Nokas

In 2004 eight men disguised as the police special forces (SWAT) attempted to rob the Nokas Cash Central in the city of Stavanger. The tragic result of this crime was the death of a police officer who was shot while being in his vehicle and mass-panic in the center of the small Norwegian town. The movie is set on location, adding to the realistic effect while it is shot with a hand-held camera which makes the film all the more suspenseful and full of tension.

We, as the audience, are watching the preparation of the heist, some hours before the actual event with the robbers making their final decisions and the police officers in the Stavanger Station being blissfully ignorant about what's about to happen. The actual robbery covers the entire second half of "Nokas" and is shot in a masterful way by the director Erik Skjoldbjærg ("Insomnia", "Okkupert"). The actors' performances are all great, even though the nature of this film doesn't offer many opportunities to exhibit acting skills. The director states the real facts about the consequences of this crime in the end and it amazed me that 51 of the 57 in total Kroner that was stolen were never found. If you are a true crime fanatic, this is a film not to miss and the same is true for all Nordic Noir fans who are tired by fictional stories and want to watch something else.

The Poster of Nokas and the robbery theme, lured me in. Particularly striking was the wide depth of field portrayed in the poster, generally only achieved by SLR cameras and lenses.

In the case of Nokas, What you see is indeed What you get.

STORY: The story is the realistic re-creation of a robbery that played out in 2004 in a European theater (Norway). Realistic means, real people loosing their nerves, being hysteric and not playing the heroes in world abiding by physical laws.

SCREENPLAY: The screenplay is well done and traces out the robbery from the first and third person POV, following various people including the robbers and the police.

SOUND: The sound design is slightly above average. There is little background music, and nothing that stood out to me.

VERDICT: 10/10 I consider this a masterpiece, for the being the first of its kind employing this technology in a well-executed, realistic robbery-themed movie.

TECHNOLOGY: Technologically the new camera generation means wider picture angles, shallower depth of field, incredible low light performance, and above all a field of view which allows for a First person perspective. (PS: I didn't find any information regarding the actual camera setup the crew used)

For gamers, the POV perspective is the next best thing to 3D, of putting the viewer directly into the action.

While coherently depicting the original story of the 2004 robbery of this bank in Stavanger, Norway, I have to advise people that I have been motion sick for almost all the film. The camera is mostly behind an actors shoulder, with focus on the shoulder but in many scenes not on what it actually looks at. This, combined with a lot of hand-held filming, made me feel very sick from watching it. The otherwise very fluently and grippingly told story is lacking some overview shots, and as with so many films these days the camera is very very close to the actors, which in combination with the fast editing can lead to a certain disorientation. The ending scenes do benefit from the absence of all this, and rest burned into memory long after the film ends.

Nokas is a a paradox that works. This careful reconstruction of Norway's biggest ever robbery avoids all sense of cliché - and opts for one of the better directorial decision seen in a crime / heist movie. No drama, no screaming villains or pretty girls, this is a superbly researched semi-documentary that simple records a five hour period in minutiae - yet it is tense, involving, and probably the best recreation of a bank robbery I have seen.

The Nordic style of speaking and manner is captured well - no-one "acts" they simply are, and here we get almost no character development - it's straight-up storytelling, using a lot of mid-shoulder mid-close and close-ups - it is well shot. The camera work etc; fits this well - it never feels amateurish.

Considering how iconic this real event was - in a country where bank robbery is extremely rare - they could have over-glamourised and made a Nordic Heat; by avoiding that trap they had made cinema, a film's film, and one where integrity respects the events but never loses the sense of adrenalin.

Good film-making all round.

The NOKAS robbery was a huge thing here in Norway. It was historical, stuff like this very rarely happens in our rather big, but people-empty little strip of land. It was a real talker, on the news and in the newspapers for a long time.

Anyhow, after the world controversy had died down and most of the crooks were in prison, the movie about it all came out.

Now, this is not a bad movie. Considering it's Norwegian it is rather good. But it never crosses the line into real good territory.

Most of the actors aren't big names, or really famous at all, and that works pretty good in something like this, as you don't want to be too attached to the actors. They do a decent job, too.

It has some intense action, some cool shots, and it being true of course leave a little bit of an impact. But I do think it could have been a little more edgy, for it to come across as more dramatical. I don't know.

It's alright.