Dave Lizewski es un estudiante de instituto que pasa desapercibido. Adora los cómics y un día decide convertirse en superhéroe, aunque no tiene ningún poder ni entrenamiento.Dave Lizewski es un estudiante de instituto que pasa desapercibido. Adora los cómics y un día decide convertirse en superhéroe, aunque no tiene ningún poder ni entrenamiento.Dave Lizewski es un estudiante de instituto que pasa desapercibido. Adora los cómics y un día decide convertirse en superhéroe, aunque no tiene ningún poder ni entrenamiento.
- Dirección
- Guión
- Reparto principal
- Premios
- 19 premios y 63 nominaciones en total
- Dave Lizewski
- (as Aaron Johnson)
- …
- Huge Goon
- (as Stu Riley)
Resumen
Reseñas destacadas
I was initially sceptical about the prospect of watching another superhero spoof movie, most recent attempts at the genre have been abysmal, but Kick-Ass completely transcends its predecessors through the use of intelligent pastiche which drives the story forward as well as providing laughs. The brilliantly choreographed action scenes would not feel out of place in a Spiderman film, or even a Tarantino script, in fact it feels like Spiderman and Kill Bill were put into a blender and Kick-Ass was the end result.
The story focuses on Dave Lizewski, your average teenage nerd, whose obsession with comic books inspires him to create his very own superhero, Kick-Ass, despite his discernible lack of superpowers. Dave's attempts to become a vigilante crime fighter initially end in disaster but in the process of rescuing a cat his luck changes, propelling him into the public limelight and establishing him as a figure to be reckoned with.
It is not long before other vigilantes surface, some desperate for the fame and attention, others out for revenge, and when Kick-Ass becomes embroiled in a crime lords devious plans, we are treated to a number of intense melees that gradually escalate in size and repercussions for those involved. There has been some controversy over the graphic violence depicted in these scenes, especially as the trailer is intended to appeal to a fairly young audience, and that comes as no surprise when a pre-teen girl decapitates villains on screen and uses the c*** word. Controversy aside, I cannot deny that this was very entertaining.
Chloe Moretz easily steals the show as Hit Girl - the incredibly volatile young superhero with a penchant for explicit language, which will surely propel her into the realms of stardom. Nicolas Cage is surprisingly effective as her doting father, and Christopher Mintz-Plasse is ever watchable as Red Mist. However it is Aaron Johnson who shows the most promise as Kick-Ass, with his convincing turn from a bumbling student to a brave and reckless crime fighter marking him as a talent to watch out for.
An essential part of the film is its eclectic soundtrack, with choice tracks taken from excellent films such as 28 Days Later and For a few dollars more. Usually I would be concerned at such a prospect but the Kick-Ass soundtrack adapts the tracks brilliantly, making them feel like its own, alongside great songs from The Prodigy and Sparks to name a few. The choice of music fits perfectly with the high-octane action sequences and even adds emotional depth to key scenes - not bad for a superhero comedy movie!
Kick-Ass is that rarest of films, a successful hybrid of two genres that delivers an almost perfect cinematic experience. My only criticism would be that some sequences near the end were slightly far-fetched but in a film where suspension of belief is required, maybe I'm being a little harsh. This is an essential film for all cinema-goers, catch it on the big screen and I guarantee you will be completely immersed in the explosive yet entertaining world of Kick-Ass
9/10
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Special, Spiderman, The Dark Knight and Superbad
Although deserving it's 18A R rating, this movie will blow your mind with awesomeness, yes thats right AWESOMENESS. The main character Kick-Ass is both comedic, quirky, and relatable (weather to yourself or someone you know) to anyone who's ever been to high school. His friends, also comedic, also will remind any guy of their own little group of three musketeers talking about movies, sports, comics and of coarse girls. The other heroes, such as Hit-Girl (who alone could provides the R rating) and Big-Daddy act as a total sub plot to the film that eventually mashes together with Kick-ass's story. They provide the majority of the REAL ASS KICKING. Also the characters actually get so connected with you that by the end you will actually feel and sympathize with the obstacles and tragedies they have to go through. Despite all the blood and violence there are some touching moments in this film.
In all, this movie rocked, it's not for kids, it'll blow your mind, the filming technique was great props to the director, the acting was good, the action was sweet, and the movie in total kicked some SERIOUS ASS!!!
It's Superbad meets Kill Bill.
The film is a fairly faithful adaptation of the comic book, and where tweaks have been made, they make the plot more robust for the audience to empathise with.
Kick-ass is stylish, fun, daring, and the dark surprise of violence and gore kept the balance of comic teen angst fresh: a delicious perk me up when you were settling into comedy mode. There was never a dull moment in the pace of the film, never a flimsy plot point, and actually the audience guffawed their way through the film. Did I mention it has a cool soundtrack to boot? I've already got it on my Phone.
The film does also belong to another genre - the 'how could Nicholas Cage pick such a role?' one. With all due respect for the film, which is actually a well made, well paced and entertaining movie if you can overcome or you do not care about the moral aspects, Cage's presence in a supporting role in which he walks most of the time with a ridiculous thick make-up is wasted time for his enormous talent. That's certainly just a (big) fan opinion. Otherwise you can accept the convention and just enjoy the wild ride.
¿Sabías que...?
- CuriosidadesAfter being rejected by every studio they approached, Matthew Vaughn raised the budget at a dinner party and made the movie independently. Vaughn ultimately sold the movie to Universal for more than he had originally asked them for.
- PifiasWhen Marcus reads the comic explaining the rise of Big Daddy and Hit Girl, a photo of Red Mist is on the wall, but at that point of the story Red Mist doesn't exist yet.
- Citas
Damon Macready: So... have you thought a little more about what you might want for your birthday?
Mindy Macready: Can I get a puppy?
Damon Macready: [surprised] You wanna get a dog?
Mindy Macready: Yeah, a cuddly fluffy one, and a Bratz movie-star make over Sasha!
[Damon is stunned]
Mindy Macready: [laughs] I'm just fucking with you Daddy! Look, I'd love a Benchmade model 42 butterfly knife.
Damon Macready: [relieved] Oh, child... You always knock me for a loop!
- Créditos adicionalesThe movie's title shows up on the license plate of a car.
- Versiones alternativasIn the Viacom TV network airings (Paramount Network/Spike, VH1, MTV2), in the scene where the Russian man is blown up in the microwave, the aftermath (the blood and gore hitting the window) is blurred out.
- ConexionesEdited into Yoostar 2: In the Movies (2011)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Kick-Ass - Un superhéroe sin super poderes
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 48.071.303 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 19.828.687 US$
- 18 abr 2010
- Recaudación en todo el mundo
- 96.188.903 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1