Pete Smalls Is Dead

With a cast like this that alone should make for a pretty interesting movie, but unfortunately that is not the case and it is a rather forgettable tale.

So forgettable in fact that I forgot I had already seen it a couple years back and didn't realise until when I (re)watched it today 30 minutes in when Steve Buscemi shows up in an awful blonde afro wig that I had indeed seen it before.

It's supposed to be a comedy, but it's just not particularly funny. And in the end when the "mystery" is solved (I say that lightly because it's pretty obvious and it's not a mystery movie as such) in retrospect the script is rather stupid as well.

I made sure to write a review and rate it this time around so I don't have the misfortune of possibly watching it again in a couple of years when I very possibly would have forgotten about it all over again.

A very weak 4/10 from me, it would have been less if not for Peter Dinklage and Theresa Wayman.

This movie kept me involved and entertained from beginning to end. Most of its conventions are drawn from film noir, albeit it might better be describes as a comedy of the absurd. With better distribution, it could become a cult classic.

Peter Dinklage is the hapless hero, struggling through the depths of Hollywood sleaze to get the $10,000 he needs to ransom his elderly dog. His buddy, played by Mark Boone Junior, has greater ambitions; but despite life and alcohol induced craziness, genuinely is a true friend.

Dinklage, as usual, is extraordinary, and his role is written so that his dwarfism is not even among the top five traits shaping his fully-formed character. If you are tired of the usual pap and want something to stimulate your brain as well as your senses, find this film.

I knew practically nothing about "Pete Smalls Is Dead" when I started watching it, which made it even more of a treat. Peter Dinklage plays a man who goes to LA to attend the funeral of a deceased friend...but discovers that there's more to his friend than just the death.

After watching the movie for a few minutes, I got the feeling that it could easily be a Coen Brothers movie (although it has a different director). The quirky characters and presence of Steve Buscemi -- wearing a curly blond wig! -- give it that feeling.

"PSID" isn't any kind of great movie, but it's certainly worth seeing. Pretty fun. Also starring Mark Boone Junior, Rosie Perez, Lena Headey and Michael Lerner.

This movie has all the elements of an old Film Noir: a missing person (well, dog), a mysterious woman, a voice-over narration by the main character (nicely played by Peter Dinklage), and a slightly convoluted main plot. The message; whether it is in fact a deeper look at the machinations of Hollywood (and the good and the bad that goes with it) or not, is not as important as the overall atmosphere.

The bits that feel just too far out and too unrealistic are more than made up for by both the excellent cast and the road trip/generally trippy vibe that seems reminiscent of the Big Lebowski.

It's certainly not for everyone; bring some time and willingness to go with the flow. Then it's a gem of a movie that is well worth a watch -and a re-watch.

You couldn't really call Pete Smalls noir, it's far too daylight for that, but certainly the story follows noir ideas. The beauty of the film is the succession of well known and highly capable actors all turning their roles into charm. It's a brilliant piece of casting. Peter Dinklage is the star and brings some of that cynicism he does so well in Game of Thrones to the fore in this as well. Mark Boone carries most of the acting burden and is perfect as the well-intentioned mate. You'll see Steve Buscemi and Lena Headey in utterly unfamiliar roles. Ritchie Coster as the bad guy plays a role that lovers of Happy! (2017) will find further admiration. Tim Roth plays a role he is far more suited to than the character he plays as the never-wrong Lie To Me guy or the tougher-than-everyone-else Tin Star guy. The most classic roles are those of Theresa Wayman as the quintessential French mystery woman, and Seymour Cassel as the Mexican grandfather figure. All enjoy a great script and many good original lines. It's a movie about friendship, and in that it succeeds with bells on.