Una estudiante de la escuela secundaria depende de los rumores de la escuela para mejorar su situación social y financiera.Una estudiante de la escuela secundaria depende de los rumores de la escuela para mejorar su situación social y financiera.Una estudiante de la escuela secundaria depende de los rumores de la escuela para mejorar su situación social y financiera.
- Premios
- 9 premios y 22 nominaciones en total
- Nina
- (as Mahaley Hessam)
Reseñas destacadas
Olive is an outsider, as we quickly pick up when she spends her weekend chanting ''A Pocket full of Sunshine'' alone in her room. For some, this may well be the most funny part of of the movie; for me, it was sort of depressing. To me, it emphasizes her lack of a social life, and it is how I felt when I first saw the part. I understand this is far from how most others perceive this part of the movie, but anyways...
Olive is also incredibly intelligent, and her snappy and witty retorts stay with her all throughout the movie. She leads a distanced life but appears to be a contended, courageous and confident girl with little social angst. Her relationship with her laid back parents (who were, by the way, one of the funniest proponents of the movie) is open and genuine. With a sudden lie to her best friend, Olive's life transforms from being an overlooked girl (which appears a little strange judging by her look, but im digressing...)into a whirlwind of exaggerated rumors,boosting her image into someone of a more than, to phrase it nicely, liberal sense of promiscuity.
The movie itself was great. Don't get me wrong, it did contain many funny moments and was distinctly comical. However, I myself saw potential in the movie to be meaningful, and for a movie to be meaningful, it requires realism. I hardly think the scenario presented in Easy A resembles real life. Characters were, at least mostly, very stereotypical and flat. OK, maybe not all of them. Anyways, I hope you get my point. As far as Olive goes, I had just one critique, which is once again digressing from the comedic theme of the movie. I couldn't quite grasp how lightly she took her mortifying daily life. (Potential Spoiler!) How did she just suddenly become a beauty goddess brushing off guys with a sort or royal indifference when it wasn't even clear if she had ever kissed a guy before. An innate confidence, maybe? Just a few things to consider from my point of view, none of which really interfered with the comedic scheme of the movie.
So, let's talk of the comedic value of the movie. Honestly, I didn't have awfully many ''laugh-out loud'' moments. Probably (and here we go again ) because of the dark undertones whose probability of being explored by the writers I failed to discard throughout the entire movie. I think that if I would re-watch the movie with a more comedy-oriented mindset it would indeed be funny, but its first impression on me was undeniably thought-provoking. Taking aside all of the stereotypical clichés, I really think this movie has something to say.
Feel free to disagree with me. Maybe I'll re-watch the movie and jump to a different conclusion.
That said, Easy A is lushly filmed with the cinematography and colour palette simply lovely. There is also a sparkling score, a good well-paced story, strong direction and a likable assortment of characters.
The two components of Easy A that really worked were the script and the cast. The script is not only fresh, but very funny too. In the cast also, I don't think there was a single cast member I didn't like, the first time in a film in a good while that's happened.
Emma Stone is truly charming and a breath of fresh air, while Amanda Byrnes with her witty humour is a hoot. Stanley Tucci gives one of his better performances in recent years and Patricia Clarkson is equally delightful. Thomas Haden Church is also hilarious, and it was really nice to see Malcolm McDowell again.
Overall, a funny and charming film and easy to like. 8/10 Bethany Cox
Writer Bert V. Royal's script delivers an intellectual and comedic look into high school life ... told through the eyes of the smart, "invisible" girl. Just a brief overview will be offered here so as not to take away from the multiple layers.
Emma Stone ("Zombieland", "The House Bunny") delivers a star-making performance as Olive. Forced into a faux-confession by her best friend, Olive experiences the efficiencies of digital gossip spreading as word leaks regarding the apparent loss of her "V card". Even though this one is based in Ojai, California, it's nice to know that high school promiscuity is still met with a certain stigma. Here that stigma is compared to Hawthorne's expert novel, The Scarlet Letter.
This sets into action a series of unforeseen events. The school's religious nuts, led by Amanda Bynes, take Olive's situation as a personal affront and spend a great deal of effort trying to punish her for her sins. At the same time, the geeks and dweebs view Olive as their savior and proceed to take advantage of the opportunity.
While she is presented as a very sharp-witted, well-grounded teenager, Olive experiences the enormous power of a reputation. All of this is balanced out by her extraordinary relationship with her free-spirited, yet wise parents played by Patricia Clarkson and Stanley Tucci.
I can't possibly do justice to the script or the numerous topics broached, but I will say that it's a welcome new approach to teen movies. The usual schlock sex is replaced by sharp quips and real pressures. Do note that the dialogue is filled with much harsh language that wouldn't be welcome in an environment other than a high school campus. Further support work is offered by Penn Badgley as the good guy, Thomas Haden Church as a new world cool teacher, Malcolm McDowell as an old school principal and Lisa Kudrow as a guidance counselor (in a role that gives me permission to feel the disgust I usually feel when she is on screen).
Don't be scared off thinking this is another lousy teen flick. It is instead an insightful comedy that plays well for adults and teens. While you may not agree with all of the social observations, I believe you will agree the film is presented in a most entertaining and insightful manner.
¿Sabías que...?
- CuriosidadesEmma Stone's audition was her opening webcam scene.
- PifiasIn the end credits, as the camera continues down the street, at the end, you can see a City of Ojai police officer stopping traffic from the opposite end to allow the filming.
- Citas
Olive Penderghast: Whatever happened to chivalry? Does it only exist in 80's movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80's movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.
- Créditos adicionalesAt the end of the closing credits Brandon can be heard making a noise of excitement.
- ConexionesEdited into Di Bawah Umur (2020)
- Banda sonoraChange of Seasons (Demo Version)
Written by Owen Carrier, Tyler Kyte, Alex Last, Tim Nussey, Nick Rose and Morgan Waters
Performed by Sweet Thing
Courtesy of Sweet Thing
By arrangement with Nettwerk Productions
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Rumors i mentides
- Localizaciones del rodaje
- Shelf Road, Ojai, California, Estados Unidos(Olive and Rhiannon overlooking the town)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 8.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 58.401.464 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 17.734.040 US$
- 19 sept 2010
- Recaudación en todo el mundo
- 75.032.374 US$
- Duración1 hora 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1