En el Detroit de 2028, cuando Alex Murphy, amante esposo, padre y buen policía, es gravemente herido en el cumplimiento del deber, el conglomerado multinacional OmniCorp ve su oportunidad de... Leer todoEn el Detroit de 2028, cuando Alex Murphy, amante esposo, padre y buen policía, es gravemente herido en el cumplimiento del deber, el conglomerado multinacional OmniCorp ve su oportunidad de tener un policía parte hombre y parte robot.En el Detroit de 2028, cuando Alex Murphy, amante esposo, padre y buen policía, es gravemente herido en el cumplimiento del deber, el conglomerado multinacional OmniCorp ve su oportunidad de tener un policía parte hombre y parte robot.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 1 nominación en total
- Jack Lewis
- (as Michael K. Williams)
Reseñas destacadas
Now, twenty-five years later, it gets rebooted (not including the pretty poor showings which made up Robocop's sequels and TV spin-off show). And, the first thing you need to know, is that it's no longer an 'adult' movie. Due to the film-makers wanting to claw back as much of its budget as they could, they've gone and made it a PG-13/12 certificate. So, what we're left with is the cyborg-action equivalent of World War Z (a mainstream big budget zombie film with no violence or gore).
This is the major 'flaw' in the film (which most people seem to dwell on). It's fair to say that this reboot hasn't performed as well as the producers would have liked it to (I'll bet they were hoping this would be the springboard to launch a lucrative franchise off of). However, if you get over the die-hard fans and their shouts of disapproval because no one gets melted in a vat of toxic waste, you may actually enjoy it.
Yes, the action is greatly reduced, but what's there is still pretty cool. Plus the cast is excellent and what it lacks in fight scenes it makes up for in commentary on today's modern way of life and how much computers (and in this case robots) intrude and may well intrude with our day to day existence.
If you ask me which Robocop is better (1987 vs 2014) I would say the original, but simply because it was just that – the original. Plus I have never ending nostalgia for one of my favourite childhood movies. However, if you can put any bias you have to the back of your mind and look at this one as a completely fresh tale which simply borrows major plot points and situations from its source material, then you may just find an enjoyable movie in there somewhere.
Thank you for your cooperation.
http://thewrongtreemoviereviews.blogspot.co.uk/
I question if this is actually remake of Robocop or a new film with Robocop as our lead. Are there comparisons, well there is Murphy (Robocop) , Lewis (now male) and the bad guy. The role of the owner of the business is much different to that of the original.
The storyline is excellent and the transformation of Murphy to Robocop is explored much more deeply than in the original, however (and this is not a spoiler) you can guess which bit will be included in the conclusion. The emotional transformations are excellent as Robocop evolves . The scenes where the action kick in have kept the violence levels down compared to the original , which still has one of the best scenes ever with our melting man, but I still think this film has been lucky to achieve a 12a .
A good watch , is it better than the original said my 12 year old ? Genuinely I don't know , the original is great as it set the benchmark, this new version has more modern special effects and the telling of the story is better.
Whatever watch this.
People I'm not saying that this remake was not created because the studios wanted to make some quick bucks! Most probably it was! What I'm saying is that they did care about the material, and they took the time to create a new and exciting vision. I go even that far that the message of the movie is different slightly from the original, and that is absolutely fine! The acting is amazing, it was great to see Michael Keaton on the big screen again, he is a very underrated and extremely talented actor in my opinion. Gary Oldman, Samuel L. Jackson, and I gotta say Joel Kinnaman was an awesome and very emotional Alex Murphy! The new RoboCop designs were something scared me off a bit at first too when I saw the first on set shots, but do they look awesome in the movie! The action was great and the special efx of course are something have to work in a movie this caliber so no surprises there: fantastic job! There is one thing though other reviewers also mentioned is a little bit dissatisfying: there is no real enemy. But then again, this is a different story. This one is more about a guy who's being thrown around in this crazy futuristic world where he tries everything to maintain his humanity, even though they constantly shut him down, or overload his brain with information. He is us! And finally let me say that much: yes the original is a classic, and it is indeed different, but this new one is not only enjoyable but has the promise of starting the franchise over again with a first class cast, emotional story, and great effects so sit back and enjoy the ride! This is by no means resembles the hollow empty, unoriginal, and completely pointless Totall Recall remake! So just give it a brake and let's hope that there is gonna be a second part!
But you know what? This movie sorta rocks. I'll tell you why.
