Las experiencias nunca antes reveladas del productor ganador del Oscar Albert S. Ruddy al hacer El padrino (1972).Las experiencias nunca antes reveladas del productor ganador del Oscar Albert S. Ruddy al hacer El padrino (1972).Las experiencias nunca antes reveladas del productor ganador del Oscar Albert S. Ruddy al hacer El padrino (1972).
- Premios
- 3 premios y 6 nominaciones en total
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Resumen
Reviewers say 'The Offer' is acclaimed for its engaging narrative, strong performances, and authentic 1970s Hollywood setting. Miles Teller, Matthew Goode, and Juno Temple receive praise for their roles. The series offers a fascinating behind-the-scenes look at 'The Godfather,' though some note factual inaccuracies. High production values and immersive set design are highlighted, yet a few critics point out inconsistencies and anachronisms. Overall, 'The Offer' is a compelling watch for 'Godfather' enthusiasts and film production aficionados.
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I got sucked in with The Offer. Incredible sets and definitely period correct. Yes there's some exaggerated performances, and it's bloated as Hell with subplots, and I don't know why, but that's what makes The Offer fun. I'm hooked, flaws and all. I love period pieces, I'm a movie and a Godfather lover from way back.
I know there's some whining, rich painfully out-of-touch with reality Hollywood folks (I've heard it all a million times), name-dropping, and talking about they knew the real people portrayed in this series, saying this not how it happened, blah, blah, blah, and who think they know it all...they're annoying. No one ever said this series was a Ken Burns documentary. Get over yourselves. But for the rest of us who love period pieces, sometimes you just want to time travel for some escapist fun. So take the bad reviews with a grain of salt, because some of these professional movie critics, know the rich people complaining and want to stay in their good graces.
Miles Teller is superb as Al Ruddy and Juno Temple nails per part as his trusted sidekick/secretary/friend/shrink. And though. Giovanni Ribisi is getting dragged for his portrayal of an Italian crime boss, I think he's perfect in that role. And Matthew Goode as Robert Evans is hilarious, and from what I've heard, he's also spot-on. There is no bad casting in The Offer and it harkens back to an era of pure hedonistic pleasure, early 70s fashion and a studio system that had no real vision and The Godfather scared them because it stepped outside of the norm.
I know there's some whining, rich painfully out-of-touch with reality Hollywood folks (I've heard it all a million times), name-dropping, and talking about they knew the real people portrayed in this series, saying this not how it happened, blah, blah, blah, and who think they know it all...they're annoying. No one ever said this series was a Ken Burns documentary. Get over yourselves. But for the rest of us who love period pieces, sometimes you just want to time travel for some escapist fun. So take the bad reviews with a grain of salt, because some of these professional movie critics, know the rich people complaining and want to stay in their good graces.
Miles Teller is superb as Al Ruddy and Juno Temple nails per part as his trusted sidekick/secretary/friend/shrink. And though. Giovanni Ribisi is getting dragged for his portrayal of an Italian crime boss, I think he's perfect in that role. And Matthew Goode as Robert Evans is hilarious, and from what I've heard, he's also spot-on. There is no bad casting in The Offer and it harkens back to an era of pure hedonistic pleasure, early 70s fashion and a studio system that had no real vision and The Godfather scared them because it stepped outside of the norm.
Why not everyone's talking about this, Cinephiles it's about how they made one of your beloved movies. An incredible series that is surely to get its due credit with times. Loved it.
A series about the making of The Godfather by its producer Al Ruddy's perspective. Undoubtedly took many artistic liberties to tell the amazing true story, so many of the things I have seen, & read over the years, that gave credit to Coppola, this series gives those credits to Ruddy. Balances fact and fiction in such a lovable way. The real-life Mafia struggles juxtaposed against the backdrop of the film & it's making is really intriguing to watch. Acting performances are mind blowing! Matthew Goode, Juno Temple, Burn Gorman are obviously excellent, steals every scene but Miles Teller has really grown on me since Whiplash to this as Ruddy. The next big thing.. A Must Watch, if you love The Godfather Trilogy...
What a great way to celebrate the 51st anniversary of The Godfather, released on this day 1972.
A series about the making of The Godfather by its producer Al Ruddy's perspective. Undoubtedly took many artistic liberties to tell the amazing true story, so many of the things I have seen, & read over the years, that gave credit to Coppola, this series gives those credits to Ruddy. Balances fact and fiction in such a lovable way. The real-life Mafia struggles juxtaposed against the backdrop of the film & it's making is really intriguing to watch. Acting performances are mind blowing! Matthew Goode, Juno Temple, Burn Gorman are obviously excellent, steals every scene but Miles Teller has really grown on me since Whiplash to this as Ruddy. The next big thing.. A Must Watch, if you love The Godfather Trilogy...
What a great way to celebrate the 51st anniversary of The Godfather, released on this day 1972.
This series is done with so much love and reverence for the film that it's impossible not to like if you loved The Godfather, and who doesn't like that movie?
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
Matthew Goode as Bob Evans is some wonderful casting and he has the persona and voice down pat. If you are interested in how movies are made and who the people are behind them you'll find this fascinating. If you aren't, you won't.
It's hard to even describe how much I enjoyed The Offer. All I know is I wasn't expecting that. It's easily one of the most surprising shows I've ever seem. I'm not saying it the best I've ever seem just surprised by how much I liked it. After reading all the great reviews I thought it would be good but this show is beyond just good. I couldn't get enough. I binged the entire series over a weekend and was sad when it was over. The writing is as good as a tv show gets, the acting is great, and every episode is entertaining enough to hold your attention throughout the series. I'm a huge Godfather fan but you don't have to like or even know anything about it to enjoy this. It's just a little more interesting if you do. If you're looking for a new show to watch or binge then look no further. I promise you won't be disappointed!
¿Sabías que...?
- CuriosidadesWhen Al Ruddy meets Francis Ford Coppola to discuss The Godfather project, George Lucas is clearly in the background with several other individuals.
- PifiasThe show portrays Joe Gallo being released from prison, which happened in 1971, and then immediately cuts to Tommy Lucchese talking about how he served his time. But Tommy Lucchese died in 1967, so him being in the show at all past the first or second episode is factually incorrect.
- ConexionesFeatured in The Cinema Snob: Matilda (2022)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Offer
- Localizaciones del rodaje
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(New York street, San Gennaro Festival)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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