En La Chica de la Capa Roja Seyfried interpreta a Valerie, una bella joven que está en una encrucijada por el amor de dos hombres. Está enamorada de un meditabundo desconocido, Peter (Shiloh... Leer todoEn La Chica de la Capa Roja Seyfried interpreta a Valerie, una bella joven que está en una encrucijada por el amor de dos hombres. Está enamorada de un meditabundo desconocido, Peter (Shiloh Fernandez), pero sus padres han arreglado un matrimonio por conveniencia con el adinerado... Leer todoEn La Chica de la Capa Roja Seyfried interpreta a Valerie, una bella joven que está en una encrucijada por el amor de dos hombres. Está enamorada de un meditabundo desconocido, Peter (Shiloh Fernandez), pero sus padres han arreglado un matrimonio por conveniencia con el adinerado Henry (Max Irons).
- Dirección
- Guión
- Reparto principal
- Premios
- 5 nominaciones en total
Reseñas destacadas
It's the story of a small village that has arranged a truce of sorts with a local werewolf. Every full moon, they put out livestock for the beast to devour and in return the beast leaves the people alone. For some reason, though, the beast breaks the pact and people begin to die. The mystery revolves around the identity of the werewolf, once a werewolf-hunting priest (Gary Oldman) shows up in town and warns the people that the werewolf is one of them. The question becomes "who is it?" and the mystery is pretty decent. There are any number of reasons to suspect any number of people of being the beast, and the ultimate revelation of the werewolf's identity surprised me a bit - it was not my first choice.
I thought director Catherine Hardwicke made pretty good use of the setting of a small, isolated town deep in the mountains, and Amanda Seyfried was excellent in the role of Valerie (the Red Riding Hood character.) The movie also provides a pretty good depiction of paranoia and the ultimate consequences that paranoia can have, even (and perhaps especially) on people who know each other as well as the residents of this town obviously did.
This isn't really (in my opinion at least) a horror movie. It's more of a mystery, and as a mystery I thought it worked pretty well. I certainly think it deserves to be rated more highly than it is. (7/10)
In my case, I go in to watch movies on non-biased terms. Meaning, I do not go in with any pretenses or theories jaded by others speculation. I go in to watch what the movie is offering, and interpret it in to my own fashion, seeing as every one will have their own opinions. So, I did the exact same prep with this film. I bought my ticket, sat in my seat, didn't think twice about what I was about to see, and just watched.
I loved Red Riding Hood. I thought it was beautiful, it was subtle and sexy- especially with the knock out soundtrack- and, most importantly, I went on a journey with the film. It kept me hooked, and although there were a few silly moments or corny lines, I still found myself lost in the mystery and the unknowing of the film. All movies will have their faults, or what I like to call, inflections. One, for me, was wanting to see a more developed character of Valerie and her family. I would have enjoyed seeing a relationship between her and her sister before Lucie was killed and where to story we saw began, as I would have understood her pain on the same level. As well, I would have liked to have seem more about her Grandmother and the way she lived at the same age as Valerie growing up with the Wolf and its legend. To me, that would have made the film a whole and the storyline would have become more dynamic. But, seeing as they wanted to have this film out in theatres and not as a mini series, I think what they put in the film fit wonderfully with the time gap of the audience's attention.
Now, it is one thing to review a movie on it's pros and cons and to point out where the plot failed or the story line succeeded. However, it is another thing to write a review comparing it to a movie with the same director and showing the apparent similarities. Yes, I am talking about all you reviewers who only had one thing to say: Twilight. I have seen Twilight, I have painfully endured Twilight, and I dismissed Twilight. Twilight has a flawed script and storyline, and I personally believe the only good Twilight was the first Twilight, as Catherine was able to draw the attention away from the story line with the visuals, the camera angles, etc. To try and accuse Red Riding Hood of being a "Twilight clone" is absurd. If you were to compare anything to Twilight, I'm sure you would find some similarities. It's what makes movies Movies. All movies follow the same structure. There will always be conflict, there will always be a climax, and there will always be a resolution. If you know Red Riding Hood, the actual story, not the censored picture book you were read as a child, then you would know that the censored version is a simple, straight forward idea. The Brothers Grimm tale is however, what you SHOULD be comparing this film to. And, I believe the director, the camera crew, the actors, etc all played in to this old, twisted fairy tale we all think we know and did a very good job of it.
All in all, Red Riding Hood did what it was supposed to. Entertain, and keep you on the edge of your seat. It's beautiful, it is gracious and it is well adapted.
Now, go and read the Brothers Grimm tale!
I wasn't expecting much, and I didn't get much. Red Riding Hood(not the fairytale by the way) does try hard to be a lot of things, including introducing a number of horror, fantasy and mystery elements. But due to the sluggish pace and disjointed story structure(that is full of overlong filler, particularly the celebration scene, and the dream sequence was very awkwardly placed) the film fails at pretty much all these elements.
The script is very clunky, underdeveloped and banal as well. A lot of it did not keep my attention and I found myself chuckling into my coke at any unintentionally funny bits. The CGI is quite poor here, with the wolf looking as though it was done in a hurry. Hardwicke's direction never rises above mediocre, the editing is unfocused and frenzied and the three titular characters are incredibly dull and uninteresting with the romantic elements between them poorly written and directed.
The acting doesn't fare much better. Amanda Seyfried is pretty but bland in the title role and shows little or no chemistry with her co-stars, while Max Irons(son of Jeremy), Lukas Haas and Shiloh Fernandez show good looks but awkward line delivery. Virginia Madsen and Billy Burke are both wasted, both over-doing it in a valiant attempt to elevate their weak material(these two actors probably had the worst of the dialogue next to the leads actually). And the climax is little more than a mangled mess and devoid of depth.
Despite these many cons, there are some decent assets. The score is atmospheric enough and the costume and set design are spot on. Plus there are two good performances, Gary Oldman and Julie Christie. Oldman does chew the scenery, but he looks as though he's having a ball, while Christie is very enchanting.
Overall, not terrible, but deeply flawed and over-ambitious. 4/10 Bethany Cox
The acting was so corny and so ridiculous although I can't help but feel that it's not entirely the fault of the actors, but the director. The dialogue was so incredibly cheesy that at several points throughout the movie, groans were heard throughout the audience. Visually, the film is beautiful but the plot is choppy, the romance scenes are cringe worthy, everything about this film was just painful. Shiloh whatever his name is has a constant sneer/smirk on his face that makes his character so annoying. And the other love interest was just plain dull. Seyfried is a perfect Red Riding Hood but she brings nothing to the film other than her constantly doe eyed, surprised expression.
Do not waste your money on this crap.
¿Sabías que...?
- CuriosidadesAmanda Seyfried had a bad experience with Shiloh Fernandez at a dinner party, so Catherine Hardwicke had to persuade the actress to give him a chance.
- PifiasAs this village is small and poor, there is no way all of the villagers would be able to afford to put glass in every window. In the middle ages glass windows were expensive and usually only the rich could afford them. Poor villagers would have normally used dried animal skins scraped very thin to block a window and allow some light into a house.
- Créditos adicionalesAfter the credits a werewolf suddenly appears and lunges at the camera
- Versiones alternativasThere is an alternate cut of the film that is twenty six seconds longer.
- Banda sonoraTowers Of The Void
Written and Produced by Anthony Gonzalez and Brian Reitzell
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Caputxeta Vermella, de qui tens por?
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 42.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.662.162 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 14.005.335 US$
- 13 mar 2011
- Recaudación en todo el mundo
- 90.260.376 US$
- Duración1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1