La verdadera historia de Danny Greene, un duro matón irlandés que trabajaba para mafiosos en Cleveland durante la década de los 70.La verdadera historia de Danny Greene, un duro matón irlandés que trabajaba para mafiosos en Cleveland durante la década de los 70.La verdadera historia de Danny Greene, un duro matón irlandés que trabajaba para mafiosos en Cleveland durante la década de los 70.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
- Mike Frato
- (as Steven R. Schirripa)
- Frank Brancato
- (as Vinny Vella Sr.)
Reseñas destacadas
None of the side characters get enough time to shine, thanks to a script that should have been more polished before making it.
The story is interesting enough to make a great film - it just needed someone like Scorsese to bring life to it.
Still, Ray Stevenson is so great as Danny Greene - that the thing is watchable.
Val Kilmer is probably the worst part of it, though I hate to say it.
It is from the time in his career where his passion was long gone, but he still needed paychecks.
Walken is shamefully wasted.
I DID NOT EXPECT THAT! I AM STUNNED!
The Hunter becomes the Hunted in KILL THE IRISHMAN. In the year 1976 in Cleveland 36 bombs went off but could they get Danny Greene?
Based on the life events of Irish American gangster Danny Greene KILL THE IRISHMAN is by far one the most involved movies I have watched of its kind. Danny Greene a gangster from Cleveland in 1970s is a man with pride and honor. Quite unusual traits for a gangster don't you think? Exactly what I did think as well until I completed the whole movie! Danny Greene's story brings to light the hardships that certain people go through to meet their ends in life. Although not most of them are legal methods, sometimes these seem to be the only way out for some of them. Most learned folk at this point would think I am a few screws lose upstairs to agree with an illegal approach to life. I sincerely believe that all humans will tread paths they never would if they too are pushed to extreme limits. This is just me, however I am sure some may feel that to die with hunger is better than steal, try it and let me know! Please note I am not promoting criminals since Danny Greene's revelation is entirely different. Danny Greene earned his bread and butter until the associations abused them and ill-treated them. Danny stood up to them and took over the associations and became a self-found businessman. However when authorities came for him few years later, he did not run, he had the courage to stand up to his faults.
Ray Stevenson, Christopher Walken, Vincent D'Onofrio and Val Kilmer bring to life the dark early 1970s of Cleveland. I am impressed of the precision performances. Especially Ray Stevenson, he is amazing and its wise choice by the casting directors to go with an unfamiliar face (although Ray Stevenson has appeared in a fair number of movies) since it's a biography of an actual person. I believe Ray Stevenson fits into the character with ease rather than to have a Hollywood regular play the protagonist. I need not speak about Christopher Walken, you put him in front of a camera and wonders emerge. Val Kilmer's weight does not stop him from slamming a great performance either. Unison is what it is with these men pulling the movie through.
A very appropriate and touching soundtrack evokes a great emotion within me. Much like BRAVE HEART or ROBIN HOOD PRINCE OF THIEVES she captures and wraps me with a strange enchantment. It's like a spell, I need to admit there were moments in the early parts of the movie where I did consider switching it off. The interest did not seem to be consistent. In my terms the attention span of the viewer is violated with Jonathan Hensleighs directorial approach. It lost me a few times, however it did not LOSE me. I am having difficulty expressing what I felt, let me try to elaborate. It's like water, tasteless, however after a long night when you wake up dehydrated after one too many drinks, and that one glass of water you have at that point of time is the perfect drink. This is the only way I can bring myself to explain the feeling of this movie.
A definite skip for those who look out for action and cleverly choreographed fight sequences. A good one for the mature audience who savor biographies and slow paced dramas.
This is how I see it, nothing more nothing less!
Title: Kill the Irishman Directed by: Jonathan Hensleigh Starring: Ray Stevenson, Vincent D'Onofrio, Val Kilmer, Robert Davi, Vinnie Jones & Christopher Walken Rated: R for strong violence and some sexual content/nudity Rating: 07/10 106 Minutes
'Kill The Irishman' has been called the best film since 'Goodfellas' as was stated on the DVD box that came in the mail today. Now all that tells a man to begin with is that the film is the best imitation of 'Goodfellas' there's been since 'Goodfellas' was introduced to cinemas and VHS tapes. Fear not, it is actually good enough to compare to the many times already aforementioned gangster classic and what comes as a surprise is pretty much everything about the film.
Firstly, a synopsis. Danny Greene's story - narrated by Val Kilmer (who lends some heavy support throughout the film) - tells of a tough Irishman working the grain silos at the Cleveland Docks whose rise to infamy begins when he goes to work for the mafia after a jail term for larceny makes headlines due to his muscling in on his former factory boss's business.
