Passion Play

I know it's hip to slam 2010's "Passion Play," maybe because Megan Fox is an easy target, but the film doesn't deserve it. This is a reverent drama with outlandish aspects and a profound ending.

THE PLOT: Nate Poole (Mickey Rourke) is a down-on-his-luck musician in the Southwest who gets on the bad side of a mob boss, Happy (Bill Murray). In his flight he stumbles upon Lily (Fox) at a carnival, a "freak" with wings. They discern a deep connection and take off together with Happy & his hoods on their trail.

The film is very similar to 2008's "The Wrestler," which also starred Roarke. In both films Rourke plays a languishing has-been. In both films he struggles with his love for a young woman. In "The Wrestler" it's his daughter; in "Passion Play" it's an exceptional young woman with whom he has a love connection.

What surprised me is Fox' acting. She's known for playing the stereotypical hot chick, but here she plays a sweet, innocent woman struggling with an abnormality, and she does it very convincingly.

Also, Rourke (Nate) and Fox (Lily) have good chemistry. Yes, Nate is about 30 years older than Lily, but – it doesn't matter – their connection is real, sort of like Bill Murray and Scarlett Johansson in "Lost in Translation."

The score is reverent and moving and fits the tone of the film.

The ending is both surprising and effective, even though there are obvious clues. See "COMMENTARY ON ENDING" below.

The film was shot in New Mexico and runs 94 minutes.

GRADE: B

***SPOILER ALERT*** (Don't read until you've seen the film)

COMMENTARY ON THE ENDING: Although some interpret the ending to mean the bulk of the story is Nate's death dream, it more likely indicates that Nate was in some type of purgatorial spiritual realm where God offers a second chance for the lost. Nate passes the test and is ushered into eternal bliss. Since it's some type of spiritual realm where God is sovereign, the reality may be set-up in a holographic sense, similar to Star Trek's Holodeck. In that case, the people Nate experiences aren't real at all; they're there simply as a part of Nate's test.

At any rate, the ending gives the story purpose in an eternal scope. Instead of some silly fantasy about a hard-luck musician meeting some ultra-beautiful woman with wings who learns to fly while simultaneously delivering the man from some serious heavies (why sure!), the story becomes a tale of eternal redemption for a languishing dumb bastage who foolishly messed around with a mob boss' wife.

At the end you see Nate smiling with true joy as the angel sweeps him off to heavenly bliss. God gave him a second chance at redemption and he escapes this piece-of-sh** world.

How is it that I never heard of this one? A fine movie... Megan Fox CAN act after all and many times I had claimed the opposite. Even though this movie was quite predictable, IMHO, it was still a great watch and we were spared the over-the-top violence that so many other lesser movies rely upon. The only murky part of the film was the whole sequence when Nate hooked up with that over-Inked junkie but I don't want to come too close to Spoiling. I mean I understood what and why it all went down but still... I haven't done a review here in eons but I saw the 4.5 rating for this and felt compelled to get people to give this a shot, well worth it. FWIW, also felt Mickey was the perfect Nate... not sure Bill M was a great Happy but not terrible either. BTW - MFox is only semi-nude but gorgeous as ever.

this movie was never intended to be a big film. I didn't read any reviews in entirety only to see if it had any positive feedback which gave me a go for watching it. I was really fooled by the ending where it all came together. The acting was mostly good, but sets could have been a little better. I was involved in the story and felt the love between Lily and Nate. I was surprised by Megan's good acting in it. She played it nicely without a lot of dialog for her to point out her flaws. The director did a good job of inserting her for loss of a better term.

I'd recommend this highly without reservation, but would suggest lowering your expectation level if you looking for high end type film. Perfect for DVD...and I definitely would have seen it an art house theater without disappointment.

Seedy bar trumpeter, Mickey Rourke, gets gets hit over the head outside the bar, gets dragged to the desert to be shot, presumably for some shady misdemeanour. His captor gets shot instead, by shadowy figures, dressed in white.

Nate Poole (Rourke) trudges on through the desert and into the night, where he stumbles on a travelling circus. Rhys Ifans is a sort of compère and then, Nate's eyes fall on a young woman, in a red outfit and who has wings. This vision of beauty (Megan Fox) has him enthralled and he tries to speak to her afterward.

As Messrs Ifans and Co gets riled, Lily Luster (Fox) decides this show has used her too much and needs to break free and drives them both out. The pair sort of go on the road, Rourke all lived-in and leathery rough and Fox young, enticing and fresh.

Passion Play scores a mightily measly 4.4 on the IMDb, and as a rule, I don't even bother with films on Sky Movies that score less than 5 - and that's 5/10, hardly a great starting point.

Mickey Rourke not so long ago was on Oscar nominated form in The Wrestler and whilst he's (apparently, I've not seen them) been in some awful movies in the past, was this an unfortunate return to that form for him?

Well, for a start, the fantasy elements are crudely done, with hardly any sense of magic to them. It's as if director Mitch Glazer hadn't even tried to convey any sense of wonder, so Lily's character never comes across more than a rather timid kid who's got a secret to hide. Mickey Rourke, doesn't seem to immerse himself in the part fully, generally avoiding looking into the camera at least at first, opening up as the film progresses. As a supposed grizzled junkie musician, he seldom delivers the expected wisdom, bitterness and nostalgia that a fully developed character might. He's still in great shape though, as the generous amounts of him appearing shirtless shows.

An almost unrecognisable Bill Murray, whose appearance I was looking forward to, is completely wasted, talent-wise as a ruthless gangster that wants Lily for himself, to use as a novelty act.

There's nothing so terrible in this movie that makes you want to switch it off, but next thing you know, it's half way through - and what has the film achieved? We don't feel as if we know these two people any better, even though they've been waffling on about themselves quite a lot.

I was wondering whether the director and the film itself was trying to emulate Wim Wender's beautiful and enigmatic 'Wings Of Desire' and failing at almost every level. This is Mitch Glazer's first directorial, he's normally a screenwriter (he scripted this film, too) and this lack of experience shows. He did possibly have some great ideas but to mould them into a living, breathing movie is another thing and with two first- class actors, maybe he has been too star struck to get the best from them.

I would suggest that only devout fans of Mickey Rourke check this out - he will always be a larger than life character in any film he's in and he's not actually bad in this, he gets better as the film develops. As for Bill Murray; he could be anybody, played by anybody.

As for Megan Fox, she just tends to look rather awkward and appropriately rather glum, with her CGI'd shoulder adornments. There are hints that Lily's character might develop into a Natalie Portman one in Black Swan; troubled, deep etc but that may be just down to the music and atmosphere that surrounds her at times.

It all moves onto a scenario where three people are vying for Lily's skills and potential dollars, as Rhys Ifan's tracks her down and says that he 'discovered' her. The ending wasn't totally unexpected and was fitting and neatly rounded off this rather oddly and clumsily put- together romantic fantasy.

I found this film more touching than I would have imagined. Megan Fox was very good in her archetypal role. Beautiful music, some lovely photography, with nice turns by the various actors.

If there was a problem with the film, it was the script. Rourke's character, Nate Poole, undergoes some changes that aren't fully worked out, even within the magical realism of the world the film creates, and thus, his actions don't entirely seem consistent or fully motivated.

I've heard Rourke has criticized Ms. Fox's acting, and that seems unfair. The failure of the film at the box office is definitely a function of the script, not Ms. Fox.

For all its flaws, it's still a moving, often strangely beautiful film.