Cuando su pacífica vida se ve amenazada por un asesino de alta tecnología, el exagente de operaciones encubiertas Frank Moses vuelve a reunir a su antiguo equipo en un último esfuerzo por so... Leer todoCuando su pacífica vida se ve amenazada por un asesino de alta tecnología, el exagente de operaciones encubiertas Frank Moses vuelve a reunir a su antiguo equipo en un último esfuerzo por sobrevivir y descubrir a sus agresores.Cuando su pacífica vida se ve amenazada por un asesino de alta tecnología, el exagente de operaciones encubiertas Frank Moses vuelve a reunir a su antiguo equipo en un último esfuerzo por sobrevivir y descubrir a sus agresores.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 19 nominaciones en total
Jason Giuliano
- Endercott
- (as Jason Guiliano)
Reseñas destacadas
Red is a fun action thriller with some seriously high powered actors. Willis, Mirren, Malcovich, and Freeman, make for a killer squad. The storyline is interesting and not too complicated. The action scenes are well coordinated. All in all, a pretty easy watch.
Red manages to balance the line between action thriller, and light comedy, and does it quite well.
Frank Moses(Bruce Willis) a former C.I.A. agent is now retired, and living a simply, and at times boring life. His only joy of the day when he calls Sarah(Mary Louise Parker) a customer service agent, who he likes, Frank pretends not to get a monthly check, just an excuse to talk to her. But Franks simply life is interrupted, when he learns that somebody has put hit on his life, he goes on the run, after escaping an attempt on his life. He takes Sarah along too, much to her dismay. And gets his old team back together(Helen Mirren, Morgan Freeman, John Malkovich) in hopes to uncover who is behind the hits, but will they before it's too late?
I really don't agree with the critics on this one. Red was entertaining. It's funny without trying to get overly silly. Action scenes where good. Bruce Willis, Mary Louise Parker, Helen Mirren, Karl Urban, Richard Dreyfuss, Brian Cox, and Morgan Freeman. But it's John Malkovich who steals the show, with his funny one liners. And also a great co starring role by veteran actor Ernest Borgnine.
Frank Moses(Bruce Willis) a former C.I.A. agent is now retired, and living a simply, and at times boring life. His only joy of the day when he calls Sarah(Mary Louise Parker) a customer service agent, who he likes, Frank pretends not to get a monthly check, just an excuse to talk to her. But Franks simply life is interrupted, when he learns that somebody has put hit on his life, he goes on the run, after escaping an attempt on his life. He takes Sarah along too, much to her dismay. And gets his old team back together(Helen Mirren, Morgan Freeman, John Malkovich) in hopes to uncover who is behind the hits, but will they before it's too late?
I really don't agree with the critics on this one. Red was entertaining. It's funny without trying to get overly silly. Action scenes where good. Bruce Willis, Mary Louise Parker, Helen Mirren, Karl Urban, Richard Dreyfuss, Brian Cox, and Morgan Freeman. But it's John Malkovich who steals the show, with his funny one liners. And also a great co starring role by veteran actor Ernest Borgnine.
Silly is the operative word but also very entertaining. What did it for me was the cast. Helen Mirren lifts whatever she is in and the endearing thing about her is that she's not "precious" She goes for it and her fun becomes our fun. Hurrah for that! To go into the plot seems an exercise in futility because that's not what we will enjoy particularly but Mirren holding a machine gun with relish, the wonderful Mary Louise Parker tied to a bed or Brian Cox with a Russian accent and a mischievous spark in his eye. John Malkovich, I hope he soon plays a woman, he would be marvelous as Edna in "The Edna May Oliver Story" He is such fun to watch. Bruce Willis can do this kind of film in his sleep and he kind of does and Morgan Freeman? Well, he's always worth the trouble. The film has already vanished from my brain but the cast is glorious.
A retired CIA operative, hunted by his own people, reunites his old team for one last mission. It's certainly not an original story, mashing together ideas that we've seen before in the Bourne series, The Expendibles and The Losers. 'RED' (which stands for 'Retired, Extremely Dangerous') is the 4th film this year to be adapted from a graphic novel. It is also the 4th to feature men going on a mission, and the 5th with a plot involving the CIA. I couldn't help but feel skeptical. But then I noticed the cast list and realised that this is meant to be a comedy. At this point I saw the project in a different light. 'RED' is a film in which John McClane, God, Cyrus the Virus and The Queen join forces and kill people for laughs. Clearly this was going to be a film where story and sense came second to cast and chemistry.
