Hai yang tian tang

My sister has a 7 year old son who suffers vaccine injury leaving him autistic. I bought the DVD already knowing of the burden for parents having one of their five kids who'll most likely never leave their nest. There were a lot of details that this film got right: the attention span, the distractions, the stimming, the frustration of sensory overload. It's very painful to see someone repeatedly smash their head into a wall because the impact is actually giving them relief from their thoughts and over stimulated brain.

As the film developed I found it emotionally crushing to see how the hearts of the characters themselves are all melted converts to a father's simple love in spite the inevitable conclusion of mortal separation. Everything of the film was superb except perhaps the blurry picture quality...no wait. I'm sorry, those were my tears that got in the way. The DVD played just fine.

(2010) Ocean Haven/ Ocean heaven/ Ocean Paradise (In Mandarin with English subtitles) DRAMA

As a fan of Jet Lee or Jet Li's martial art movies, this is quite a transition for him, but at the same time I was never a fan of movies about people suffering from down syndrome or people with mental disorder films since they're the easiest thing to do if anyone were to become an actor as I always thought even before seeing Lars Von Trier's controversial film "The Idiots" saying that it involves more peculiar movements and less thinking dialogue. Besides "The Idiots", the only other films that demand recognition in terms of less dialogue acting roles are probably "The Miracle Worker" with Anne Bancroft and "My Left Foot" which their minds are intact but their bodies are not. The reason I say this is because everybody regardless who you're can act or verbally talk irresponsibly and carelessly once in awhile including me. Therefore, down syndrome or other mental disorder films can on some level or another can be an everyday occurrence and is not hard to do saying that anyone can do it- just be self absorbed, selfish and inconsiderate of others while allowing others to help you. Anyways, I had to see this movie because I like Jet Lee and stereotypical I did not know he can be in a drama film. The film is written and directed by Xue Xiao Lu, which may be a personal film based on actual experiences. At the beginning, Jet Lee as Wang Xingchang or as the characters in the movie call him Old Wang ties a rope to his son's leg along with his while sitting on a boat for it's very evident that his teenage son doesn't have any normal tendencies. Old Wang jumps into the water from his boat for the intention of killing himself as well as his only teenage son his name is Dafu. We assume at this point that it's one of those movies which the beginning is the end. But that is not the case at all for his son, Dafu saves him since he must be an excellent swimmer. The next scene has both of them coming into their apartment, and are not wet anymore but smell quite badly as acknowledged by his young female next door neighbor who's just stopping by to drop off some eats. And it was at this point he reveals to the audience that his son is autistic. That the reason he was attempting to kill himself by means of drowning along with his son was because he is dying of cancer for his son is unable to take care of himself and felt that it would be unfair to him if he couldn't get the proper care that he needs. Now because the setting takes place somewhere China, we get to witness some of the customs regarding how autistic people are treated in some areas. For instance, Old Wang is allowed to take his son to work which is maintaining the 'ocean resort' which includes janitorial and electrical, while his son is allowed to swim in the pool with the sea animals which is where he learned to become a great swimmer. This movie makes the possibility that although it's possible to take your child with you when you go to work, it's not possible to find the proper care he needs if that person happens to be the only parent who can look after him and that it'll be much harder if that specific parent is not around anymore. What I liked about this film is that it's not so much about the son as much as it's about whether or not one can find the proper care for him if anything were to happen to the parent which can be any parents dilemma. For it's generally harder to look after someone who is mentally disabled than it would be to look after a cat or a dog which owners don't have to worry too much about them all the time in comparison to a child who's suffering from mental disabilities. What prevented me to like this film even more is the expected cliché scenes of Old Wang training his autistic son to cook for himself and so forth... for it's different with each person and in my opinion didn't need it since the gov't can also provide some of the help too.

This has been touted as Jet Li's first starring non-action drama. While that is interesting it is probably the wrong approach to think of Li's past roles before watching this movie. This is a simple bittersweet realist drama that is a moving cinematic experience because of the earnest performances. Jet Li's minimalist characterization is the right approach for his character Wang Xuechang and quite different than his action persona. The director describes Li's character as "like a man who has become a mother." He is described by others in the film as a good man, which he is. He is doing the best he can with this situation with dogged determination, not with brilliance or luck, but perseverance. Wang is a maintenance work for an aquarium and had lost his wife fourteen years ago. He also has complete responsibility of his son Dafu (Wen Zhang: also acts with Jet Li in the later The Sorcerer and the White Snake) who suffers from severe autism. Wang is also dying from liver cancer and is given around three months to live.

