PUNTUACIÓN EN IMDb
6,1/10
2,3 mil
TU PUNTUACIÓN
Entre extravagancias y excesos, los asistentes de un concurso de peluquería serán sorprendidos por un asesinato que dividirá a la comunidad.Entre extravagancias y excesos, los asistentes de un concurso de peluquería serán sorprendidos por un asesinato que dividirá a la comunidad.Entre extravagancias y excesos, los asistentes de un concurso de peluquería serán sorprendidos por un asesinato que dividirá a la comunidad.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 8 nominaciones en total
Luca Pasqualino
- Angel
- (as Luke Pasqualino)
John Alan Roberts
- Mosca
- (as John Roberts)
Reseñas destacadas
No pun intended - especially because it is a guy who has been done. The movie does start with the announcement of a police investigation. A police investigation we won't see much of by the way. We will stay and stick with the hairdressers and everyone.
This is a whodunnit, but it also is a look behind the scenes. It is a sort of love letter to hairdressers. That being said, do not expect this to be pulling any ... punches. The very first characters we see talk ... let's call it freely. You may feel it is rough and there are some anger issues for sure ... but it is also fun to watch.
What is fun to watch to a degree is the one shot thing. I did not detect any easy swipe or any other camera movement that would make it easy to cut and edit. Good acting ... good little movie.
This is a whodunnit, but it also is a look behind the scenes. It is a sort of love letter to hairdressers. That being said, do not expect this to be pulling any ... punches. The very first characters we see talk ... let's call it freely. You may feel it is rough and there are some anger issues for sure ... but it is also fun to watch.
What is fun to watch to a degree is the one shot thing. I did not detect any easy swipe or any other camera movement that would make it easy to cut and edit. Good acting ... good little movie.
The film, with its stunning long take, makes us feel as if we are walking alongside the characters, traversing various captivating settings and hypnotic scenes. Consequently, the beginning may appear bewildering and somewhat disorienting, as we adjust to the rapid influx of information: the breathtaking scenery, the characters' magnificent hair, their dialogues, understanding what is unfolding, among other aspects. Nevertheless, after this initial phase, we are thrust into the midst of a plot that consistently prompts us to question certainties, sow seeds of doubt, and introduce minor twists and turns. The film keeps us pondering all the time: "Where is this leading us?"
This sensation can also have a bittersweet taste, as some scenes appear shallow, lacking a proper conclusion. Regrettably, the conclusion of the story ends up being predictable and monotonous, which is disappointing. Furthermore, the decision to include a scene that seems to come out of a "scriptwriting manual," outside of the continuous shot, is debatable and should not have been included. This scene alters the perception of concepts that were subverted throughout the film, rendering them inconsistent with what had been built up until that point.
This sensation can also have a bittersweet taste, as some scenes appear shallow, lacking a proper conclusion. Regrettably, the conclusion of the story ends up being predictable and monotonous, which is disappointing. Furthermore, the decision to include a scene that seems to come out of a "scriptwriting manual," outside of the continuous shot, is debatable and should not have been included. This scene alters the perception of concepts that were subverted throughout the film, rendering them inconsistent with what had been built up until that point.
Murder at the hairdressing competition. It's like the title Agatha Cristie forgot to write. We don't get a Poirot however, just a bunch of unlikeable characters chattering away for 90 minutes. We don't get to meet the victim, he's already cold when the movie opens, nor do we geet to meet the detectives working the case. We"re stuck with the models and collegues of the victim. It's a directorial choice offcourse. Just as the fact that the whole movie is filmed (or appears to be filmed) in one take. Which means a director going on an egotrip and an audience that has to suffer through endless shots of people walking through corridors. As you can tell I wasn't particularly taken with Medusa Deluxe. When we finally get to know whodunnit I was long past caring.
The one-take movie is a fun concept. But the fact still remains that if the script isn't good, the concept isn't going to cover up that fact. This was actually the first one-take film I've seen that I haven't enjoyed. All the other ones have had a great script to back up the concept. On this occasion though I wonder if they were using it to mask the weakness of what they had to work with, rather than doing it for purely artistic reasons.
The first thing a film has to do is make you care, and this one never did. I never found a character I could relate to or even enjoy their presence on screen. And I was never given a reason to care about the murder-mystery. We never meet the person who is murdered or even see them murdered. We are just told and then expected to spend 90 minutes desperately wondering whodunnit. That's not possible to do.
A one-take whodunnit should have been an absolute dream film for me to enjoy, but if the execution isn't there then it doesn't matter. This one was sadly a big misfire for me. 3/10.
The first thing a film has to do is make you care, and this one never did. I never found a character I could relate to or even enjoy their presence on screen. And I was never given a reason to care about the murder-mystery. We never meet the person who is murdered or even see them murdered. We are just told and then expected to spend 90 minutes desperately wondering whodunnit. That's not possible to do.
A one-take whodunnit should have been an absolute dream film for me to enjoy, but if the execution isn't there then it doesn't matter. This one was sadly a big misfire for me. 3/10.
Medusa Deluxe directed by Thomas Hardiman, is a captivating film that seamlessly delivers a gripping cinematic experience.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
The cinematography is mesmerizing, with each frame meticulously composed to evoke a sense of both awe and unease. Camera work is really impressive - you can really appreciate the tech side to the film
The score perfectly complements the visuals, further immersing the audience into the film's world.
Casting is put together really well throughout with talent that engages you throughout the film with they're interesting personas.
Would really recommend to check this out. The film has been released nationally in the UK.
¿Sabías que...?
- CuriosidadesCleave (Clare Perkins) says that the elaborate Fontange hairstyle, incorporating a sailing ship, is based on 'Orient 1791'. Orient was the French flagship at The Battle of the Nile (1798)and was destroyed when her magazine caught fire and exploded during the battle.
- Créditos adicionalesIn the end credits: "Dedicated to the hairdressers of the world"
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- How long is Medusa Deluxe?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 68.560 US$
- Duración
- 1h 41min(101 min)
- Color
- Relación de aspecto
- 1.33 : 1
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