Los 39 escalones

I'm normally the first to raise Cain when anyone dares imitate The Master. I had to see for myself what damage had been inflicted on one of Hitchcock's greatest films. I will admit that the stage satire of "The 39 Steps" was hilarious, clever and deeply reverential. Still, I approached this effort with a jaundiced eye - BBC productions tend to take themselves way too seriously. It turns out this teleplay was somewhat entertaining. There were lots of liberties taken with the story which didn't hold together very well. The superb locations were all beautifully photographed. Rupert Penry-Jones made an appealing hero as Richard Hannay, though certainly nowhere near Robert Donat's definitive portrayal. Lydia Leonard lacked the smoldering sensuality of Madeleine Carroll, greatly reducing the seductive interplay between the two main characters. Pleasantly diverting without desecrating the original (unlike Gus Van Sant's atrocious "Psycho" remake). Overall, not half bad.

Watching this at face value as a Masterpiece production, it was quite enjoyable. Rich production, lovely looking actors, and enough suspense and drama, with a bit of humor to pass a pleasant evening. Not having watched the previous versions, I didn't know what to expect and didn't have any expectations. I was looking for ninety minutes of entertainment and intrigue, and found it. If it had been called anything else besides the classic 39 Steps maybe there wouldn't be such a fuss. Sit back and enjoy, and stop comparing to what's been done. It's rare that a Masterpiece production is not worth watching. I'll check out the other versions eventually, but this one decidedly was more than watchable.

I was so prepared to not enjoy this, that when it was automatically recorded by my TiVo as part of the "Mystery" series, I very nearly deleted it without watching. I am a huge fan of Hitchcock, and have likely seen his version of "The 39 Steps" a hundred times. I had read the book years ago and remember thinking that the Hitchcock movie must not have been an adaptation.

Out of boredom, I decided to watch the 2008 version, thinking that I would turn it off and delete it within the first few scenes. I was pleasantly surprised to find that it did indeed resemble - if not follow faithfully - the original book. It held it's own. The characters were likable and well played. I thoroughly enjoyed Lydia Leonard as Victoria. They took liberties with this character, but in a satisfying way.

I will watch it again with my husband, whom I think will enjoy this as well. If you're expecting a remake of Hitchcock's movie, you'll be disappointed. Then again, I can see no reason to remake ANY of Hitchcock's films, so I was happy with this version of the book by John Buchan.

It will not shock anyone to learn that, having watched this 2008 TVM, I'm not proposing that we just burn Hitchcock's version on the basis that we no longer have any need for it. However neither will I add my voice to those queuing up to tell you how awful this film is. The truth may be closer to the latter extreme than the former but this is not a terrible film, just quite an OK one that suffers badly by comparison by how well it has formerly been done. The plot is not completely the same and there are some key changes even if the overall flow is the same but, for some reason the changes that have been made are overwhelmingly negatively impacting. The most famous set pieces are gone and have been replaced by, well, not much. Perhaps they were looking to shake off the shadow of Hitchcock's film you say? Well if that is the case why make room for a clunky North by Northwest reference then?

It is all very solid stuff despite this and it is perhaps good enough to satisfy as a festive piece of easy entertainment thrown to viewers too sleepy or bloated to really cope with much more. However, outside of this home-court advantage the weaknesses are much clearer and the plot does feel too slow and unengaging. It closely follows the original film version but without anywhere near the same impact or sense of thrill or adventure. I never particularly cared about what was happening or was going to happen as it went along – nor indeed felt a lot in the way of urgency or menace. These are key things to deliver but they are lacking and, as a result, so is the film. I do often defend the idea of the BBC licence fee (and continue to do so) but it is hard to see the justification or remaking something without having anything of value to really bring to it – the rights to the original film must be cheaper to get and the difference could be used to make something original or more daring (accepting that it may fail). As it is, this BBC production is an example of them not delivering.

The cast are reasonable and thus fit with the overall film being "OK". Penry-Jones is strapping but bland and his character isn't consistent or believable across the film. Leonard is the same as the narrative changes her but she didn't have me believing it very often. Malahide isn't a good villain. He has the potential for menace but he has nothing about him to convey it and no spark to make him stand out. Marsan is a nice find in a small role early on but is soon out of the picture a required by the film. The direction matches the general production values by being solid and sturdy but never spectacular.

The whole thing is what you hope it isn't going to be – average. It isn't awful and it does provide a base level of entertainment if that is all you are looking for but I imagine that, like me, many viewers will find little of note about it and wonder why they or the BBC bothered.

Watchable and enjoyable enough on its own terms, this version of THE 39 STEPS differs in all of its main details from the Alfred Hitchcock thriller about a man on the run from German spies. Still, it follows the same formula and, since I never read the book, I can't tell whether it's a more faithful version of the novel or not.

RUPERT PENRY-JONES, who reminds me of a bland cross between John Lund and Leslie Howard, has the role of the man who unwittingly gets caught up in some sort of outlandish plot involving spies who are about to trigger an event that will cause WWI. He is soon accompanied on his run by a woman (LYDIA LEONARD) who refuses to believe he's telling her the truth about running from dangerous assassins who want to get hold of a coded book in his possession and kill him in the process. She becomes a willing participant in his escape plans.

From then on, it's a fast-paced yarn with a twist ending, photographed in gorgeous outdoor settings and nicely acted by the British cast. But it never achieves the menacing quality of the Hitchcock thriller and does not even include the famous magician scene from the earlier piece.

All of the adventures are unbelievably heroic on Jones' part and overly melodramatic to boot. In only one sensitively played indoor scene with the fleeing couple seeking shelter, is there any chemistry between Rupert and his co-star.

Summing up: Well-paced but lacks the tight suspense of the original '30s thriller.