Ip Man 2

Donnie Yen returns as the titular kung fu grandmaster in Ip Man 2, with Wilson Yip reassuming his directorial duties and, most importantly, Sammo Hung back in his role as action director, and also as a main character.

The story picks up from where the first movie left off. Ip, having survived the war period in Foshan, moves to Hong Kong with his family and attempts to make a living teaching his beloved art of Wing Chun boxing. However, he is met with opposition and hardship in the form of rival martial arts schools and the atypical British oppressors, and finds that even his formidable martial arts prowess may not be enough to resolve these problems.

But the story aside, anyone with a little background knowledge of this film should know what to expect; a dose of intense Hong Kong kung fu film action. As the story begins to drag, at some point even a unsuspecting viewer should have realized that all the plot devices and dialogue serve little purpose other than as catalysts leading to the combat scenes. And at helm of the fight scenes is none other than the legendary Sammo Hung, in familiar territory choreographing the Wing Chun style, which he made a name for himself in movies such as The Prodigal Son in the 80s. With some creative input of his own, he manages to compose complex and graceful fight sequences that stays true to traditional kung fu styles, from Praying Mantis to Hung Gar Kuen. And who better to bring his imagination to life than the ever reliable Donnie Yen? What Hung designs, Yen executes with masterful control and precision. And in the movie when the former steps up to challenge the latter in a sparring session, we witness two of Hong Kong's greatest kung fu stars pushing themselves doing what they're best at in a brilliant exchange of strikes and blows. Absolutely a sight to behold.

In the end, the typical viewer is unlikely to be captivated by the highly borrowed storyline, save for some who still enjoy the cinematic display of Chinese pride that is rather blatant and unsubtle. But you will be blown away by the fights, you will be in awe of the moves, and, if you're able to, appreciate the action scenes not as the mindless, disposable portion of the movie, but rather the core of it, carefully thought out, executed, and filmed as a true form of art. With that, forgive the storyline, and enjoy the film for what it is.

The most impressive thing about Ip Man was its action choreography, not because it was expertly carried out but because after a long time, martial arts in cinema didn't look like a joke that went way too over-the-top. Instead, it had a very realistic feel, something that I'd been waiting for so long. There's no denying that the film had its storytelling issues but most of those complaints were simply brushed aside by its adrenaline-fueled, high octane & wildly spectacular action.

Now as for Ip Man 2, almost everyone who went in expecting the same thrilling experience that the original delivered didn't really come out feeling exactly the same. The film had an opportunity to be a worthy sequel to Ip Man but it exhibits such a massive downgrade in all aspects that it turns into a disappointment quite easily. Even its action choreography discards that grounded feel & ends up taking the same over-the-top route we've seen so many times in so many martial arts actioners before.

Following the events after the first film, set during the early 1950s & very loosely based on the life of Chinese martial artist Ip Man, Ip Man 2 presents the Wing Chun grandmaster's life in Hong Kong under British colonial rule where he opens a school to teach his discipline but soon faces opposition from local practitioners. After managing to earn their respect, things go extremely wrong when a cocky British boxer makes fun of the Chinese tradition & throws an open challenge to anyone, thus forcing Ip Man to step into the ring.

Directed by Wilson Yip, there are a handful of positives in this film such as its good pacing, an enjoyable plot & another charismatic performance from Donnie Yen. But that's all there is to this picture for it is marred by dull characters, horrible dialogues, poor performances, fractured storytelling & the most heartbreaking of them all, lacklustre action. What was done so amazingly well in the previous film is completely forgotten here although there are a few glimpses of such moments when the filmmakers aren't trying too hard.

On an overall scale, Ip Man 2 lacks the elements that made Ip Man such a terrific example of its genre & feels like those sequels which are made to cash in on the success of the original rather than trying to push forward what it achieved with the first film. Replacing the authentic martial arts choreography with eye-candy moments full of gravity-defying stunts in slow-motion within the first act of the film, Ip Man 2 is a massive disappointment in every manner, lacks the kinetic energy of the original & falls remarkably short of its expectations.

