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Déjame entrar

Título original: Let Me In
  • 2010
  • 16
  • 1h 56min
PUNTUACIÓN EN IMDb
7,1/10
131 mil
TU PUNTUACIÓN
POPULARIDAD
3165
1087
Chloë Grace Moretz in Déjame entrar (2010)
A bullied young boy befriends a young female vampire who lives in secrecy with her guardian.
Reproducir trailer1:49
20 vídeos
99+ imágenes
Dark FantasyWhodunnitDramaFantasyHorrorMysteryThriller

Un joven acosado entabla amistad con una joven vampira que vive en secreto con su guardián.Un joven acosado entabla amistad con una joven vampira que vive en secreto con su guardián.Un joven acosado entabla amistad con una joven vampira que vive en secreto con su guardián.

  • Dirección
    • Matt Reeves
  • Guión
    • Matt Reeves
    • John Ajvide Lindqvist
  • Reparto principal
    • Kodi Smit-McPhee
    • Chloë Grace Moretz
    • Richard Jenkins
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,1/10
    131 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3165
    1087
    • Dirección
      • Matt Reeves
    • Guión
      • Matt Reeves
      • John Ajvide Lindqvist
    • Reparto principal
      • Kodi Smit-McPhee
      • Chloë Grace Moretz
      • Richard Jenkins
    • 492Reseñas de usuarios
    • 398Reseñas de críticos
    • 79Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 14 premios y 28 nominaciones en total

    Vídeos20

    Let Me In: International Trailer #2
    Trailer 1:49
    Let Me In: International Trailer #2
    Let Me In: U.S. Trailer #1
    Trailer 2:16
    Let Me In: U.S. Trailer #1
    Let Me In: U.S. Trailer #1
    Trailer 2:16
    Let Me In: U.S. Trailer #1
    Let Me In: International Trailer
    Trailer 1:16
    Let Me In: International Trailer
    Let Me In: Behind the Scenes
    Clip 1:34
    Let Me In: Behind the Scenes
    "Do You Like Me?"
    Clip 1:14
    "Do You Like Me?"
    "Are You Involved in Some Kind of Cult?"
    Clip 1:02
    "Are You Involved in Some Kind of Cult?"

    Imágenes213

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    + 207
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    Reparto principal35

    Editar
    Kodi Smit-McPhee
    Kodi Smit-McPhee
    • Owen
    Chloë Grace Moretz
    Chloë Grace Moretz
    • Abby
    Richard Jenkins
    Richard Jenkins
    • The Father
    Cara Buono
    Cara Buono
    • Owen's Mother
    Elias Koteas
    Elias Koteas
    • The Policeman
    Sasha Barrese
    Sasha Barrese
    • Virginia
    Dylan Kenin
    Dylan Kenin
    • Larry
    Chris Browning
    Chris Browning
    • Jack
    Ritchie Coster
    Ritchie Coster
    • Mr. Zoric
    Dylan Minnette
    Dylan Minnette
    • Kenny
    Jimmy 'Jax' Pinchak
    Jimmy 'Jax' Pinchak
    • Mark
    • (as Jimmy Jax Pinchak)
    Nicolai Dorian
    Nicolai Dorian
    • Donald
    Rebekah Wiggins
    Rebekah Wiggins
    • Nurse
    Seth Adkins
    Seth Adkins
    • High School Kid
    Ashton Moio
    Ashton Moio
    • Lanky Kid
    Brett DelBuono
    Brett DelBuono
    • Kenny's Brother
    Gwendolyn Apple
    • Girl in Pool
    Colin Moretz
    • Video Arcade Counterman
    • Dirección
      • Matt Reeves
    • Guión
      • Matt Reeves
      • John Ajvide Lindqvist
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios492

    7,1130.8K
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    Reseñas destacadas

    8blackmambamark

    Hopefully now the American audience can finally embrace a decent vampire tale

    Really? Your going to remake a movie 3 years after it was released? Is that even necessary? About a year ago, i use to feel this way about this production. Seriously, just go to the video store and watch the original....it's cheaper than going to the theater. But then i realized that it isn't that simple. If you want to show people good cinema, you really need to force them to watch it. Honestly, if i told someone to go to the video store and rent an awesome Swedish vampire movie, they would probably skip my suggestion, and pick up "Couples Retreat" or some crap. The only way someone would even view a portion of this film, is if they came over to my house, as i am in the middle of watching "Let The Right One In", they sit down and finally ask "What movie is this again?". So no, i am no longer dissing this movie, because in order for people to truly accept something good and different, it needs to be shoved in their faces.

