A propósito de Elly

I came to see Farhadi's flick at Kerala Film Festival. It Won the best picture award Golden Chakoram there. Farhadi's sketch human interactions are so lucid. How humans react to chaos and how the manipulative nature of humans come into act in time of difficulties is clearly depicted in this film. It reveals a true fact about the body of lies used by ordinary people in their ordinary lives. We lie thousand times a week. When we are thinking about manipulations, its not only about the conspiracies by the big power houses. In fact the root of all those are present in common man. About Elly beautifully depicts how common man, including women and children uses lies and these body of lies causes to make relevant impact on their lives in changing situations.Even though film creates a tense atmosphere of chaos caused by the disappearance of Elly, at one stage delegates started laughing during the screening.Farhadi's little picture even created a satirical approach on how man makes things complicated with his manipulations. On the whole it is a good introspective into the real human nature...

A few years ago, A Separation won the Oscar for Best Foreign Language Film. This Iranian movie was exquisitely acted and director Asghar Farhadi must have been justifiably proud of his work at the helm. Not surprisingly, another one of Farhadi's films has just been released to theaters in the States. However, oddly, it's actually a film he made before A Separation! About Elly is from 2009 and once again features superb acting.

The film is set during a holiday in Iran. A group of friends have decided on a brief trip together and are using it to try to set up their friend, Ahmad, with a pretty young lady named Elly. Most of these friends don't know Elly--but Sepideh does and thinks she'll be a good match for the guy. The first portion of the film seems pretty mundane with the usual banter you'd expect during a holiday getaway. However, things turn dark when one of the small children nearly drowns. The boy is saved but after the confusion dies down, everyone starts to wonder where Elly got to. Perhaps she jumped in the water to try to save the boy and drowned herself or perhaps she just left. After all, she DID insist on going home the following morning...and it was the following morning when the boy nearly died. What's next? See the film.

This movie is an interesting character study as well as a cautionary tale about lies and half-truths. Once again, Farhadi did a wonderful job with the film and the actors really deserve kudos for their realistic performances. In particular, I noticed that the children really seemed scared when they should have been and the adults later begin to show definite signs of stress. It was hard to tell that they were really acting--as if Farhadi actually did something to the actress playing Elly!

Despite my loving the acting and direction, I'll admit that this is certainly not a film for everyone. Some folks don't like films with subtitles, some will find the subject matter a bit too mundane and some might be a bit put off by the ending. I didn't mind the first two minor concerns but I, too, thought the ending was perhaps a bit weak. Still, the film is a marvelous showcase for the folks involved and deserves to be seen. Well worth your time if you can find it in your local theaters--which isn't always easy with foreign language movies.

Based on my opinion, this movie was even better that A Saparation, an award winning Farhadi's film.

Farhadi proves adept at controlling the tone of his film. By slowly setting up the situation and the complex nexus of relationships between the characters, he lulls the audience into thinking the film will continue in a comic mode until Elly's disappearance. From then on, the film takes a serious tone. Lies come back to haunt the characters, and the consequences of these are unforgiving. Some of these lies were told due to particular proprieties necessary within Iranian society. The brilliance of Farhadi's script and direction becomes most apparent in the latter stages of the film. As one secret after another is revealed, Farhadi deftly maps out the shifts in the perceptions and behaviour of the characters toward each other as well as the viewer's perception of the characters. Farhadi's cast is uniformly excellent, especially Farahani, who compellingly registers Sepideh's shock at how her seemingly innocent matchmaking has taken such a tragic turn, as well as the way her character, like others in the film, is revealed to not be what it initially appears.

Long breath taking shots. Perfect crew. Fantastic location. Sharpe and best cinematography & screenplay.

I pause when Taraneh Alidoosti flying kite. Unknowingly, I got some thrilling feeling. the screenplay, background music, camera and she brought me to like it was real and I was in front of sea to watching it. I took long breath to realise it was movie.

I feel that I was connected to film that is The director's touch and won the audience.

It is My second Iranian film and it changed everything about Iran. I missed lot. I plan to watch more film from various director.

Really It is great one, everyone must watch.

"About Elly" seems like a rough sketch for "A Separation" (2011), one of the best films of the current century IMHO. In both cases, Farhadi's focused on social lies and deceptions and the ways they come back to bite us--as well as on the contrasts and contradictions between the lives and aspirations of contemporary Iranians and the restrictive social norms of Islam--but "Elly"'s not as tightly plotted or as involving. In many ways it's like typical film-festival fare from a non-Western country; it's a little hard to keep track of the characters at first, and it's not always clear why they're behaving the way they do.... The setup's intriguing: old college friends from Tehran--three married couples and their kids and a recent divorcé--and a slightly mysterious plus one, Elly, share a clapped-out weekend cottage on the Caspian Sea. At first everyone's acting goofy, singing and busting little Zorbalike dance moves.

Then something happens--two things really--and everything changes. The sky darkens, the sea gets rough, and husbands and wives are (almost literally in one case) at each other's throats. Suddenly these 21st-century sophisticates are chattering about evil portents and lost honor and fear of shaming; several layers of deception have to be unwrapped before the film's ambiguous ending. Expert cast (including the husband from "A Separation" and Nefertari from "Exodus: Gods and Kings"[!)]; the performances seem a little over the top at times, but that may just be a cultural thing; great cinematography. Certainly worth watching, prob'ly more so if you've already seen "A Separation."