Ip Man (Donnie Yen), a master of the fighting style Wing Chun despite his smoking habit, has come to Hong Kong. But he meets some resistance, both from other masters of other fighting styles and then from the British authorities who rule. Can Ip Man overcome, or at least learn to live with, such obstacles?

Let me just get this out of the way: "Ip Man" is a terrible name for a movie, even if that was really the man's name. And having his nemesis be Master Hung? This is not how you sell a movie to American audiences. Marketing concerns aside, the film was amazing.

The choreography was excellent, the use of tables, chairs and pallets as props during fighting was wonderful. And the musical score was phenomenal, hitting all the emotional highs in just the right places, making the fight scenes even more epic than they already were.

I can see this film being popular, especially with the current MMA craze: this film features a Wing Chun master fighting a Western-style boxer. Of course, this is not real, but I still see this appealing to someone. Probably many someones.

The DVD is loaded with hours of extras, and the quality is amazing. You even have six audio options, so your stereo will get a workout, and you can watch in either Chinese or English (I watched in Chinese with English subtitles, but you may prefer to have your movies dubbed).

The quote on the cover called this "possibly the best martial arts movie", which I am sure is taken out of context, but it is also not a stretch. While I am not a huge fan of the genre, this film captivated me and I found it hard to look away. With the exception of Master Hung's repulsively ugly, fat son, this movie is pretty much perfect.

I somehow doubted that IP MAN 2 would compare to the general excellence of the first film, but to my surprise and delight it does! It's a cracking little action movie that tells an involving, true-life story that doesn't just repeat the same kind of stuff we saw in the first film. This time around, Ip Man must test his mettle against a series of Hong Kong martial arts masters before taking his talent to the world stage.

The film displays exactly the same kind of sumptuous production values as the original, with Wilson Yip's expert direction combining with Sammo Hung's beautiful fight choreography to startling effect. Hung himself appears as a rival master and his various bouts with Yen are awe-inspiring, and there's a mid-way set-piece in a fish market that has to be seen to be believed – one of the greatest large-scale fight scenes ever put on film. By the time we reach the events of the last reel, involving a nasty British boxer, I was fully behind the film and loving every action-packed minute. It goes without saying that Yen gives a seemingly effortless performance and that the film provides real heart as well as top-notch action. Outstanding!

I don't think I have seen the film that this is a sequel to, so early on I was a little lost with the flashback montage in the credit sequence and I felt a little unsure of some of the characters. Within about 5 or 10 minutes though this really doesn't matter because mostly the film is happy with very basic motivations and plotting, in favour of frequent fight sequences. The overall plot sees Ip Man coming to Hong Kong to continue the spread of his teaching but coming up against resistance from other schools in the area and the interference of a corrupt British chief. Although we also have money problems, a pregnant wife and relationships from the first film, that is pretty much all you need to know.

This is undeniably a disappointment – not so much because I wanted lots of dialogue and character development, but more because the moments of the film where we do have them tend not to work particularly well because they are just lip-service and not done well. How much of a problem this is though is minimised by just how much action there is and also how good it is. Whether it is an intense fight in a fish market against a gang of others, or the one-on-one boxing match of the finale, all of the fight sequences are exciting and very well choreographed. Although it has pace, the editing is not so frantic and rapid that it masks the action and it is impressive to see all the moves and skills of the performers. Donnie Yen is impressive in all of them.

Where Yen is less effective is in the acting side; the film doesn't give him much to work with and he also plays it very quiet and still, respectful perhaps but he is a lot less of a presence when he is not fighting. Fortunately others are more lively in terms of performances and the film benefits from plenty of nice characters and light comedy from the other masters and the students. Sammo is solid in all regards and he gets some good action too.

Yip Man 2 may carry characters and story from the first film, but very quickly it gets down to the action and pretty much delivers action sequence after action sequence, all of them engaging and intense. The lack of character and development is a weakness, but the strengths do more than carry it through this.