Una mujer soltera que decide volver a apostar por el amor catapultando su vida de París a Los Ángeles. Desde citas incómodas hasta conmovedores encuentros sorpresa, entiende que el viaje hac... Leer todoUna mujer soltera que decide volver a apostar por el amor catapultando su vida de París a Los Ángeles. Desde citas incómodas hasta conmovedores encuentros sorpresa, entiende que el viaje hacia el amor es un viaje hacia ella misma.Una mujer soltera que decide volver a apostar por el amor catapultando su vida de París a Los Ángeles. Desde citas incómodas hasta conmovedores encuentros sorpresa, entiende que el viaje hacia el amor es un viaje hacia ella misma.
Imágenes
Florence Viala
- Charlotte
- (as Florence Viala de la Comédie Française)
Olivier Krasker-Rosen
- Ami Jules
- (as Olivier Krasker Rosen)
Reseñas destacadas
This movie took me by surprise... I imagined it was a romcom but it's in fact very deep... in a French way. The wittiness of Luka can be lost in the plain English subtitles tho for the English speaking viewers.
Sometimes it reminded me of Pedro Almodovar cinema too... Sophie Marceau is the ONLY person for the role , she's fantastic. I will never forget the line « We leave our mother twice, when we are born and when she dies »... Watching this movie was an uplifting experience as it touches on love and tenderness, two things our world badly needs these days...
Sometimes it reminded me of Pedro Almodovar cinema too... Sophie Marceau is the ONLY person for the role , she's fantastic. I will never forget the line « We leave our mother twice, when we are born and when she dies »... Watching this movie was an uplifting experience as it touches on love and tenderness, two things our world badly needs these days...
I only enjoyed watching Sophie Marceau in this movie. Otherwise the story is really boring, the role of the gay best friend is a caricature, and the actor doesn't play well. The voice over and the constant flashbacks become annoying and too repetitive. The story doesn't feel real, we don't see anything about her career as a movie director in LA. People are rich but don't work. I was just hoping for a plot twist all along the movie, but nothing ever happened.
This is an exemplary film, which should be shown in film schools. It's a breviary of everything you shouldn't do. Impressive. The film lacks artistic direction. Which is normally the director's job (in France), or the producer's (in the USA).
The breviary is exemplary. There is a useless, and above all ridiculous, voice-over (it sounds like a text generated by a robot on the internet) which translates the director's inability to tell her story through the mise en scène. The film contains multiple shots, even entire scenes, that are unnecessary and could be removed. There are useless 20 minutes. There is a real lack of discernment. No one asked themselves the question of the length of this pensum?
Finally, to top it all off, the script is a pile of hackneyed clichés (not to be confused with stereotypes, which are useful for the drama), strung together like pearls and which seem to be thought of as powerful revelations... One of the ridiculous ones is the homosexual friend, very "crazy" of course and who owns a box of transvestites or similar: since 1978 (La Cage Aux Folles, Édouard Molinaro) the representation of homosexuality has come out of these chromos... The French are noisy. The runnings gags are at least out of a think tank. The cab drivers want to be actors. We have the shot on the mount Lee, the palm trees... The film is based on a dramaturgy and a scenario free of any element related to reality: the film contains no sociological, societal, social or economic element that links it to a reality. Impressive. They are wealthy and do not work. While the characters seem to suffer (we don't care).
It would seem that there is an alibi of truth, in the sense that there is inspiration from a true story. But veracity is no guarantee of drama.
Netflix has nothing to fear from Prime Video with a film like this. Prime Video needs to be careful and not fund films that are permanently weak, i.e. Dumb.
The breviary is exemplary. There is a useless, and above all ridiculous, voice-over (it sounds like a text generated by a robot on the internet) which translates the director's inability to tell her story through the mise en scène. The film contains multiple shots, even entire scenes, that are unnecessary and could be removed. There are useless 20 minutes. There is a real lack of discernment. No one asked themselves the question of the length of this pensum?
Finally, to top it all off, the script is a pile of hackneyed clichés (not to be confused with stereotypes, which are useful for the drama), strung together like pearls and which seem to be thought of as powerful revelations... One of the ridiculous ones is the homosexual friend, very "crazy" of course and who owns a box of transvestites or similar: since 1978 (La Cage Aux Folles, Édouard Molinaro) the representation of homosexuality has come out of these chromos... The French are noisy. The runnings gags are at least out of a think tank. The cab drivers want to be actors. We have the shot on the mount Lee, the palm trees... The film is based on a dramaturgy and a scenario free of any element related to reality: the film contains no sociological, societal, social or economic element that links it to a reality. Impressive. They are wealthy and do not work. While the characters seem to suffer (we don't care).
It would seem that there is an alibi of truth, in the sense that there is inspiration from a true story. But veracity is no guarantee of drama.
Netflix has nothing to fear from Prime Video with a film like this. Prime Video needs to be careful and not fund films that are permanently weak, i.e. Dumb.
I liked the movie a lot. I don't understand the negative comments. First and most importantly, me and my wife had a great time. The shots of Los Angeles are magnificent. For those who didn't understand the film subject, it's a film about Liza Azuelos and her mother Marie Laforêt. Throughout the film we are told about the relationship between Lisa (Liza, the real one). Is Lisa's (Liza) mother a bad mother? Could this be Lisa's problem? Or it is maube not white or black. The film allows us to get an idea. The characters are endearing. Lisa's friend, Luka is very endearing. Throughout the film we see his love troubles. Will Luka find love? Back to Lisa, we see her love journey throughout the film. She too will find love and find happiness. We also laughed a lot. The secondary characters in the story also play very well. The clairvoyant, Aurora, John (Lisa lover?), Catherine, the lady from the boarding school, the Swedish naturist and the one who parks the cars.
As always, Liza creates a pleasant atmosphere that transports us throughout the film and I make the connection with the films 'une rencontrer'. Well done Liza, don't be put off by all the negative comments. I encourage you for new films in the future. Sophie Marceau always so beautiful and adorable.
As always, Liza creates a pleasant atmosphere that transports us throughout the film and I make the connection with the films 'une rencontrer'. Well done Liza, don't be put off by all the negative comments. I encourage you for new films in the future. Sophie Marceau always so beautiful and adorable.
For those of us who are not fluent in French Language, the availability of subtitles would have been greatly appreciated. Otherwise, with half of the movie in French, it's pointless to even attempt to watch this.
¿Sabías que...?
- CuriosidadesThe film reunited director Lisa Azuelos and star Sophie Marceau, who worked together previously on Bienvenido al mundo de LOL (2008) and Reencontrar el amor (2014).
- Banda sonoraI Love America
Music by Patrick Juvet
Lyrics by Victor Willis and Jacques Morali
Performed by Patrick Juvet
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Detalles
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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