectacular performances. Alan Arkin, for one, who also did it to Kinnear in Little Miss Sunshine. But the "steal the show" performance is by Billy Crudup, always sexy (my wife says he's "hot") and interesting to watch, and here at his very best. Bob Balaban is spot on as a violin dealer, and the rest of the cast is excellent.
Worth seeing for many, but mostly for those performances.
¿Sabías que...?
- CuriosidadesAt first titled The Convincer, the initial edit of the film was screened in January 2011 at the Sundance Film Festival. Distributors ATO and production company Werc Werk Works demanded that director/writer Jill Sprecher make sweeping changes to the film from the version shown at Sundance in order to speed the film up. The production company claimed that Sprecher "refused to be part of the process," while she stated she was never allowed to review the distributor's notes to make any comments on them. The revisions were made without her input, replacing the original composer, Alex Wurman, and the original editor, Stephen Mirrione. Sprecher was prevented from speaking to the press, but said she is "heartbroken and devastated," wanted to remove her name from the film, but was not allowed to do so. The completely re-cut film was retitled Thin Ice. Sprecher reportedly learned of the name through the Internet and not from the production company.
The Convincer cut received generally positive reviews from critics at the Sundance Film Festival. The re-cut Thin Ice received uniformly negative responses ("disappointing," "poorly edited," "a stinker") after screenings at B-List festivals in October 2011. Thin Ice received positive responses from critics with a "fresh" rating of 69% on Rotten Tomatoes, based on 59 reviews. Following the further festival run, the film was released theatrically in February 2012.
- Citas
[first lines]
Mickey Prohaska: [narrating] There is a saying. Believe none of what you hear, and only half of what you see. Good advice. People will try to convince you of anything.
- Versiones alternativasThe film premiered out of competition at the 2011 Sundance Film Festival under its original title "The Convincer"; that version was edited by Stephen Mirrione and featured an original score by Alex Wurman and Bela Fleck. It was subsequently reedited by Lee Percy and re-scored by Jeff Danna. The new version has been retitled Thin Ice (2011)
- Banda sonoraLeave Our Worries
Written by Christopher A. Corley and Jon D'Agostino
Performed by Serendipity
Published by Astonishing Music (BMI) /
Music Expressions ASCAP
Courtesy of Crucial Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Thin Ice
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 790.421 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 183.527 US$
- 19 feb 2012
- Recaudación en todo el mundo
- 790.421 US$
- Duración
- 1h 33min(93 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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