From 'Die Hard' to 'Sin City', Bruce Willis' good-guy-having-a-bad-day routine has evolved little, but it does not need to be fixed. His performance in 'RED' is familiar, but he is never less than entertaining. This time he brings with him an air of self-parody. Throughout the film he maintains a carefree poker-face, as though he's done this so many times over the years that he can afford to be relaxed. There are valid attempts at making Willis seem more normal, and these can be quite amusing. The first 10 minutes, which show him adjusting to retirement and aimlessly wandering around the house in his dressing gown, are reminiscent of Carl Fredricksen's first appearance as an old man in 'Up'. Deeper characterisation, however, only serves to show how abnormal he really is, and it is a delight to see him in action.
With the exception of Willis, the cast is made up of actors who have no business waving guns around. Helen Mirren was an inspired choice, as if making up for the predictability of Willis' casting. Flower-arranging OAP on the outside and bad-ass hit-woman on the inside, Mirren is strangely suited to action. There is something about the juxtaposition of her gran-like demeanour with exaggerated violence that makes her very funny and extremely watchable.
John Malkovich is particularly entertaining in his performance as a mentally questionable conspiracy theorist who refuses to retire peacefully. After the numerous roles he has played with an undercurrent of insanity, it is hilarious to see him go full-on howling mad. It is not often that Malkovich gets to flex his comedy muscles, but he steals every scene in which he appears.
Morgan Freeman is unfortunately the weakest part of this alternative A-Team, not because of his performance but because he is under-utilised. He has little action time and even less characterisation. There is a glimpse at pervy-old-man behaviour (which could have been funny) and a mention of health problems (which could have been touching) but these are quickly forgotten. It is as though the writers were distracted, trying too hard to develop a secondary storyline involving Willis' romance with a pension office clerk. This subplot adds little and distracts from the main picture. It is a pity, because the wasted effort could have been more effectively put into making the story tighter, or on giving Morgan Freeman more screen time.
Overall, this is a good laugh, even if you won't remember it afterwards. Taking things less seriously and trying less hard to be cool means that 'RED' is more fun than 'The Expendibles', and less embarrassing too. Stallone can mumble all he wants about "shooting real action" - I'd rather see the Queen fire machine guns.
From 'Die Hard' to 'Sin City', Bruce Willis' good-guy-having-a-bad-day routine has evolved little, but it does not need to be fixed. His performance in 'RED' is familiar, but he is never less than entertaining. This time he brings with him an air of self-parody. Throughout the film he maintains a carefree poker-face, as though he's done this so many times over the years that he can afford to be relaxed. There are valid attempts at making Willis seem more normal, and these can be quite amusing. The first 10 minutes, which show him adjusting to retirement and aimlessly wandering around the house in his dressing gown, are reminiscent of Carl Fredricksen's first appearance as an old man in 'Up'. Deeper characterisation, however, only serves to show how abnormal he really is, and it is a delight to see him in action.
With the exception of Willis, the cast is made up of actors who have no business waving guns around. Helen Mirren was an inspired choice, as if making up for the predictability of Willis' casting. Flower-arranging OAP on the outside and bad-ass hit-woman on the inside, Mirren is strangely suited to action. There is something about the juxtaposition of her gran-like demeanour with exaggerated violence that makes her very funny and extremely watchable.
John Malkovich is particularly entertaining in his performance as a mentally questionable conspiracy theorist who refuses to retire peacefully. After the numerous roles he has played with an undercurrent of insanity, it is hilarious to see him go full-on howling mad. It is not often that Malkovich gets to flex his comedy muscles, but he steals every scene in which he appears.
Morgan Freeman is unfortunately the weakest part of this alternative A-Team, not because of his performance but because he is under-utilised. He has little action time and even less characterisation. There is a glimpse at pervy-old-man behaviour (which could have been funny) and a mention of health problems (which could have been touching) but these are quickly forgotten. It is as though the writers were distracted, trying too hard to develop a secondary storyline involving Willis' romance with a pension office clerk. This subplot adds little and distracts from the main picture. It is a pity, because the wasted effort could have been more effectively put into making the story tighter, or on giving Morgan Freeman more screen time.
