La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.
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- Premios
- 43 premios y 198 nominaciones en total
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- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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What do You see?
No words can fully describe the immense talent of Chloé Zhao.
Jessie Buckley Is an Absolute force of Nature,Her perfomance Amazing and Heartbreaking gut punch.
The screenplay,cinematography, and the music make for an incredible film about grief and acceptance.
The last 20 minutes are faithful to the book and so powerful.
Keep your Heart Open.
No words can fully describe the immense talent of Chloé Zhao.
Jessie Buckley Is an Absolute force of Nature,Her perfomance Amazing and Heartbreaking gut punch.
The screenplay,cinematography, and the music make for an incredible film about grief and acceptance.
The last 20 minutes are faithful to the book and so powerful.
Keep your Heart Open.
Hamnet is my favorite movie of the year. What a beautiful script. This movie is a tearjerker. It's the most emotional I've been watching a movie in years. The performances from Jessie Buckley and Paul Mescal are some of the best performances this decade. It also includes some of the best child acting I've ever seen. A film about love and loss that hits all the right notes perfectly. It even manages to have some really funny moments as well. The cinematography is beautiful, the editing is smooth, and the score is phenomenal. Chloe Zhao knocked it out of the park directing. It's definitely her best movie. No notes. 10/10.
Watched at the 2025 Toronto International Film Festival.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
This movie is about remembrance, dedication, love.
I came in knowing almost nothing and only fully realized this was about Shakespeare near the very end of the movie. In a sense, I wish I knew more about Shakespeare's history and the story of hamlet. However, I feel coming in with nothing actually added more to the film and its emotion; not fully understanding what was happening till the very end made it so much stronger going into that last march. To be honest I wasn't fully convinced with the first half of the film, but the last part brought it all back making everything make sense again.
The introduction of the theater is crucial to prepare the audience for the scene that's about to unfold. The camera and angles from the beginning of the theater scene builds the suspense: the feeling of who Will has become, and the meaning of this play combined with the tension between them two.
The acting is also incredible with paul and jacobi's performances truly making the movie - raw, authentic, and full of emotion. Particularly Paul's "again" scene. It might be worth an award.
The costume design is well thought out and the blonde hair paint and blue costume really stands out. The attention to detail with the ghost's white clay...
The final scene of the crowd reaching out and Hamnet turning away was the most heart wrenching and beautiful of the film and did bring me to tears.
I came in knowing almost nothing and only fully realized this was about Shakespeare near the very end of the movie. In a sense, I wish I knew more about Shakespeare's history and the story of hamlet. However, I feel coming in with nothing actually added more to the film and its emotion; not fully understanding what was happening till the very end made it so much stronger going into that last march. To be honest I wasn't fully convinced with the first half of the film, but the last part brought it all back making everything make sense again.
The introduction of the theater is crucial to prepare the audience for the scene that's about to unfold. The camera and angles from the beginning of the theater scene builds the suspense: the feeling of who Will has become, and the meaning of this play combined with the tension between them two.
The acting is also incredible with paul and jacobi's performances truly making the movie - raw, authentic, and full of emotion. Particularly Paul's "again" scene. It might be worth an award.
The costume design is well thought out and the blonde hair paint and blue costume really stands out. The attention to detail with the ghost's white clay...
The final scene of the crowd reaching out and Hamnet turning away was the most heart wrenching and beautiful of the film and did bring me to tears.
What a beautiful movie from Chloé Zhao. The film follows the life of a regular family in a past era, focusing on their relationships and how they deal with life's challenges. It's about love, loss, and family bonds, but it doesn't hit you over the head with drama. Things unfold slowly and quietly - small gestures, looks, and silences speak just as much as words. The English countryside almost feels alive, quietly watching over the family, and the story shows that human emotions - grief, care, hope - are timeless, even across centuries.
It's admirable that Chloé Zhao had the courage and insight to write and direct this almost Shakespearian story. William and Agnes bring twin children into the world, and the loss of one puts them in an incredibly tragic situation. Yet they have to find a way to keep going - as much as humans can - despite the pain.
Hamnet captures both darkness and grace in one of the most unapologetically raw and profoundly moving films I've seen this year. It features career-best performances from both Jessie Buckley and Paul Mescal, and it stands as Chloé Zhao's most accomplished work.
For me, it was a deeply emotional experience. The film doesn't scream its drama; it hints at it through tiny gestures, lingering looks, quiet moments, and family intimacy. You feel the characters' sorrow, hope, and concern - almost like you're living those moments alongside them. It's not an explosive movie; it moves you subtly and persistently, making you empathize with their loss and their struggle to carry on.
It's admirable that Chloé Zhao had the courage and insight to write and direct this almost Shakespearian story. William and Agnes bring twin children into the world, and the loss of one puts them in an incredibly tragic situation. Yet they have to find a way to keep going - as much as humans can - despite the pain.
Hamnet captures both darkness and grace in one of the most unapologetically raw and profoundly moving films I've seen this year. It features career-best performances from both Jessie Buckley and Paul Mescal, and it stands as Chloé Zhao's most accomplished work.
For me, it was a deeply emotional experience. The film doesn't scream its drama; it hints at it through tiny gestures, lingering looks, quiet moments, and family intimacy. You feel the characters' sorrow, hope, and concern - almost like you're living those moments alongside them. It's not an explosive movie; it moves you subtly and persistently, making you empathize with their loss and their struggle to carry on.
How 'Hamnet' Shows a New Side of Shakespeare
How 'Hamnet' Shows a New Side of Shakespeare
IMDb spoke to Hamnet star Paul Mescal (William Shakespeare) and director Chloé Zhao about how the biographical drama uncovers a new side of Shakespeare that goes beyond his writing.
¿Sabías que...?
- CuriosidadesWhile the name of Shakespeare's wife is usually spelled Anne Hathaway, in legal documents her father spelled her name Agnes. In the early modern period it was common for names to have alternate spellings. Maggie O'Farrell chose to use the name Agnes for her protagonist.
- PifiasEarly in the film, Agnes treats a cut on William's forehead with an herbal remedy. Sometime after that, they consummate their relationship. She becomes pregnant and eventually gives birth. After giving birth, William still has a cut on his forehead, and at least 9 months have elapsed.
- ConexionesFeatured in Today: Episodio fechado 21 noviembre 2025 (2025)
- Banda sonoraMy Robin To The Greenwood Gone
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- How long is Hamnet?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Гамнет
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 10.531.950 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 932.278 US$
- 30 nov 2025
- Recaudación en todo el mundo
- 10.646.373 US$
- Duración
- 2h 5min(125 min)
- Color
- Relación de aspecto
- 16 : 9
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