    Now when it comes to reviewing remade movies, all you can do is compare and contrast. So let me go ahead and get that out of the way so i can speak to the majority of you who have not seen it. The film is not an exact carbon copy of the original. However, it still has the same working parts. Sure they changed things around a bit, nothing too major......but they really did hit the nail on the head by still maintaining the overall eseccense of what this movie promotes, and that is crucial for this feature. The one thing that they did improve on however, was the musical score. It was more developed and very fitting to the gritty style of cinematography. It took those really eerie yet intriguing sequences, and made them that much more entertaining. As far as the acting, i am leaning towards the original, but it is a very VERY close race.

    So with that being said, this movie is probably the best horror movie of the year. Yes, it is a remake, but i don't care. All these original ideas still do not compete with something that obviously works. This movie is very dark, the way a vampire movie should be. Not with it's gore, which is amped up by the way, but it's method of storytelling. That is the hook in this film. That is what gets you. It isn't some crybaby teen heartthrob, it is an in-depth storyline told in an entertaining yet odd fashion. It is very different compared to any vampire movie you have seen. Take Kiersten Dunst character in "Interview with a Vampire", and make a whole movie about her.....thats pretty much what this is.......somewhat.

    Bottom Line, hopefully this movie will bitch slap all those wannabe vampire geeks harder the second time around, because this is how you make a vampire movie people. Yes, i still like the original more, but this movie gets as close to the original as you possibly can get, and that is saying a lot in my book. I urge all of you to see this, because there is a reason why they wanted to remake it so quickly. However, if you do get the chance, please still try to watch the original.
    8Xstal

    The Curse of Who You Are...

    A remake that's almost as good as the original.

    What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called child's play.
    8jamescraig2000

    Dark and Intelligent

    Reeves has done it. Saw this at Fantastic Fest with director and cast present and I have to say I was very impressed. The acting is great as my heart went out to Kodi's character Owen. I honestly wanted to jump into the screen and make the cruelty stop. It was heartbreaking. Chloe is a wonderful actress and she portrays Abby very well. I wanted a bit more from that character but it is good. The scenes together are very good and sweet. Jenkins who plays the caregiver is very very good. His portrayal is a very real and creepy take. His means of attaining victims was chilling. His character climax is great, my jaw dropped.

    Reeves does a wonderful job with cinematography and I loved the setting. I have been eagerly awaiting this movie and I was not disappointed. If you have seen the original you still haven't seen Let Me In.
    8jthess200

    Vampire movies should be more like this one

    Matt Reeves, who is most famous for his monster film "Cloverfield", took on the task of adapting and directing this film. Two years ago, film festivals were in love with the Swedish Horror film "Let the Right One In" and it was almost a given that it was needed to be made American. In our culture vampires have kind of turned into more of romantic figures and a lot of times represent sexuality. This film goes back to basics and makes this vampire what I think they are sup post to be, which is completely scary and messed up. What is very impressive is that Reeves takes this and in a way, his changes actually enhance the story and kind of makes it better and more entertaining. Kodi Smith-McPhee who was spectacular in last year's "The Road" and Chloe Moretz who received most of her fame as Hit-Girl in this year's "Kick-Ass" carry this film and both of these kids bring a type of eeriness; these kids both knew exactly how their characters were sup post to be and they hit it spot on. This gory, terrifying, and dark film turns into some type of odd entertainment and represents why people would even want to see a horror film; it has a strong story and an even stronger scare. Instead of going over the top Reeves bends this movie into a tension roller-coaster more than anything. Very rarely can a foreign film be successfully adapted and made a success in America, but Reeves made something that can stand a distance from the original, but still he true to its origin. It is a great movie for the Halloween season, it will most likely refresh people who are used to "American Vampires" and give them a real vampire movie
    7c99432

    Good job, not disappointed

    I believe that many viewers of this movie are fans of the original Swedish movie LTROI, so I won't be emphasizing on how much I am fond of the original one – and here we are for the American remake.

    That being said, I just watched the remake. In general, I am not disappointed (if not a little pleasantly surprised) by this remake, though it still cannot catch up with the original one as a whole.

    Honestly, I was a little worried when I went to the cinema, being afraid that the story would be degraded into a superficial Hollywoodian fest of clichés and pure visual stimulations. Thankfully, that didn't happen.

