Gorbaciof

Although it may seem so, this movie has nothing to do with the USSR. The movie's title refers to the protagonist's crimson birthmark on top of his head, just as the former Soviet leader. Gorbaciof works as a cashier at the prison of Naples. Quite easily he manages to embezzle money with which he gambles at night playing card games in the back of a Chinese restaurant. When he starts to feel for Lila, the mysterious and gorgeous waitress of the restaurant, everything changes.

The beautiful camera work and excellent editing make up for the lack of dialog in this film (there is almost no spoken word). Lots of dynamic shots, close ups and long takes in combination with the very good acting of Tony Servillo and Mi Yang make for a great cinematic experience. There is a lot of suspense in this film, but it has also funny and romantic moments. The only downside is the story, which is too straight forward in my opinion. If you can live with that I would say that this is nothing less than a must-see. Enjoy!

Gorbaciof, directed by Stefano Incerti, is a minimalist character study centered on Marino Pacileo, nicknamed "Gorbaciof" due to the distinctive birthmark on his forehead. Played with quiet intensity by Toni Servillo, Pacileo is a solitary prison accountant whose life revolves around poker and an unspoken love for Lila, a young Chinese woman.

Servillo's nuanced performance anchors the film, portraying Pacileo as a man of few words but profound emotions. His interactions with Lila, played by Mi Yang, are tender yet restrained, capturing the unspoken yearning between two outsiders in a gritty Neapolitan backdrop. The supporting cast, including Geppy Gleijeses as Lila's troubled father, adds depth to the narrative but remains largely in the shadow of Servillo's commanding presence.

Incerti's direction is deliberate and understated, emphasizing the bleakness of Pacileo's existence and the quiet desperation of his attempts to connect with Lila. The cinematography mirrors the somber tone, with muted colors and claustrophobic compositions that reflect the protagonist's inner turmoil. However, while the film's atmosphere is evocative, its slow pacing and sparse dialogue may alienate viewers seeking more dynamic storytelling.

The screenplay touches on themes of loneliness, redemption, and sacrifice but lacks the narrative complexity to fully explore them. The climax, though poignant, feels abrupt and leaves many questions unanswered, adding to the film's overall sense of detachment.

Gorbaciof is a visually and emotionally subdued film that relies heavily on Servillo's exceptional performance. While its minimalist approach may not resonate with all audiences, it offers a quietly moving glimpse into the life of a man searching for meaning in an unforgiving world.

Rating: 6/10 - A restrained and atmospheric drama that falls short of its potential.