Canina

Marielle Heller's Nightbitch is a film that wears its metaphor on its sleeve, adapting Rachel Yoder's novel into an intimate, surreal meditation on the anxieties of motherhood. Amy Adams delivers a deeply committed performance, portraying a woman slowly morphing-psychologically and perhaps physically-into something wild. The film is honest, heartfelt, and full of intriguing ideas, but it never quite harnesses its own potential into something truly lasting.

At its best, Nightbitch captures the quiet desperation of a woman whose identity is dissolving into the routines of child-rearing. The film doesn't shy away from the frustration, isolation, and even the bodily transformation that can come with motherhood. The central premise-Adams' character believing she is turning into a dog-feels like a perfect vehicle for exploring these themes. The problem is that the film introduces a range of interesting ideas but rarely commits to them. It flirts with horror, dark comedy, and psychological drama, yet never fully sinks its teeth into any of them.

Visually, the film plays with an unsettling, dreamlike atmosphere, and the sound design heightens the tension in subtle ways. The moments where Nightbitch leans into its body horror elements are effective, but they feel restrained-almost as if the film is afraid to follow through on its own premise. Instead, it settles into a more symbolic and introspective tone, which works emotionally but leaves some of its most compelling aspects underexplored.

Amy Adams is undeniably the film's strongest asset. Her performance is raw and vulnerable, grounding the surreal elements in something deeply human. However, the narrative around her remains somewhat scattered. There's a sense that the film wants to say something profound about identity, femininity, and transformation, but it never fully lands on a clear or resonant thesis.

In the end, Nightbitch is a film that lingers in the mind but doesn't quite leave a lasting mark. It's compelling in moments, frustrating in others-always interesting, but rarely as sharp as it could be. It's worth watching for Adams' performance and its unique take on motherhood, but it ultimately feels like a howl that never reaches a full roar.

As a lifelong single male I'm out of my comfort zone to discuss this one! It's a rather fascinating, insightful (I think) and somewhat ruthless and startling look at early motherhood. However, while I'm sure some do, I don't get the canine gimmick, for lack of a better word. Not only do I not get it, I think it undermines the really fine parts of this which includes the writing for this loving, harsh and humorous look at a woman on the brink not really understanding all that would change in her world and her being after giving birth to her first child. However, gotta blame the the same writing team of Marielle Heller & Rachel Yoder for the canine analogy. While I don't think it her finest hour, Amy Adams is her usual excellent self in a tricky role that she conquers and it was nice to see Jessica Harper for the first time in a while, though the talented Scoot McNairy is wasted in an underwritten role. For me, much of this was a learning experience.

I enjoyed this movie. I went in blind so I had no idea what to expect. I kept thinking what the heck am I watching? This movie is so bizarre. But honestly it's just a way to get the message across. Moms lose themselves. And this story is raw and real to what most of us feel. We love our kids more than anything in the entire world. We don't regret them. But we do at times miss the person that we lost when we entered motherhood. I think a lot of the negative reviews that this movie gets are either from men or women who haven't experienced motherhood. You don't know until you're there. And I appreciated the honesty of this movie. We as mothers are trying to live up to the stereotypes of what a good mom is. Not only do we struggle with the changes it brings but also trying to live up to the people who seem like they have it all figured out. We don't get to see that we all struggle. We all pretend like everything is great. Because if we don't then we are weak and we are bad moms. I liked watching a story that shows that maybe we're all struggling to figure it out.

This film made me feel a lot of feels and I'm not even a mother, so I can't imagine how much it's going to mean to people who are.

Obviously Amy Adams is a force, and in addition the directing and cinematography is really beautiful. And pleasantly surprised by a few metaphysical and witchy vibes.

Interesting trend recently with this movie, and Your Monster, where a strange thing is happening as an allegory for female rage and repressed feelings. It's both empowering, but also kind of depressing. I hope ultimately it instills in more women to NEVER DIM YOURSELF, TELL PEOPLE WHO DESERVE IT TO F OFF, and "Insist on your joy" ♥

While it's not something that worked much for me overall, I do think Nightbitch is going to be a few peoples favourite movie of the year and I'm not so in love with my own opinions that I can't see why. Because despite it's more outlandish elements it really does feel like an authentic portrayal of motherhood and one that I did find eye opening in some ways. Amy Adams is probably the best she's be in nearly a decade in this movie in a performance that feels pretty fearless and it's a character I was on the side of from the very first scene in large part because of her work. What sinks the movie for me though is the techniques Marielle Heller uses to tell this story. The more outlandish elements didn't really work for me and it just kept feeling like it was taking away from the realistic drama on display. It's all very unsubtle with how it explores its themes with a lot of narration and fourth wall breaks that I found to be really grating. The whole idea of this character believing she's turning into a dog did take the film in some interesting directions but it didn't really feel like it was wrapped up in any meaningful way so it just ended up feeling like a strange choice that didn't amount to much for me. I also really didn't care for the husband character played by Scott McNairy but for all the wrong reasons. His character just feels like he's lacking majorly in depth and if his character had been fleshed out more the drama could've been more powerful. Nightbitch is admirably ambitious in how it takes a unique approach to its subject matter but it ultimately didn't come together for me. Amy Adams is great as always and I'm glad she's still capable of putting in a performance of this calibre but I'm still finding myself frustrated with the actual projects she chooses.