Contigo a muerte

There is a song by LOX and an artist/rapper (Eve) called Ride or Die chick. Well sometimes they use a different word and not chick, but I only mention it, because the title reminded me of the song ... and I reckon you could say it is fitting when it comes to the story.

Now this starts off quite intense ... sexy time (and nudity) and violence combined into something quite horrible - in a "good sense" I reckon. As in suspensful and making the movie interesting ... not to mention the characters. Then we get a flashback that explains why we are were we are ... and then the drama starts and unfolds. So while you may feel that the movie starts with a bang (no pun intended), it really does slow down.

So I reckon some might not like this because of the way it starts (squeamish people) and some will not like how it continues ... those who got sucked in by that really powerful beginning. And then there are those like me, who like the mixture of those two things. Slow moving mostly, it does not hold back its punches ... not for the faint hearted as you may already have recognized.

Kinda hard at first, but as the movie continues you get attached to the story and its a 2hour journey of many feelings while watching it, loved so much the performances by the two actresses, it was the first time I've watched their work, I have to say, big round of applause for kiko mizuhara, she carried the movie graciously, her performance was on point.

I think that this movie show us the dark side of love, it show us what we would capable of when we love someone. The movie has a lot of nudity and blood at the beginning so don't see if you are sensitive.

First of all, the fact that a female-led LGBT movie made it to Netflix Japan is huge considering Japan has very little representation.

Lots of great qualities about this movie. The acting and cinematography is different from normal Japanese films, which often show acting that is over dramatized to force humor. This film doesn't do that. Kiko and the supporting lead actress did a great job playing complex characters that take the whole movie to fully understand.

The cinematography also showcased lower class life in rural parts of Japan, which often get overlooked in Japanese films that make it abroad.

However, I think American viewers who mostly watch American films might not understand this film, and many of those viewers will likely complain about the length. American films used to be long, too, but later became no longer than 90 minutes because Americans' attention spans are just too short these days. Current Hollywood films contain scene after scene of "in your face" drama and action, sacrificing artistic film for purely entertainment. Perhaps that works for super hero and comedy films, but Ride or Die isn't this type of film. American movies also stop short of explaining the ending of films, but this movie takes you to the very end.

Japanese art and TV are *masters* of displaying the subtleties of everyday life and the tenderness of human emotion and connection. That's exactly what's happening in the parts of this film that some Americans may consider "slow." If you have an understanding of Japanese culture and art, then this will make sense as you watch the film. There is also a strong culture of natsukashii/nostalgic-ness, especially pertaining to high school, in pop culture here in Japan, which explains the number of flashbacks to high school.

Those people who are complaining about Kiko's nudity don't understand who Kiko is. She is not the run-of-the-mill actress/model. She is very body-positive and lives to push the boundaries on what society deems acceptable.

That said, I think it's a fantastic piece of art if you're willing to try understanding the film through a non-American lens, but it's definitely not for suited for everyone.

I admire this film for trying to tackle relatively stigmatized issues like LGBT and depression in Japan, but I feel like the director didn't really have a clear vision in mind when making this movie. Scenes are overly long and the movie very much does not follow the typical buildup-conflict-resolution structure that most movies have. It feels like they just put all the raw footage together and released it, without trying to edit/shorten any of the scenes. Even with all of that, our two characters barely get any background other than a few school flashbacks. There are just sooo many scenes that go on for wayyy too long and/or add nothing to the main narrative. If the director really wanted to try and flesh out so many different characters and motivations he should have pitched this as a short series rather than a movie. Those sort of long, hanging shots would be far more acceptable in a series than a movie. I suppose it might also be because this was based on a manga, and trying to cram in years worth of manga story into a movie, even a 2.5 hour one, doesn't really work unless you focus on a specific story beat. It's a shame, really, I think it's got a good premise just executed really poorly.