The film stars off inauspiciously. Wang takes his son out to the ocean to drown him and himself. This does not work because the son had secretly untied the rope and the son has one special gift in his mostly closed world -- he is an excellent swimmer. So Wang goes back to his home and work determined to leave his son prepared for his passing while his pains get worse by the day. At first he tries to find a place where he can leave his son. But either the institutions are for kids or seniors which the 22-year old does not qualify. While this proves difficult he also spends time going over simple behaviors like riding the bus, cooking eggs, and spending money so he can have some semblance of a normal life.

While Dafu spends his days swimming in the aquarium tanks he befriends a traveling circus clown and juggler Ling Ling (Kwai Lun-mei: also acts with Jet Li in the later Flying Swords of Dragon Gate; she also sings a song for the film) who also gives Dafu someone else to trust. But given that her life is nomadic and that Wang's life is slowly ebbing away you are left to wonder what is going to happen to Dafu.

This is Xue Xiao-lu's first directed film. Her only other screen credit is for the writing on Chen Kaige's Together. Xue has stated she has worked on this project fourteen years, referring to her volunteer work with autistic children, and by the time the screenplay got to be read by Jet Li it was in its seventh draft. What is impressive is the crew that was put together for this film. For the cinematography you have Christopher Doyle (In the Mood for Love, Rabbit-Proof Fence, Hero), for the music you have Joe Hisaishi (Kikujiro, Spirited Away) and production design by Yee Chung-man (Tokyo Raiders, Shaolin). Having this triumvirate is quite unbelievable considering the modest budget. Their collaboration helps the film immensely in sound and image.

This is a beautiful looking film. The cinematography and production design is dominated by blue hues throughout as a constant allegory to the water in their lives. The acting from Li and especially Wen is quite good. There relationship is quite touching as is the relationship between Dafu and Ling Ling. That one is underplayed, but I think that is the right decision for this film. So much of the success of this film depends on how Wen portrays his character's interactions with these two. There are no magical solutions to the familial issues, just a lot of hard work from caring people. There are no real antagonists in this story. Some might consider this a negative, but the movie does not need it. I am glad, because Dafu's life is difficult enough and the movie is emotional enough. I had to watch it in two sittings because the first half depressed me quite a bit. I do recommend this movie and hope those who are on the fence about watching this to give it a watch. I think it is quite a good film.

There are certainly some parallels between this film and Jackie Chan and Sammo Hung's Heart of Dragon. Both films were dramatic roles dealing with a caretaker having no choice in dealing with a mentally challenged relative and both were popular action stars getting a chance to expand their acting repertoire. This film also reminds me of Zhang Yang's underrated Shower in which the relationship between Er Ming and Liu parallels that of the two main characters here. There is also a water motif present in both films though I think the allegory is stronger in Shower and more matter-of-fact here. I mention these films because both are interesting and different approaches to similar matter. Shower is also one of my favorite films.

I saw this on the R1 Well Go DVD release. But there is also a R1 BD/DVD combo available from Well Go which should have the same extras. For the extras there is an 11 minute "Making of" extra which has interviews from Jet Li, Kwai Lun-mei, Wen Zhang and Xue Xiao-lu and inserted footage from the movie. It has some good information, but is ultimately too short. There is a trailer and a teaser for the movie as well. The start-up trailers (not accessible by menu) are 1911, The Stool Pigeon and The Man From Nowhere. I found a mistake in the description on the back cover which uses names for the two characters (Sam and David) that appear nowhere in the film and there is no English dub so I am not sure where they came from. The two dubs for this are a Mandarin 5.1 Dolby and a Mandarin Dolby Stereo. There is also an R3 Edko release of this film that came out in 2010.

It is hard to go from primarily western films to this, especially when so much of my context for asian cinema is in the action and kung fu or shootouts. Add to this learning that a woman director's first film, made it surprising because the film is so masterful. Of course she was bringing the most powerhouse collaborators from some of the best films of all time, the pedigree comes off like a wishlist of a film student, if asked, what would your dream movie would be like... Joe Hisaishi... Christopher Doyle... and a world renowned star subverting their whole persona. The thing is, nine times out of ten this is going to be a recipe for a disaster, and the film will fail. It will be too obvious, or too boring.

