PUNTUACIÓN EN IMDb
7,4/10
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TU PUNTUACIÓN
Hannah Maes dirige un escuadrón de policía, especializado en delitos sexuales. Al mismo tiempo, está investigando un robo en su casa en el que su madre fue violada brutalmente.Hannah Maes dirige un escuadrón de policía, especializado en delitos sexuales. Al mismo tiempo, está investigando un robo en su casa en el que su madre fue violada brutalmente.Hannah Maes dirige un escuadrón de policía, especializado en delitos sexuales. Al mismo tiempo, está investigando un robo en su casa en el que su madre fue violada brutalmente.
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I watched this in 2019 in the 'Walter Presents' All4 strand. The actors (some recognisable from the excellent 'Professor T') do well with often difficult material; especially the vile suspects! Unsophisticated interview room techniques from the 1970's 'The Sweeney', and absent defence lawyers,mean the cases would fail in UK courts, but the character interplay is entertaining... and, after 'Tabula Rasa', I just love Veerle Baetens, a sexy yet credible boss figure in this drama. The highly negative review claims she screams, but she doesn't.
Although being a fan of Scandi Noir, from time to time, I am eager to widen my horizon and find out what is going on in other (European) countries vis-a-vis crime series. As I liked Belgian Salamander-series, I was referred to Code 37 - and became excited from the very beginning.
True, not all episodes are equally interesting and accomplished, sometimes I guessed the wrongdoer's's person and motives too soon, but the general atmosphere, combination of case-by-case and recurrent revenge and mystery and the beautiful panorama of Ghent make all the 3 seasons a whole, to be watched in sequence, not sporadically (at first, I thought that I would stick to Season 1 only, but I was interested to see the final solution which, however, could have been more sophisticated). And the topic of prostitution and related phenomena is depicted in a realistic manner, with far more minuses than pluses - if there is any glamour or wealth involved, then it is fake, concealing lots of serious issues.
But the most pleasant component of this series is the characters and cast, even when/if with some clichés and fathomable approaches. To me,Veerle Baetens and Hannah Maes and Gilles De Schryver as Kevin Desmet were the most interesting; the inclusion of several Wat als? actors in supporting roles was also a pleasant diversity - as their parts here were far from amusing or humorous.
Thus, a good series, making me willing to visit Ghent again - after several decades. Recommended, unless you are a strong supporter or frequent customer of prostitution...
True, not all episodes are equally interesting and accomplished, sometimes I guessed the wrongdoer's's person and motives too soon, but the general atmosphere, combination of case-by-case and recurrent revenge and mystery and the beautiful panorama of Ghent make all the 3 seasons a whole, to be watched in sequence, not sporadically (at first, I thought that I would stick to Season 1 only, but I was interested to see the final solution which, however, could have been more sophisticated). And the topic of prostitution and related phenomena is depicted in a realistic manner, with far more minuses than pluses - if there is any glamour or wealth involved, then it is fake, concealing lots of serious issues.
But the most pleasant component of this series is the characters and cast, even when/if with some clichés and fathomable approaches. To me,Veerle Baetens and Hannah Maes and Gilles De Schryver as Kevin Desmet were the most interesting; the inclusion of several Wat als? actors in supporting roles was also a pleasant diversity - as their parts here were far from amusing or humorous.
Thus, a good series, making me willing to visit Ghent again - after several decades. Recommended, unless you are a strong supporter or frequent customer of prostitution...
This Belgian crime drama certainly has me glued. Although it deals with some of the most heinous sexual crimes, these are portrayed in a sensitive, and sometimes darkly humorous way, so that they're not too harrowing. Of course, it's fiction, and thus how Hannah Maes et al deal with crimes and have them all wrapped up within the hour - and how the police in real life deal with crimes are two distantly related concepts. Hannah's subplot, throughout S1, is somewhat difficult to follow. Events become more opaque every week, and Hannah seems to fall more and more off the rails as the weeks go by. I haven't started series 2 yet, so I'll have to reserve judgement on whether that becomes clearer. As far as the regular week to week stories go, they're interesting, engaging to watch and sensitively dealt with. Of Hannah Maes' male charges, Bob is to me the most interesting to see his development, from a somewhat ignorant sexist pig to diligent cop. Kevin is the cutest - I really want him to come out as gay (remember I have 2 series still to watch!) and he seems to be the most empathetic towards the victims. I'm afraid Charles, likeable though he is, reminds me of the cowardly lion from The Wizard of Oz, with his walrus moustache and all!
The other reviews say it all, I just had to say how I loved this!
The main characters develop wonderfully almost to the point of being a superhero team, one with fags, sexism, fluid sexuality, diets entirely of fast food, and who all spatter the series with very realistic emotional fallout.
The storylines vary on all levels, with the bigger story thread running through that will draw you to binge watch. But it is more the interplay of the characters, the realism and the humour that makes this series stand out.
It's got the feel of a very good version of The Sweeney and some other top cop dramas of the same era, very much updated and fresh but with remnants of the 70s.
The main characters develop wonderfully almost to the point of being a superhero team, one with fags, sexism, fluid sexuality, diets entirely of fast food, and who all spatter the series with very realistic emotional fallout.
The storylines vary on all levels, with the bigger story thread running through that will draw you to binge watch. But it is more the interplay of the characters, the realism and the humour that makes this series stand out.
It's got the feel of a very good version of The Sweeney and some other top cop dramas of the same era, very much updated and fresh but with remnants of the 70s.
If the expanded title has a ring of click-bait about it, then be assured that the show in no way relies on titillation to keep your attention. That's not to say there isn't the odd seedy interlude here and there, but all emphasis is placed on the continuous development of the characters, the humorous banter between colleagues and a well engineered, slow-reveal, long story.
Initially, I found the shorter, episodic cases to be a little patchy, but with the passage of seasons two and three, they have improved immensely.
Of course, one of the most endearing features must be Baetens' sulky, yet enigmatic acting. In Season 3, her character's ongoing backstory is elevated to new heights, making for some truly memorable moments. I found her quite mesmerizing in 'Tabula Rasa', and even more so here.
My rating of the show so far has been - 7.6/10, 7.8/10 and 8.2/10
Initially, I found the shorter, episodic cases to be a little patchy, but with the passage of seasons two and three, they have improved immensely.
Of course, one of the most endearing features must be Baetens' sulky, yet enigmatic acting. In Season 3, her character's ongoing backstory is elevated to new heights, making for some truly memorable moments. I found her quite mesmerizing in 'Tabula Rasa', and even more so here.
My rating of the show so far has been - 7.6/10, 7.8/10 and 8.2/10
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- ConexionesFollowed by Code 37 (2011)
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