Una mamá en apuros

This film is just awful. How did they get all this actors to get involved is beyond me. Uma Thurman is a fine actress, but there was no way she could save this. Awful script, lousy directing and uninteresting characters.

Eliza Welsh is what one of the characters in "Motherhood" refers to derisively as an "urban mom." That is to say a young woman who lives in an upscale part of town (in this case, Greenwich Village), has a hoard of New Age-y mom friends who obsess over the ins-and-outs of successful childrearing, and herself hosts a blog dedicated to - what else? - how to survive the rigors of young motherhood without sacrificing one's identity as a woman, as a wife and as an individual. It's a battle that Eliza seems to be losing at the moment, but at least she's giving it the old college try.

Written and directed by Katherine Dieckmann, this seriocomic tale takes place on the day before Eliza's oldest child is to turn six. Filled with mixed emotions at the event and saddled with a husband (Anthony Edwards) who seems more focused on his own needs than those of his wife, Eliza struggles with arranging a birthday party, dodging parking tickets, coping with a studio-shoot on her street, looking out for her elderly neighbor, and raising a toddler - all while trying to carve out a little time for herself to write and to do all the things adults (those without children, at least) normally do in the course of their days.

Dieckmann's screenplay is filled with both poignancy and humor as it deftly explores the life of this harried mother. Uma Thurman, in a tour-de-force performance, captures both the manic energy and utter exhaustion of the nonstop merry-go-round that her character finds herself riding on; and she is fully supported by Edwards as her husband, Minnie Driver as her closest girlfriend, and Arjun Fupta ("Nurse Jackie") as a sexy delivery boy who, for a brief moment at least, allows Eliza to let her hair down a bit and to see the heart of the vibrant, sexy, carefree woman that still beats beneath all the motherly obsessions and concerns.

Although it's ultimately a bit too slight in the drama department for it to rise much above the level of a bemusing curiosity, "Motherhood" still has some valid insights to make about its subject.

I don't always like the "german" titles American (or other "foreign") movies get in Germany. But in this instance, I think the title (which I wrote as my summary line) fits better than the original title. It also might get some people off the case/movie, who seem to genuinely hate the movie. I don't think, the filmmakers went out there, to show us the "ultimate" truth about parenthood (or motherhood for that matter), but just a slice of life.

Of course that doesn't mean, that the movie has no deficits. It seems a bit unbalanced and one sided at times. But it still has quite a few moments. And depending on your likings, you might nod your head in agreement or shake it in disagreement/disgust. It's definitely a movie that was made for a specific audience. Hate it or love it for it

The way it started I thought it was an amusing parody on the modern PC culture. It was a bit a awkward initially but I was focusing on the parody side. Later into the movie it wavered more on being pointless. It might have been meant to be a character study showing how motherhood and womanhood has changed and evolved for the last few generations. The most meaningful scene I felt was delivered by an older actress who in her statement also described what the intent of the movie might have been all about.

The movie is apparently based off a book written by the director and I have not read it. I cannot say I have been inspired to read it either.

This film is about a mother's hectic day, trying to fit everything she has to do in just 24 hours.

"Motherhood" details what a mother of two has to do in a day, from housework, organising her daughter's birthday party, shopping and writing. The events seem ordinary, but it successfully highlights the stress of being a mother and a housewife. It's a job that has no off office hours, no breaks and no days off. Their demands and difficulties of their roles are often underestimated and unappreciated. It reminds us that people need encouragement and acknowledgment to survive the mundane routine. It reminds us not to take love for granted.