Strella

Strella was one of the two Greek films people would propose me to see this winter (the other being "Kynodontas"). Unfortunately I missed the second, but I had the opportunity to see this one and I have to say that, unlike my rather low expectations, it finally came out to be a very interesting film, actually more than other very highly discussed and budgeted Greek films. The good things about it?.. I guess it's because you never get bored through the film and there is always something in the plot to make it interesting. Then, it's the fact that it's very human. No one is characterized by what he / she does or who he / she is. A prison convict is just a person and so is a transsexual. I am happy with the fact that the film emphasizes on feelings and not on stereotypes. This makes it present a difficult subject in an easy way for the viewer,without being melodramatic or superficial either. My highlights are the squirrel scenes (fantastic idea!) plus the performance of Mina Orphanou - she is unbelievably good let alone for a non trained actor! So, I would highly suggest people to see this even if they have hesitations...

despite the fact that the film caused a huge commotion in it's native country shocking the puritans, right wing bigots into a fury, Strella is not at all a shocking film.

It's not a "film by an oppressed director trying to glorify his sexuality" but rather, a bold statement about love, family and about "normal" not existing anymore (if it ever was).

The only shocking thing about it is how low key it is, creating a loving picture out of characters and a social milieu that has often been the subject of cinematic exploitation, or ridicule.

Coutras makes magic out of the simplest materials and his two main actors perform with astounding truth a story that can only be shocking or insulting to narrow minded, hateful people.

Nevertheless, the film does get a strong social, sexual, political point through, but it's not one of anger, or hate, but one of love and acceptance. and that unfortunately, is still too much for some to take...

I had the honour to see that movie at it's world premiere at the Berlin International Film Festival. This surprising story of a man coming out of jail and falling in love with a transsexual is excellently written and surprisingly well played. Nearly all the actors are amateurs, but who needs trained actor with a cast like that: Especially Mina Orfanou in the role of 'Strella' is a revelation. Panos Koutras finds a way to tell a complicated story and to keep the audience interested in the main characters without following paths of Pedro Almodovar, though both have the wicked humor in common and both obviously love a good melodramatic story line every now and then. And he knows how to end a story, something that isn't often seen in queer movies nowadays. I sincerely hope 'Strella' will find a broader audience as it is clever and entertaining.

This is the story of Giorgos, an ex-convict who has spent more than fifteen years in prison, sentenced for a crime of honor, and Strella, a transsexual call girl. The opening scene, as Giorgos kisses good-bye his cellmate, is when the viewer is prepared for macho-looking Giorgos' sexual orientations or –if you want- his upcoming "tolerance" to the fact that Strella is not a common girl. Giorgos wouldn't possibly react the way Fergus reacted in Neil Jordan's "Crying Game". As Giorgos is set free to "live his myth" in the dirty city, walking among the human and the urban garbage, one can smell the urine in the narrow mean streets, downtown Athens. Soon, as Giorgos attempts to find more about the whereabouts of his long lost son, one suspects that the film is intended to be a modern version of a Greek tragedy, except it will not be, because Strella knows better! Fortunately, "deus ex machina" will not be required. Humans ought to deal with their issues by themselves, this time. The supporting characters are never becoming grotesque despite the fact that they are queer and that Death is flirting with them throughout the film. Even Strella's impersonation of Maria Callas in its falseness has a bizarre dignity and proves to be a successful tightrope walking mainly –in my opinion- because it has nothing in common and at any time with any of the Almodόvar's transvestite characters. All in all, "Strella" is a worth seeing film and one of those every so often moments the Greek cinematography surprises pleasantly.

Movies like this always confirm that the long hunt for good foreign cinema is always worth it in the end. It always helps to enter the world of film with an open-mind in order to truly appreciate what you're being shown.

Don't limit yourself to a certain type of movie trope or genre, experience the more abstract and see the beauty (if you can) in the flexibility of cinema.