Greene is an old fashioned street fighting man who will stand up to anybody and although readily willing to commit crimes to make money, he is an honest and caring man by nature and this quickly endears us to the complex character so easily portrayed by Irish-born up and coming actor Ray Stevenson. I say up and coming but if you're British you'll already know him for television and minor film roles. If you're American you may know him for 'King Arthur', 'Outpost', 'Book of Eli' and 'Punisher: War Zone'.
As events unfold and just as Greene became unhappy with his factory boss, he sees the mafia acting unfairly, abusively and little involved. He declares that he will go into business for himself, meaning that he will inevitably have to declare war on the Italian mafia.
Naturally, what follows is the titular plot; the mafia attempting and failing over the duration of many years to hit the unflappable Irishman as he goes to great lengths to rub it in their faces and get revenge where necessary.
The film, based mostly in Cleveland throughout post-war '70's America, looks and feels authentic but it is the strong, earthy Irish charm that sets it apart from all those old classic I-tallian-American gangster films and a style of film-making that sometimes takes you back even as far as the forties for its occasionally rich film-noir texture.
What I find amazing because this is actually no huge Hollywood film is that 'Kill The Irishman' boasts a hugely classic cast including Val Kilmer (Heat), Christopher Walken (explanation???), Vincent D'Onofrio (Law & Order), Paul Sorvino (Goodfellas) and Robert Davi (Die Hard and The Goonies) to name a few. They're all very admirably cast in familiar roles, some unfamiliar which works in favour of plot tiwsts, and help to endear us towards a film that is actually very down to earth and sometimes even hilarious for a such a darkly toned crime drama.
What surprised me the most is the link I made earlier on as I looked over the cast and crew of the film. Ray Stevenson (the last man to portray killer ex-military vigilante Frank Castle AKA The Punisher) being directed as the film's lead by Jonathan Hensleigh, director of the 2004 Thomas Jane version of The Punisher. And the team works brilliantly. Hensleigh who I associated with slow and simplistic storytelling since the latter has really thrown a curveball with this one and I can't help but wonder; what if Hensleigh had directed Stevenson as the Punisher instead, what kind of comic crime caper would we have gotten then? Kill The Irishman boasts some hilariously offensive dialogue that cannot be mistaken for anything but Irish, the film to me at first glance was authentic and quite realistic and I recommend it to everyone with a fully functioning brain and heart. 'Kill The Irishman' is one of the best dramas on offer at this moment!
I must confess that I haven't heard anything about this movie before I read that there will be free theater screenings of "Kill the Irishman" in my hometown. As far as i know, the film also had a very limited theater release in the USA, which is a sad thing because this movie was surprisingly good and well-crafted and was one of the best films I've seen in the last months.
The film tells the true story of Danny Greene, a tough irish gangster - and let me tell you, it is definitely a story worth telling.
I guess many of you are informed about the story of Danny Greene, so i won't go further into the story.
The movie features an impressive cast including Ray Stevenson, Val Kilmer, Christopher Walken and many other familiar faces known from other mob movies. Ray Stevenson gives an incredibly good performance as Danny Greene and manages to keep his character really violent, but also likable. This movie could give him a career boost for bigger roles.
The direction and the cinematography are very nice and i'm hoping this movie will enable Jonathan Hensleigh more work soon, because he's definitely a talented craftsman.
In some reviews i read that other people complained that this movie is just a ripoff of Goodfellas. That isn't true. The movie stands well on his own, despite featuring some actors known from Goodfellas, and wasn't that also the case in Shows like The Sopranos? Why complain about that? And last but not least, it IS a true story and who grows sick of seeing good mobster movies? Definitely not me.
Even though they were gangsters, Greene and Nardi were surprisingly likable characters—for killers, that is—mostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.
Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.
I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!
¿Sabías que...?
- CuriosidadesDue to budget limits and to add to the realism to the movie, the director and producers chose to use real news clips from the Cleveland area from the actual events that took place in the movie.
- PifiasSt. Malachi's Church in Cleveland is spelled with an 'i,' not a "y" as shown in the movie.
- Citas
Reporter: This is about the fourth time someone's tried to kill you. How do you account for the fact that you survive each time?
Danny Greene: I'm an Irish Catholic with the grace of God on my shoulder. I'm not going anywhere until he says so. You see the trailer behind me? It's where I work. See the bar at the end of the street there? Get a shot of that. I live on the top floor. Let me tell you something. If any of these maggots from the so-called Mafia wanna come after me, I'm not a hard man to find.
- ConexionesFeatured in Youngstown: Still Standing (2010)
- Banda sonoraI'm Gonna Keep on Loving You
Written by Norman Whiteside, DJ Will Gill (as William Gilbert) and John Primm
Performed by Kool Blues
Courtesy of Numero Group
By arrangement with Bank Robber Music
Selecciones populares
- How long is Kill the Irishman?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Maten al irlandés
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.188.194 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 145.430 US$
- 13 mar 2011
- Recaudación en todo el mundo
- 1.188.194 US$
- Duración
- 1h 46min(106 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1