Sigue al huérfano Pip, que pasó su infancia como aprendiz de herrero y de repente recibe una ganancia inesperada de un benefactor desconocido que le permite viajar a Londres y entrar en la a... Leer todoSigue al huérfano Pip, que pasó su infancia como aprendiz de herrero y de repente recibe una ganancia inesperada de un benefactor desconocido que le permite viajar a Londres y entrar en la alta sociedad.Sigue al huérfano Pip, que pasó su infancia como aprendiz de herrero y de repente recibe una ganancia inesperada de un benefactor desconocido que le permite viajar a Londres y entrar en la alta sociedad.
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- 2 premios y 5 nominaciones en total
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Despite the casting I think you could produce this story with donkeys if it was told and presented well. I'not one to say what dicken's intended or meant but I've been watching this story since I was a kid and so far I don't see any of that in this series. Great cast. How can you say anything bad about oliva colman. It's not her fault they made her look like a fool. She doesn't look like a woman jilted and aged unwell hanging on to the past. She looks more like the female ghost of xmas but made up for holloween. As I recall the story was mostly about envy, especially the envy for something out of your reach which ultimately creates the drama which makes the story timeless. Most of us can identify but it's rarely in productions these days because so much of the culture is narcissistic. So far I'm not getting any of that but a bunch of characters riffing on each other with their own silly purpose. I can't give the film a 0 because there's so much professional effort they got right but they forgot to tell a story, or whatever they're selling, not interested.
I have to be honest, I groaned when I heard that this was being remade, with the array of possibilities, this seemed like a very uninspired choice.
I am curious as to some of the one and ten star ratings, neither made any sense to me at all, I simply don't see how it can evoke such strong feelings either way.
The word that came to my mind, was predictable, from the casting, to the visuals, right down to the presence of Olivia Colman, it's almost as if The BBC has tried to go right back to basics, but they've just missed the mark.
As you'd expect from The BBC it's very well made, it's also very well acted, no issue with either quality, but it just lacked something, I can't say I feel enthralled by further episodes. It's guilty of being dull.
It feels so unnecessary , and it is by far the weakest made for television adaptation to date, I grew up as a kid with the terrific adaptation starring Anthony Hopkins and Jean Simmons, it never left me, I find it hard to picture this leaving such a mark on anyone.
It looks great, some of the language used feels out of place, but it lacks any real sparkle.
5/10.
I am curious as to some of the one and ten star ratings, neither made any sense to me at all, I simply don't see how it can evoke such strong feelings either way.
The word that came to my mind, was predictable, from the casting, to the visuals, right down to the presence of Olivia Colman, it's almost as if The BBC has tried to go right back to basics, but they've just missed the mark.
As you'd expect from The BBC it's very well made, it's also very well acted, no issue with either quality, but it just lacked something, I can't say I feel enthralled by further episodes. It's guilty of being dull.
It feels so unnecessary , and it is by far the weakest made for television adaptation to date, I grew up as a kid with the terrific adaptation starring Anthony Hopkins and Jean Simmons, it never left me, I find it hard to picture this leaving such a mark on anyone.
It looks great, some of the language used feels out of place, but it lacks any real sparkle.
5/10.
I knew this was going to be a crass modern pandering to a public sector committee adaptation.
It is poor and to be honest it's the way British drama has been for the past 20 years. They just haven't got any originality or thought in how they will achieve a good drama.
This new, sigh, reworking has all the hallmarks of la-dee-da acting and production. Nothing works. The backstory of the each character is pitiful.
Nothing works like the original. We don't want 2023 values thrust upon an adaptation that's set in the early 19th century. Lord of the rings, or power rings or whatever it's called did the same and it ended up as a pile of rot.
Avoid this drama.
It is poor and to be honest it's the way British drama has been for the past 20 years. They just haven't got any originality or thought in how they will achieve a good drama.
This new, sigh, reworking has all the hallmarks of la-dee-da acting and production. Nothing works. The backstory of the each character is pitiful.
Nothing works like the original. We don't want 2023 values thrust upon an adaptation that's set in the early 19th century. Lord of the rings, or power rings or whatever it's called did the same and it ended up as a pile of rot.
Avoid this drama.
Wonderfully shot but the acting, the story and the relationships between the characters are just.. well.. boring. Everything feels very wooden and dull, there's no drive behind the characters and they all feel as though they have no depth. They all talk without saying or meaning anything. Like they've just read the lines from the page. It all just feels off and not in a good way, almost strangely sanitized and two-dimentional. It's a shame really because the cast is very impressive. I was looking forward to seeing the new Havisham and Estella but I could barely get past the stiff relationship of Pip and his sister and brother-in-law.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
I had higher hopes for this as I adored the 2011 version but it's just failed to grab me.
It got worse and worse. It started out ok. There were a few instances of context that are not in Dickens, references to opium and the slave trade, and there was some clunky dialogue where women explained they were not ok with second class citizenship. That was ok. I felt it was unnecessary personally but I can see the temptation to make obvious to a modern audience what is implied or inferred.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
By episode three it went off into scenes that are not in the book in any way and dialogue that has nothing to do with the novel. It is also slow paced. So much plodding music and a brooding boy. Makes you wonder why it was made.
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- Créditos adicionalesThe main actors were listed in the closing credits with only their own names and not their corresponding character names.
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