Zwart water

A mixture of del Toro like film material, not very original when i saw this one at the international premiere at the Edinburgh International film festival 2010.

A film worth seeing but nothing new if you are accustomed to films like the Devils backbone and the orphanage, (but not as good as either) Not bad from a country not known for horror/thriller films.

There's even talk of a Hollywood remake with an 'A' list star. The director wouldn't say who but that wont be as good as this original as with most Hollywood remakes it will be over the top and most likely rubbish.

Don't be fooled into thinking that this is a Dutch remake of 'Dark Water', the Japanese ghost movie that was already remade by Hollywood with the same title. A mysterious house and some dirty water is all that these films have in common. And yes, there is the 'ghost angle', but as ghost stories go, this movie has much more in common with The Sixth Sense. But due to how disappointingly that ghost element plays out in the end here, that's where the similarities end.

The beginning of the movie seems promising, yet somewhat predictable: a family moves to a huge house which was inherited from the wife's estranged mother. The young daughter quickly starts to feel that something is wrong in the house, apart from the dark water coming from the faucets. The wife is too career-minded to hear her stories, only the good-natured husband seems to listen, but he believes all the freaky stuff is just stress from the moving and the new surroundings. Without spoiling too much, the girl's ordeal leads to a lot of confusion as to the history and disposition of a strange presence in the house. A solid plot device that was one of the reasons that The Sixth Sense worked so well, and here, it goes a long way, but unfortunately not all the way until the end.

The supernatural element is played out quite well throughtout most of the film, until 20 minutes before the end, where they introduce a couple of plot twists that tear out the bottom of a carefully constructed narrative. A plot twist provides an unexpected direction to a central premise, and if done well, it changes a premise you may not even have been consciously aware off. But in this movie, they present an ill-conceived alternative explanation that comes out of nowhere, a surprise for the sake of having a surprise. If the ending raises more questions than it answers (and I don't mean the good, philosophical questions, but simply logical questions), it is clear that the screenwriter has failed to do a good job.

The film looks great and has some very good art direction and photography, but it is pretty clear from the beginning that the horror aspect of the movie is a lazy rehash from other and much better movies. In the Netherlands, we have the tendency to copy cinema trends with a delay of several years, so such a deja-vu expeirence is not uncommon. We have literally seen such scenes dozens of times before, and when you can actually anticipate jump scares, you know that the director has failed on that aspect.

So the film quickly starts to get more predictable and becomes even boring, which isn't helped by the fact that I find Hadewych Minis a limited actress who seems to have only one facial expression in her repertoire (she is mainly knwon for doing radio commercials these days). Isabelle Stokkel is doing fine as the daughter, and I also liked Barry Atsma's performance. For some reason, many people dislike his portrayals because he is way too pretty for the everyman roles he usually plays, but I will not hold that against him.

The Netherlands don't have a rich history of good horror movies, and this film isn't going to change that, not as long as we keep trying to copy trends from other countries without adding our own spin to it. I have expressed my adoration for the underrated The Pool (2014) before, one of the few Dutch horror movies that did that and worked (for me at least), and I'll do it again here. Or maybe we should resort to remaking thrillers? Loft was pretty well received, and even original ones like The Resistance Banker. I have to admit that even I am getting tired of all the Dutch romcoms now. So please, get a decent screenwriter and a decent director (preferably the same person) and let somebody fund a genuinely good Dutch genre movie.

I didn't have any expectations towards this movie, and probably it made it so good for me. Plus great setting in which I saw it, on a small film festival, outside during the cold night.

Great acting, amazing atmosphere, fair story, good camera, intensive, great scare factor! The story is a bit usual and stereotype, but it doesn't affect how good this movie is. Karen is very scary, reminded me on Reagan from the Exorcist!

In short it is the story of a family with problems, which moves to a new house in which they start to experience weird and paranormal things.

I would highly recommend it!

The Dutch haven't made many horror films. When asked to list the ones he knew of, director Elbert van Strien said there were only five, although he could only recall the names of two of them. In other words, Holland is not well represented in this genre. The only other significant film in this area was the 1988 film The Vanishing; although not a bona fide horror film, it certainly was disturbing enough. Two Eyes Staring is, however, an unashamed horror film, seeing as its subject matter concerns ghosts and malevolent secrets from the past. And although it may not contain anything that exactly breaks the mould, it does succeed in providing some very effective and memorable scare scenes.

The story is basically about a couple and their little girl, Lisa, who move into a large house left by a recently deceased grandmother. The said grandparent was decidedly distant from her daughter and once in the stately home all manner of dark secrets begin to surface via Lisa, who continually sees a ghost of a tragic little girl. These events lead to a serious breakdown in the family with tragic consequences.

Elbert van Strien has put together a very good ghost story here. He is helped ably by a small but good cast of actors. Especially fine were Isabelle Stokkel as Lisa, who puts in a great performance for such a young actress, but Hadewych Minis possibly steals the show as Christine, the mother; the two standout fright scenes in the film directly involve her. The first one sees Lisa awake in the night to see her mother staring down at her in a highly sinister way, while the second, and best, standout scene has Lisa witness her mother in the dead of night rabidly destroying her own artwork with a large kitchen knife, she then turns on her daughter with an extremely malevolent look on her face and attacks. In both of these simple but very well-executed sequences Hadewych Minis is truly terrifying. Alongside these well-crafted scenes, Two Eyes Staring also has a number of definite jump moments and the overall atmosphere is decidedly off-kilter. Although this is a ghost story it is also as much as anything about psychologically damaged people. This of course means that it is disturbing on two levels.

This is a fine blend of both supernatural and psychological horror. As I said earlier, it doesn't really deliver anything especially new to the genre. Nevertheless, it actually works as a horror film in that it frightens and occasionally surprises. And this is much more than most films of its type achieve. Apparently, but sadly unsurprisingly, this Dutch movie is going to be remade in America, despite not even having been released beyond the festival circuit yet, so all I can say is see it before this happens.

For a country that hasn't made a lot of horror movies this movie sure is a huge improvement. But it still needs a lot of work. The slow buildup was pretty good and provided just enough tension to make it interesting. However there were not enough scary moments to qualify as a real horror. As a drama this also fails since most of the characters don't act as they would in real life. It was very hard for me to have sympathy for the mother. Since it was obvious she wasn't exactly right in the head from the start. If this fact wasn't entirely clear than some events would have worked better. A lot of events in the movie also relied too much on coincidence and convenience. The cousin is pretty vague throughout the movie until the end. Christine and her odd behavior towards her husband and her daughter should have at least made the husband curious to find out what is going on. But he makes no attempt whatsoever. Another example is the fact that both parents suddenly have to work when previously only one did. Logically it doesn't even make sense since they didn't have to pay rent and had more to spare. Plot wise it is understandable since they had to create the opportunity for the daughter Lisa to experience the things she does. Of course these are all tactics to build up the tension even more but to me it had quite the opposite effect. These superficial tactics would have worked better if the movie had other things to offer. Like really scary scenes or imagery that would suggest or give another perspective on the events. The lack of actual plot or character development made it a predictable affair to the experienced horror fan. And that really is a bloody shame since this movie had the potential to become a classic.