    In general, this remake is in line with the original book (and the original movie). Many settings are almost identical with the Swedish one, so are quite a number of actors' lines (well of course they spoke English in this one, no Svenska LOL). More importantly, the tranquillity resembles a lot to the Swedish one. We can tell see that the filmmaker had no intention to challenge the basic tone of the story, a beautiful love tale under vampire's cover. This, on the other hand though, might disappoint some fans who watch the remake in search for a revolutionary interpretation of the old story, YMMV.

    Sure, there are still many differences. The first one is the ambiance colour tone of many scenes where Owen and Abby meet. The director has obviously chosen a warmer tone (under orange-yellowish street lamp) in which our two protagonists interact, as compared to the sharp contrast of white snow vs dark sky in the original one. Personally I give credits to that change, as it better alludes to the tenderness of Owen and Abby's friendship / love.

    The real gender of Abby is one of the hottest topics amongst fans. Here, instead of giving a direct shot to Abby's under (which I find totally unnecessary in LTROI), the director chose to interpret Abby's gender in a very ambiguous way, leaving much room for interpretation.

    Also, I feel that the American remake is more "focused" on the two protagonists than the Swedish one. "More focused" has two senses: in one hand, filmmakers tend to let Owen and Abby physically occupy a bigger part of the screen, instead of the wide-angle lens in LTROI; in the other hand, the director cut many "peripheral" scenes (scenes where actors other than Owen and Abby interact). I am personally neutral to that change, though I believe that we need not give further emphasize to Owen and Abby for a better character depiction.

    OK, now time for some negative comments. As a whole, I find the remake's interpretation of the gory scenes as a failure. They are too violent, bloody, and explicit, which, I think, largely spoils the basal tone of the movie, inserting some cheap and inconsistent horror elements in this supposedly beautiful, ambivalent movie.

    Last, the music. Here I have to say LTROI's soundtrack totally outworks that of the remake. LMI's OST is, to its most, up to a "hardcore" horror film's suspense scenes, whereas LTROI's music is as beautiful, as poignant as the movie.

    In conclusion, a good remake, loyal to the original story. One can tell the director's effort to re-interpret some minor details without changing the story's basal line/tune, though many of the modifications aren't as successful as they expect.

    Basic story line: LTROI = LMI: 8.5 (basically the same) Settings: LTROI = 8.5, LMI = 9 (I am esp fond of the colour tone…) Scene interpretations: LTROI = 9, LMI = 6.5 (not so implicit...) Actors: Eli = 10, Abby = 9.5, Oskar = 8.5, Owen = 8.5 (those young actors are just gorgeous – both in Swedish and in American versions, Owen may not be as good looking as Oskar, but his acting is as excellent) Music: LTROI = 10, LMI = 5 (I bought the Swedish OST to fill my iPod. The American one? no thanks) Originality: LTROI = 10, LMI = 6 (afterall, LMI is a remake that has borrowed a lot from LTROI)

    OVERALL: LTROI = 9, LMI = 7.5 congrats to both, good job done!

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Elias Koteas, who plays the police detective, also provides the voice of Owen's father John.
    • Pifias
      In the first hospital scene the policeman is not out of the room long enough for the events in the second version of that scene (Abby visiting her "father" Thomas) to take place.
    • Citas

      Abby: [to Owen] You have to invite me in.

    • Créditos adicionales
      The movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background.
    • Conexiones
      Featured in The Rotten Tomatoes Show: Dinner for Schmucks/Charlie St. Cloud/Get Low (2010)
    • Banda sonora
      Let's Dance
      Written by David Bowie

      Performed by David Bowie

      Licensed by Arrangement with Jones Music America

      (ASCAP) admin. by ARZO Publishing

      Courtesy of RZO Music

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    Preguntas frecuentes27

    • How long is Let Me In?Con tecnología de Alexa
    • What is 'Let Me In' about?
    • Is "Let Me In" based on a book?
    • Why did "Let the Right One In" get remade into this film?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de octubre de 2010 (España)
    • Países de origen
      • Reino Unido
      • Estados Unidos
      • Suecia
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Let Me In
    • Localizaciones del rodaje
      • Moana Condominiums - 1100 Alvarado Drive SE, Albuquerque, Nuevo México, Estados Unidos(apartment building)
    • Empresas productoras
      • Overture Films
      • Exclusive Media Group
      • Hammer Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 20.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 12.134.935 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 5.147.479 US$
      • 3 oct 2010
    • Recaudación en todo el mundo
      • 27.093.592 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 56 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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