Cigoto

" Zift"is a stunning surprise that came from Bulgaria. Black and white noir, dark comedy with a brilliant camera work and lighting. It makes you nostalgic for the old pre-color days, when the directors had to be extra creative, and shadows warmed your heart more than flames ever could. The incredible parody spots wicked sense of humor, especially with the fake Russian songs and surprisingly quite a few homo-erotic images. War and weapons usually get coupled with phallic symbols. Eros and Thanatos in it purest form. It is an immense pleasure to encounter such talented and smart artists, these days of simplicity and proud lack of novelty.Can we have some more, please.

This strange, lyrical semi-gangster movie reminded me of "El Topo" and "Eraserhead" in the way it stumbles with deceptive carelessness through its plot. Smalltime thief "Moth", who's lost his youth imprisoned for a murder he didn't commit, is released hoping to jump a freighter to the tropics. Fate and his past intervene.

"Zift" bows to film-noir classics like "Gilda" and "DOA", even lifting plot elements, but this little gem uses their themes only as point of departure, as it does references to "Candide": If all is best in the best possible worlds, all is worst in the worst.

And Soviet-era Bulgaria director Gardev depicts is just that - filthy, casually brutal and airlessly detached. Its denizens gossip via dirty jokes and debase themselves with joyful abandon. It's bracing to see such a depiction, since the "Marxist experiment" of Russia and Eastern Europe is almost sentimentally beheld in most Western media ('course, we didn't live the ugliness of the "paradise"). And a glimmer of humanity and soul in a Christian church surely would keep "Zift" off fashionably dogmatic PBS.

The world of the Moth is as black and spongy as the tar he loves to chew - the "zift" of the title. But there is within it laughter and truth. Highly recommended.

This movie has given back to me the hope that Bulgarian cinema is going upward! Tha last few bg titles that i've seen all seemed to have a problem - they were weird (in terms of plot, acting, locations, camera angles). And just because a movie is tragic, strange, original and twisted doesn't mean it's good. Yes, maybe it can move you. Maybe. Maybe one can admit that the movie is totally genuine. But that still doesn't mean it's a masterpiece. Something is just missing for the movie to be enjoyable and moving while you're in the theater and mind blowing when you get out and think it over. The missing parts probably are the perfect storyline of Zift, the look of Zift, the action of Zift, the soundtrack of Zift, the grotesque humor of Zift! That's what makes the film of Yavor Gardev so successful - perfection itself!

In a time where brutality in movies only count when you see tons of blood, sex only count when it looks like porn and the story only count when there are 20 story switches with three parallel stories in it, the Bulgarian cinema brought us a movie which have not any of this in it and although it is ten times better.

I am finished five minutes ago watching this movie. And there is no way for me to describe the reason why i give that flick a ten.

Not one minute of that movie is boring, nothing in it is hyperbolical. Its lyrical without being intellectual.

Just watch it. You will not regret any minute of you're live that you will have spended for watching this movie.

This is the top of the Bulgarian film industry,I think.Not forever,but for the past 25-30 years.This is the Bulgarian movie,that has the biggest chance of winning ANY award worldwide.It's about the drama,the innovative story told by it,and the acting.The old school Bulgarian actors like Djoko Rosich for example,along with the younger actors,made a great masterpiece of the already brilliant script. My new favorite film,getting "The Shawshank redemption" off the top. Congratulations Bulgaria,you made me proud with your present achievement for the first time.You made me proud with your past only,but until I saw this! 10/10 from me!