Overall, this is a good laugh, even if you won't remember it afterwards. Taking things less seriously and trying less hard to be cool means that 'RED' is more fun than 'The Expendibles', and less embarrassing too. Stallone can mumble all he wants about "shooting real action" - I'd rather see the Queen fire machine guns.
When I first saw the trailer for The Expendables, I was already thinking of the interesting and funny relationship between the characters played by those action icons. After a zillion trailers and a movie, I was sourly disappointed. Now, I don't know who's fault it is, but relative to The Expandables, I almost haven't heard of Red before its release. However, it was exactly what I was looking for.
You have a great team of actors. They are not even action heroes, maybe that did it, but they do a great job. just look at that cast: Bruce Willis, John Malkovich, Morgan Freeman, Brian Cox, Hellen Mirren, Richard Dreyfuss, even Ernest Borgnine! As the young(er) crew, Karl Urban and Mary-Louise Parker are in it and they both play well. But more than that, each character actually has a role. They don't just come in, say a few inconsequential things, then die or are completely forgotten *cough* James Remar *cough*.
So it had the ridiculously packed action and at times it looked and sounded like Ocean's Eleven, who cares? The rest was great! Even the fight scenes... not even the bad guys go out in full view firing wildly then getting shot. People actually took cover, helped each other and synchronized their moves. The lines were funny and somewhat complex and all the people on the set were clearly having fun doing what they loved.
Bottom line: I don't know, maybe because the director is unseasoned in the ways of Hollywood the movie turned out to be so good. Or maybe it was the cast. Or maybe it was the fun of it. The movie turned out great, with a few screw-ups that I am ready to ignore. The mash-up is Jason Bourne meets The Expendables via, luckily for us, just a pinch of Ocean's Eleven.
You have a great team of actors. They are not even action heroes, maybe that did it, but they do a great job. just look at that cast: Bruce Willis, John Malkovich, Morgan Freeman, Brian Cox, Hellen Mirren, Richard Dreyfuss, even Ernest Borgnine! As the young(er) crew, Karl Urban and Mary-Louise Parker are in it and they both play well. But more than that, each character actually has a role. They don't just come in, say a few inconsequential things, then die or are completely forgotten *cough* James Remar *cough*.
So it had the ridiculously packed action and at times it looked and sounded like Ocean's Eleven, who cares? The rest was great! Even the fight scenes... not even the bad guys go out in full view firing wildly then getting shot. People actually took cover, helped each other and synchronized their moves. The lines were funny and somewhat complex and all the people on the set were clearly having fun doing what they loved.
Bottom line: I don't know, maybe because the director is unseasoned in the ways of Hollywood the movie turned out to be so good. Or maybe it was the cast. Or maybe it was the fun of it. The movie turned out great, with a few screw-ups that I am ready to ignore. The mash-up is Jason Bourne meets The Expendables via, luckily for us, just a pinch of Ocean's Eleven.
¿Sabías que...?
- CuriosidadesDame Helen Mirren had to learn how to shoot a gun without blinking so as to look more like an experienced killer. (Blinking was one of the main reasons why the stars in The Matrix trilogy wore sunglasses to mask their involuntary reactions.)
- Pifias(at around 45 mins) The eagle on the doorplate of the Russian embassy has one head. The eagle on the real Russian coat of arms is two-headed.
- Citas
Marvin Boggs: I never thought I'd say this again. *I am getting the pig*!
- Créditos adicionalesBullets, guns and explosions play out over the end credits.
- Versiones alternativasThe version shown on TNT is edited with some content removed.
- ConexionesEdited into The Paul Behragam Talk Show: Balto 3 R&T Part 3 (2015)
- Banda sonoraHome in Your Heart
Written by Otis Blackwell and Winfield Scott
Performed by Solomon Burke
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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- How long is Red?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 58.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 90.380.162 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 21.761.408 US$
- 17 oct 2010
- Recaudación en todo el mundo
- 199.006.387 US$
- Duración
- 1h 51min(111 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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