PUNTUACIÓN EN IMDb
5,9/10
6,6 mil
TU PUNTUACIÓN
Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.
- Premios
- 1 premio y 2 nominaciones en total
Amy Argyle
- Rachel
- (as Amy Lawhorn)
Reseñas destacadas
Frank & Lola is essentially a story about the relationship between the two main characters, Frank and Lola. To give anymore details about the plot would be to spoil major events in the film, which are better left unexpected.
Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.
To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.
From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.
Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.
Having seen a fair share of thrillers, this movie does not have a lot of new plot points to show. However, the way characters play them out is what brings this movie above an average thriller. Michael Shannon and Imogen Poots understand their characters quite well and have great on-screen chemistry. Even the secondary characters all play their roles convincingly. When I saw Justin Long had a small part in this movie, I thought I would hate his character since he usually cannot play a dramatic role well. But he plays a sleazy business man and does a fine job.
To pinpoint the genre of this film is nearly impossible. It is definitely a thriller on some levels, but not wholly. There are good romance scenes but also heavy dramatic dialogue. There are traces of film-noir but not enough to consider it a modern noir. The film struggles a bit because it tries to fit so many elements in such a short time.
From a technical standpoint, the team did not try to do anything out of the ordinary. The direction was good. Cinematography was quite basic. The editing was standard except for one scene where there was a strange editing choice that didn't seem the fit with the flow of the movie. If you don't normally pay attention to the technical side of film, you probably won't notice anything inherently wrong.
Overall, if you like thrillers in general or character-driven stories with some depth to them, this is a good indie film to check out.
Greetings again from the darkness. Michael Shannon continues to be one of the most interesting actors working today. In this first feature from writer/director Matthew Ross, Mr. Shannon is the titular Frank, and his pained facial expressions elevate this neo-noir into a dark and intriguing exposition on male obsession and sexual jealousy.
The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop while simultaneously noting the subtle signs of troubled pasts for each of them.
Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.
Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.
The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.
The abrupt opening scene finds Frank and Lola (Imogen Poots) frolicking in bed after obviously just meeting for the first time that evening. We (and Lola) know we are in for something a bit different when Frank slams on the breaks and states, "Maybe we should wait until next time." Lola is taken aback, and we are soon watching this relationship develop while simultaneously noting the subtle signs of troubled pasts for each of them.
Frank is a talented French chef and Lola is just starting her career as a fashion designer. His dark side flashes a bit more often, but before Lola ever comes clean, we realize there is unhappiness in her past. They seem to be two tortured souls in a jinxed relationship.
Filmmaker Ross keeps us (and Frank) on our toes as the script seems to continually offer yet another deeply held secret or mysterious character. Justin Long plays Lola's new employer, while the rarely-seen-these-days Rosanna Arquette plays Lola's name-dropping mother. However, it's Michael Nyquist (so great in The Girl with the Dragon Tattoo) as the suave Frenchman with ties to Lola's past and present that really makes things interesting and somehow even darker. His wife is played by the terrific French actress Emmanuelle Devos. Her screen time is limited, yet crucial.
The film was well received at Sundance, and it shares the creepiness of such films as Basic Instinct, Body Heat and Night Moves. Rarely do contemporary movies go as deep into the male psyche of obsession as this one, and the throw-back atmosphere is a perfect fit for the tone. Not many actors simmer like Michael Shannon, and the story offers him the perfect vehicle to remind us that everyone longs to be loved - even when we aren't sure we deserve it.
I've heard of this film but never decided to check it out. Now that I sometimes go the library (who even does this?) to rent movies I saw it and picked it up. The first intriguing thing about this film were all the very positive reviews for the director, the cast, the style and the deliver of the plot. I don't see Imogen Poots in many things but there is definitely talent there. Don't get me started on Michael Shannon. He blows you away in Take Shelter, and did a fantastic job on Boardwalk Empire. The pairing seemed a little odd at first but you soon realize how greatly they are able to complement each other.
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
This film is about a jealous and possessive man and a damaged and lonely girl who fall for each other and their oft volatile relationship when its being tested. Frank (Shannon) starts suspecting Lola of an affair and it starts to consume him, while Lola (Poots) tries to cover what she's doing by not being straight up with Frank. Problems ensue, and we are in for a pretty riveting time. I'm not going to praise Shannon anymore but I do have to say he is great in a inquisitive and jealous lover role. Lies are exposed and you can't help but feel a connection with both leads despite their very overt flaws.
Director Matthew Ross is clearly influenced by a few directors works and it shows. I got a few Brian De Palma and Hitchcock feels although many others would probably claim different influences. The films is slightly erotic, moody, and makes you question what the truth is. Ross never really outwardly lays the plot in front of you and let it marinate. Each minute that goes by you can't help but second guess what you previously thought.
Its a really promising debut for someone that I've previously never heard of. The film is quite short but a satisfying portrayal of a relationship that is marred by jealousy, paranoia, and angst. It's not exactly what I expected but I did really enjoy this outlook. Relationships are not always easy peasy and sometimes its nice to get a take of a film that revolves around sex and the possibility of cheating, Seek this one out and watch it, its worth your time.
7.5/10
Frank & Lola- honestly i fell in love with this movie the moment i saw the poster. It looked like an intense love story and it was! i enjoyed watching this film. Debutant director Matthew Ross proves he has talent & he did a decent job considering his first movie. Wont be revelaing the plot as it will spoil the fun for those wanting to see it. Micheal Shannon is such a terrific actor. He played the possessive and intense lover superbly... I fell in love with actress Imogen Poots...such a beauty <3 ..even she has given a fantastic performance. Both have dynamic chemistry on screen. Its a 80 min crisp movie and i liked the way the movie ended..IMO it took the film to another level. Highly recommend to watch this film for the acting and story.
"Beware, my Lord, of jealousy, it is the green-eyed monster that doth mock the meat it feeds on." Iago in Othello
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
¿Sabías que...?
- CuriosidadesDirector Matthew Ross had been trying to make this film for ten years prior to its release in 2016. Imogen Poots (Lola) admitted that his dedication attracted her to the project and it was a large deciding factor in her signing on.
- PifiasFrank cuts his right hand in the kitchen, then when he is shown in the shower it's his left hand, and then in the next shot on the phone it's his right hand that is cut. In fact, the shower shot is seen through a mirror, so it is always his right hand the one he accidentally cut.
- Banda sonoraTell Me Why
Written by Phil Sanders
Performed by the Break of Day
Courtesy of Big Legal Mess Records
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- How long is Frank & Lola?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 9188 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5747 US$
- 11 dic 2016
- Recaudación en todo el mundo
- 9188 US$
- Duración1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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