First of all, the story is COMPLETELY different, so it can't even be considered a remake. I'm a firm believer that, much like Jimi Hendrix did when he covered "Hey Joe", if you're going to revisit someone else's work then do it completely differently. That's what the director did here. Only the basic premise remains: a lone, half-computerized "Everyman" decides to take on a criminal/corporate colossus while simultaneously struggling with his lost humanity.
First off, Robocop 2014 is a much broader, more family-friendly film. Gone is the extreme, in-your-face violence and criminal depravity that worked so well in the original which was intended to disturb viewers on an emotional level (Veerhoven is king of cinematic satire). Whereas the old Robocop was known to pump lead into perpetrators' private parts, in this version Robocop uses a taser gun to take down most threats. Granted, it's a taser gun that packs enough juice to take down the jolly green giant, but the point is we don't see quite as much blood & guts.
Instead of disturbing violence and hard-hitting satire, we get some very interesting political and philosophical spins. The idea of a robot police force is cleverly tied in with military drones and smart-warfare technology that's already in use today. The question being posed is: when we turn this same technology on ourselves (America) to police our own people, suddenly it seems bone-chillingly sick.
Another new & interesting spin is the idea that Robocop is the personification of the existentialist debate. Do we have free will? Or is there some governing force that has written out our lives and "choices" already, and we are merely as Shakespeare said, a bunch of actors playing out roles? Robocop 2014 touches on this with the idea that Robo is actually hard-coded to behave as a machine with only the illusion that he has conscious will. THAT was a great philosophical angle which I actually wish the movie had spent another hour exploring. But I guess that would've taxed a lot of viewers' attention spans, so it was kept under the surface. Still it's something to ponder heavily as the movie unfolds.
Special effects, action, costumes & gizmos are eye poppingly great. And I don't mean over-the-top cartoonish, either. They're great because the film does a nice job of keeping things real enough to make you think this scenario could actually happen. In the "Behind the scenes" bonus, a point is brought up that the director nixed a bunch of really cool scifi ideas (such as a motorcycle that transforms into a shell around Robo) because he didn't want the viewer to get lost in too much fantasy. The result is more of a straightforward crime drama or even political thriller than it is scifi.
The acting. OK, for real, how can anyone fail with Michael Keaton (the first movie Batman) and Gary Oldman (Dracula) and, in a peripheral but awesomely hilarious parody role Samuel L Jackson (Pulp Fiction!) as the rabid fascist foul-mouthed host of a cable "news" show called The Novak Element. Oh gawd, fans of Veerhoven's satirical skewerings will LOVE this character. Relative newcomer Joel Kinnaman (Robo) does a great job, and old Robocop fans might notice some deliberate homages he makes to the original Peter Weller performance such as the way he always turns with his head first, then shoulders, then feet.
I also must add a quick note about the music used in this film. There are several great homages to us aging fans with selections such as The Clash "I Fought the Law" and a great shoot-em-up scene that uses "Hocus Pocus" by Focus. And I think that approach sums up what this film is all about. It's not attempting to trample on our memories of the original Robocop, but rather, it acknowledges old fans while presenting something completely different and, in my opinion, worthwhile. Now if someone would only acknowledge my cool parachute pants I be flying high.
¿Sabías que...?
- CuriosidadesDuring production of the film, José Padilha phoned friend and fellow Brazilian director Fernando Meirelles to confide in him his frustration in the lack of creative control he was allowed by the studio for the project. Padilha estimated that for every ten ideas he brought to the project, the studio refused nine, and went on to the describe the making of the film as "The worst experience of his life". When word of this conversation became public, in an effort to appease the studio, Padilha released counter statements expressing satisfaction with the film.
- PifiasTakes place in Detroit, Michigan but Toronto's CN Tower and Canadian flags are visible when RoboCop is on his motorcycle on the highway.
- Citas
Raymond Sellars: Alex, we need to work together here, because I'm the only one with the technology to keep you alive.
RoboCop: Dead or alive, you're coming with me.
- Créditos adicionalesThe audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air.
- ConexionesFeatured in Trailer Failure: Robocop (2013)
- Banda sonoraRoboCop Original Theme
Written by Basil Poledouris
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- OmniCorp
- Localizaciones del rodaje
- Scarborough, Ontario, Canadá(Centennial College)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 100.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 58.607.007 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 21.681.430 US$
- 16 feb 2014
- Recaudación en todo el mundo
- 242.688.965 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1