Añade un argumento en tu idiomaA thirty something man who lives in a suburb just outside of Portland says goodbye to his beautiful and loving wife and heads into town. There he unintentionally provokes the wrath of a myst... Leer todoA thirty something man who lives in a suburb just outside of Portland says goodbye to his beautiful and loving wife and heads into town. There he unintentionally provokes the wrath of a mysterious motorcyclist. The confrontation between the two, sets in motion a day long battle. ... Leer todoA thirty something man who lives in a suburb just outside of Portland says goodbye to his beautiful and loving wife and heads into town. There he unintentionally provokes the wrath of a mysterious motorcyclist. The confrontation between the two, sets in motion a day long battle. Beginning in the form of harmless taunts then quickly escalating into something more serio... Leer todo
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Low budget horror/thriller Rage borrows so heavily from Steven Spielberg's Duel that its writer/director Chris Witherspoon feels obliged to acknowledge the fact with a scene where two incidental characters discuss the 1971 movie at length. In doing so, his film becomes an homage (which sounds so much better than rip-off, don'tcha think?). As if nicking the plot wasn't enough, Witherspoon also names his central character Dennis—presumably after Dennis Weaver, who played the lead in Spielberg's movie—and gives his film a similarly snappy four letter title.
For his final act, Witherspoon turns to the slasher genre for inspiration, his motorbiking psycho becoming a seemingly indestructible bogeyman à la Michael Myers, not just targeting Dennis, but also his poor wife Crystal (who, in one particularly brutal scene, is beaten up and raped), and an elderly couple who live across the street who meet a gruesome fate via the business end of a chainsaw.
However, despite the flagrant cribbing and a general lack of originality regarding the plot, Rage didn't have me flying into one. Witherspoon's film is actually a reasonably well crafted thriller, one that certainly belies its budgetary limitations, delivering some decent thrills and spills, cool characterisation (Dennis is such a slime-bag), and a smattering of gnarly violence. I doubt very much if it will launch Witherspoon as the next Spielberg, but as 'homages' go, I've seen plenty worse.
Rage reminds me of a mix between The Room and Birdemic in it's execution.
The Acting is bland and at times annoying, with a few exceptions. The main protagonist is an unlikable character, with no redeeming qualities. I found myself rooting for the antagonist throughout, with the exception of the protagonist's wife, who seems likely to be the only one in the movie with anything between her ears.
Worth a watch if you are inclined to liking bad movies, and/or want a movie to make fun of and laugh at, while picking it apart.
The film is about Dennis, a struggling writer with a loving wife Crystal (Audrey Walker) and a mistress Dana (Anna Lodej). Heading out one day he encounters a figure on a motorcycle in a car park. Pushing the encounter to one side he meets up with Dana. During the meeting he tells her that he loves his wife and breaks off the affair. She doesn't take it all that well. Once back in his car he encounters the biker again and this time the biker scratches his car and rides off. This leads to a game of cat and mouse, where at first Dennis hunts the biker down but the confrontations escalate and Dennis is soon in fear for his life. He now believes that the biker is a former boyfriend of his now ex-lover out for revenge. The biker arrives at Dennis's home and things turn deadly.
I went into this with a very open mind. I knew this was an independent film and I didn't expect too much from it. I find this is the best way to view new films. The film started off well with good introductions to the main characters but by the time the second encounter with the biker happened I found myself drawn in to the film. I forgot all about reviewing the film and got engrossed into the story. The film finished and not for a single moment did I feel bored. The pacing of the film is great, the story progresses well and the characters are well written and acted. The biker is menacing and all the more so because you don't really know his motives. The direction is professional and makes good use of lighting and colouring. The effects are very well utilised during the films climax. But the best thing about the movie was the way the story kept you guessing. I thought I had the plot figured out about 5 different times but each time I was wrong. That's what makes a good thriller/horror. There is one particular scene that was emotionally hard to watch but its place in the film drives the story and the terror forward to a new level.
You can see with this film that Chris Witherspoon is a very talented film maker. I wish him luck and hope this film has the desired effect and someone takes a chance on his abilities. I would love to see what he could to with a studio backing him. After all Spielberg started out with a movie called Duel about a truck pursuing and terrorising someone.
If you get the chance to see this film you really should take the chance. If you do you will see the start of hopefully a very successful film maker.
The first problem is the makers of Rage did not have the money or skills to make a road movie. So we have a guy on a bike and a guy in a car navigating the roads of Portland. Then the camera shakes as the bike 'hits' the car, just one example of many laughably poor scenes.
As a road movie is out then Rage becomes a low-budget and pretty pointless horror movie, as a remake of Duel it falls way, way short of the mark.
If you want to see a great revenge style movie then watch Duel, if you want to watch something nowhere near as good with less style and pointless killing then watch this.
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- ConexionesReferences El diablo sobre ruedas (1971)
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- 1h 25min(85 min)
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