Santos y soldados 3

War films are astronomically expensive to produce so I actually admire what this film company was able to do with limited resources. I am well aware that many historical films often veer from historical accuracy regarding the events and personages they portray in the name of "artistic license." I also get that the filmmaker was attempting to stress the discrimination faced by African Americans in a segregated military, however, deciding to make up a totally fictitious account of four-time Olympic Gold Medalist Jesse Owens is not the way to achieve this goal.

Jess Owens spent the war years working as a liaison for a national fitness program sponsored by the Office of Civilian Defense and for the Ford Motor Company overseeing relations with black employees. Owens never served in the military in any capacity much less as the commander of a Hellcat Tank receiving the Silver Star as the script would have you believe. In a film that was striving for realism this was about as believable as F.D.R. piloting a B17 over Berlin. There literally hundreds upon hundreds of African-American soldiers who served in tank divisions as well as around 6,000 black soldiers assigned as truck drivers in the "Red-Ball Express." How difficult would it have been to do a little research and create a character based upon the experiences of some of these men? It would have made for a far more plausible film.

This film really did have a lot of potential. A credible script would have made it a pretty decent movie.

For those of you unfamiliar with the Saints and Soldiers trilogy, these are low budget WW2 movies, set on the Western Front, the first was in late 1944, during The Battle of The Bulge, the second was set in the South of France during Operation Anvil and the 3rd, this one is set in 1945 in Germany and the plot isn't that much different from the bigger budgeted 'Fury' - A group of two American Hellcat Tank Destroyers are to scout an area known as 'The Void' (I can't find any reference to this area in history, but here the context is that its Indian country) meanwhile a group of troopers being transported by the Redball Express, driven by none other than Jesse Owens himself is ambushed by a squadron of dated German Mark III Panzers, an English Agent is in the group who make their escape - soon the Hellcats arrive and its a question of who can outsmart who in the skirmish that follows.

If you look through my other reviews you will see I like all kinds of movies but I am something of a WW2 buff and its always interesting to see these films, clearly made with love and care. Little here tries to put as much as he can in every shot to increase Production Value and it extra shots have been added to make the place feel more like Germany / Austria and less like Utah where it was filmed. For the most part this works, along with a heavy de- saturation of color in the edit suite, making you feel like the film is almost black and white and giving it the appropriate vintage feel. I recently also reviewed Allies and its easy to compare these two films, probably both having similar budgets and using resources from Tank Collectors and re-inactors. Allies is probably the superior of the two movies, but SAS - The Void is not without its great moments of action and tension. Some of the actors are good too but sadly this makes the weaker performances stand out all the more and these aren't helped by some very over stated dialogue. Little needs to team up with a good writer next time but also trust in his best actors to deliver more emotion with less words on some key scenes. Here and there dialogue is forced to explain things too much, but never the less what you have here is actually a great little film. Its well researched and feels bigger than it actually is, there is nice sense of scale and battle in the climax. Its biggest flaw is that its very hard to make a film shot in the States actually feel like Europe unless you can drop in some blue screen shots of European Towns or Villages (or Alternatively build one as they did in Fury) still with the obvious restraints of budget you have to commend Little's effort because it tries really hard with every shot to make the location feel European.

I think this is a great film, with good attention to detail that is let down by some aspects that were clearly beyond the control or means of the production financially but with stronger writing it could have been a stronger film still. Worth watching and I look forward to Little's next film War Pigs, which has some big names in the cast - he has earned his shot to make a bigger movie, that is for sure.

There is always some controversies, when it comes to low budget and Indie films, about the right way to rate them in comparison with regular productions. Somebody feels that since you must judge the overall result, if it is manifestly lower than a similar film made by some Major, you have to state it. Plain and simple.

Some others think that since it's obvious that they cannot meet bigger productions standards, you have to appreciate the good things they show (if any) and be happy with it. I don't know where to stand but I'm more inclined towards this second party, at least for the present movie.

I found this film entertaining and even if they had just four tanks, two trucks, one house and one tent, they had very good dialogues and did an overall good job. All the gear looked stunningly brand new and this may be the way things looked back in 1944, I don't know, surely it appeared to be a precise artistic choice which I won't judge.

If you would compare it to a major production its correct rate would be 4. If you ask yourself what would anybody be able to do with the same stuff, then I think it deserves an 8.

This film illustrates the brilliance of the nascent Saints and Soldiers franchise and after watching The Void, you'll pray that more installments are coming.

The first few scenes have some clumsy, cheesy dialogue that tries to develop the characters. That's on the director's shoulders. But stick around--the real character development and some quality acting comes once the shells and bullets start to fly.

This is a compelling plot--an African American soldier is, through no fault of his own, thrown in with a couple of tank crews with a few men who don't want him around.

I won't spoil a thing. If you can get through the first 20 minutes or so, then prepare for very good war story that shows what all men are made of in a foxhole.

The score is fantastic, too. This doesn't rise past 8/10 because of the cheesy stuff early on and some improbable scenes during firefights (plenty of those, too).

We can only hope that the S&S rights owners have many more such fine films in development.

As has been said...yes it's a low budget film (explosions/FX etc lack realism)...however, that being said it shows a different side of WWII & (as I assume) some of the extras are perhaps re-enactment enthusiasts, a lot of the uniforms & equipment is pretty much spot on (for a change) although mostly all (including the tanks) are in a lovely new condition - not worn & battle-hardened at all.

There are a few plot holes & some acting is a little wooden / obvious & characters frustratingly lack a little 'get up & go' with each other, but it's not a bad film all in all, good to see some tank vs tank & anti-tank battles, as well as a bit of humanity thrown in between Axis & Allied troops/civilians. Well worth a watch.