Why it works is because the tone is just right, it is both understated but stylized, the performances hits the exact right notes start to finish. I found Ocean Heaven refreshing in a timeless way, that even when I view acclaimed arthouse films of today from international directors, you know those ones that win all the awards, I do not really connect to them. They're too self-important, political, or cliche. Point is, it is difficult to achieve the right mix of elements in the voodoo process of filmmaking, something this film achieves.

That brings me to the reason everyone would talk about this, that is Jet Li's performance. If you have seen the dozens of films with him doing Kung Fu, you would not realize what a tremendous actor he is. It is unbelievable his most impressive feat is not the karate, but playing a father. He displays so much sensitivity and resilience at once. He is able to evoke a cinematic father that is impossible not to think about your own. Every gesture is elevating this movie into something far more meaningful than its modest tone. You could not imagine the movie with any other actor than Li and his son, played by Zhang When. The performance is like a masterpiece painting, from a source you didn't realize was there all along, you go of course, he is a man obsessed with excellence. I could not view his other films the same way after this, so I give props to the director for seeing what no one else saw.

Ocean Heaven is an intriguing movie for several reasons: 1. It portrays a young man with autism, who also shows emotion; 2. We see a sanitized view of modern day China and how disability is supposedly supported by average citizens and the state; and, 3. A terminally ill father struggles with finding support for his son.

Each theme is a separate review I'm sure. I really did not want to like this film, and as a previous reviewer suggested, I was also prepared to turn my nose up after the opening dramatic scene. But I kept going with it. I'm glad I did.

The actor who portrays the young man with autism is actually quite believable. He gets the gestures just right, the mannerisms, the vocalizations,and the expressions. Having known people with autism--all across the spectrum--for thirty years now, I was amazed at how nuanced this performance was, and it did not fall into the mistakes of stereotypical portrayals, such as Rain Man. It worked. His emotional side, based on fear of the unknown, was handled well, as was his father's reactions to him.

The setting for the movie was another aspect of the film that captivated my interest. It is no secret that having a disability in Chinese society is complicated; there is stigma attached to the family, not much support in terms of formal schooling, and even less for social services in the community. It is not discussed, and rarely revealed. Most newborns with obvious disabilities (such as Down syndrome) are routinely abandoned in the hospital and left to die. So why this sudden sympathetic portrayal? Did China undergo a transformation after hosting the Special Olympics in 2008? They did, after all, implement a national policy of "be nice to people with disabilities" in preparation for those games.

The natural supports for Dafu (son) were all around him, if his father would only look. The character of "auntie Chai" totally got Dafu. She could have enlisted his work ethic in her store. He already had a "job" swimming with the fish and sea mammals at the aquarium. We saw scenes of him being one with the water and marine life. And so on. But the film takes us on a trip to see Chinese institutional care, segregated schools, and missed opportunities for true inclusion in his community.

There are side stories that don't advance the film, such as the circus troupe and the film star clown who juggles. The metaphor of the circus outsiders (some would also equate them to freak shows) accepting Dafu is an old cliché that wasn't necessary. Another side story that is not developed deals with his deceased Mother, who apparently could not handle the truth of her son's autism. There are veiled references to her untimely death as a suicide.

Now the story has legs. The real issue that is presented is that it is understandable, and even acceptable for a parent to intentionally kill their child with a disability. Pity the poor parents, who have to endure the shame and burden of a child with a disability. This is how most people really feel. In fact, there is societal support for parents who murder their child out of pity. In Canada there is a famous case of Robert Latimer, a father from Saskatchewan, who murdered his daughter Tracy because she had cerebral palsy. Most Canadians thought Mr. Latimer a sympathetic figure, not deserving jail time for his crime. There are numerous instances of children and adults with autism who end up dead at the hands of a caregiver or family member. Check out the website notdeadyet for further reporting on this subject.

So the opening scene, where Dafu chooses life for himself and his father is quite dramatic, and likely the best evidence of Dafu's intellect, emotion, and will to live. It is also a tribute to all those other people with disabilities who do not get to choose how their life unfolds, whether in China, or anywhere else.