Dejar el mundo atrás

Amanda and Clay take their kids for a weekend break in luxury home. On The first night, communications break down, and a strange man and woman appear at the front door, claiming to be the home owners.

It's only right that I start by saying, I didn't care for the book, I read it back in January, I couldn't get into it, the film adaptation, however, I rather enjoyed.

We've all seen end of the world films before, it put me in mind of Children of Men, War of The Worlds, The Stands etc, I don't think this is as memorable, or as poignant, but it's worth seeing.

I liked some of the imagery, the ship, the flamingos, and I did like the strangeness, the curiousness of it, at no point do you seem to know what's going on. Teslas at the end of the world, that was funny.

It's so interesting seeing Roberts playing a character like Amanda, I only just finished watching pretty woman, Vivian is sassy, but cute and pretty sweet, nice to see her playing someone a little more unpleasant, I really did enjoy her scenes with Ruth.

That ending.....no comment.

I could watch Mahershala Ali in anything, he's such a fine actor, Ethan Hawke very good also.

I get why some dislike it, and on another day it may have driven me round the twist, but this afternoon, I enjoyed it.

7/10.

This movie was a case of throwing some many angles against the wall to see if any of them stuck. None did! This, at first, drew me in with it's trailer. It claimed it was a thriller and I was intrigued. I've never been dissapointed from an Ethan Hawke, Julia Roberts or Kevin Bacon film performance. This movie, however, changed that! The concept, of this film, seemed interesting in an 'end of the world' way but there were so many different elements going on and none of them seemed to have any linear connection (Perhaps the chaos of the script was intended to be an enhancement of the chaos of the plot) anyhow if you're looking to be dissapointed in a movie this film is for you.

Started out with lots of promise for a thoughtful, tense thriller. But unfortunately that didn't come to pass. And unfortunately the ending didn't make up for the thin soup we were asked to digest for the previous hour and a half.

I can't even say the acting was terrific, because it just seemed so . . . Adequate. And the direction was off and on, with some really good moments but way too many closeups of faces just wordlessly. . . Looking.

Bless them all for trying but it just didn't hold my attention. Although I hung in there until what I hoped would be a revelatory and redeeming ending. But alas, no.

Why is it irritating? Because this movie doesn't know what it wants to be. It wants to be everything, it is everything but then it's nothing. It just doesn't payoff any of the things that it lead you to believe that it is. You can't give it 0 stars because it feels like it's way better than that but you can't give it 10 stars because it feels like it doesn't deserve any stars. You just feel empty and irritated after watching it. At the end of the movie you just feel like you studied for the wrong test. If this movie would have finished any of the twist it started it would be a solid 8 but yet nothing.

Facing the apocalypse in a unique way is not an easy thing to do in movies, but director/screenwriter Sam Esmail takes Rumaan Alam's 2020 novel and turns it into an unrelenting 2023 psychological thriller that captures the current extremist political landscape and isolationist world view with sharp acuity. No one real is explicitly mentioned, but so much of the threat presented in the spiraling plot felt not only relevant but palpable. It starts with a last-minute family vacation in a Long Island mansion and the two strangers who enter their lives. Julia Roberts plays an unapologetically mistrustful woman with familiar conviction, while Ethan Hawke does what he can as her laid-back husband. As the mysterious stranger, Mahershala Ali has to play it close to the vest, while Kevin Bacon has an effective turn late in the story. I could've done without some of the contrived camera angles and predictable music cues, but overall the film got me thinking what I would do under similar circumstances.