Más allá de la duda

Despite the almost unanimous negative reviews by viewers and professional critics, I liked "Beyond a Reasonable Doubt". Why? This movie is a combination of an old-fashioned mystery story combined with an indie film style.

I have been a longtime fan of old detective films and I also like modern low-budget independent movies like "Management" and "Little Miss Sunshine". This combination of styles; old-fashioned mystery and indie low-budget, didn't bother me.

I accepted that many of the actors were not the greatest around today, or that the lighting and sound was almost never polished and was often primitive. And that the music soundtrack was just adequate.

But what I very much enjoyed was the story itself. This is a great mystery plot which kept me guessing. And I like those kinds of stories.

Reporter C J Nicols (Metcalfe) believes District Attorney Mark Hunter (Douglas) gets most of his convictions by planting DNA evidence on the person arrested for the crime. C J has a plan to prove this.

This is 2-things. 1: The story is based upon a play and 2: this is a remake of something back in the 1950s. Anyone remember Dana Andrews? Hmmmm………… Just seeing the title should tell all of us that we have seen this before, maybe not back in the 1950s, but somewhere along the line. I mean it's such a good title not to have been used before. We must have seen it. Moving on…………..

But unlike a talky play, this story does have a good car chase and a car chasing a woman in a parking garage. Can't put all that on a stage. And, this is not too talky. It has just about the right amount of dialogue and it's pretty good too.

You keep asking about twists. Yes, there are some. No, I cannot tell you what they are. You don't even know Dana Andrews. Pressing on……………

In response to your other questions, yes, there is suspense at times and some tension too. Yes, I know a play can do that. No, actually the music didn't help the suspense or tension as it should have, but they were there nevertheless. Continuing………….

Humor. You ask about humor? They didn't laugh back in the 1950s. A drama was a drama unless Humphrey Bogart or Clark Gable.was in it. Then it was both. So no humor in here. Sorry. Onward……………

What's that? You say they didn't know about DNA back in the 1950s. Well, then some other type of evidence must have been used to plant on the person arrested for the crime as the original movie must have shown. Have no idea what that was, maybe fingerprints. They did have that back then. Getting late…….

I am not sure how this movie compares to the original back in the 1950s, but I am sure I must have seen it somewhere in my life. My God, look at the title again! But, I have seen some things Dana Andrews was in and they were pretty good. Michael Douglas is in this movie and he's pretty good, actually, he's always good (well, except for the King of California thing). Have to go, Judge Judy is on soon………….

Yes, the acting by everyone was good. What's that? Who do I think did the best job in here? I'd have to say Joel David Moore as Finley. Could have used a few more scenes that had Michael Douglas in them, but………..hey, I'm not the director. Anything else you want to know?

The last line in the movie? Yes, it could have been something else. But, you kids………………

Violence: Yes. Sex: No. Nudity: No. Language: Yes, some.

This is a deep review of the justice system to reveal faults in its administration , in which a reporter allows himself to be incriminated in a killing . It is a remake of the 1956 film noir film "Beyond a Reasonable Doubt" in which a writer's plan to expose a corrupt district attorney takes an unexpected turn. It deals with a young journalist (Jesse Metcalf) aided by his colleague (Joel Moore) conspires to frame himself in the murder of a woman as part of a effort to uncover a corrupt prosecutor . Reporter sets himself up to take murder rap to show the errors of circumstantial evidence and discredit (D.A.) District Attorney (Michael Douglas who also starred other judicial thriller for Peter Hyams titled Star Chamber) . With a friend holding back evidence so he can prove his innocence at the last minute, he goes to trial . But during the trial , the one man who can exonerate him gets problems and things go awry . The journalist is unable to prove himself innocent later on .

This interesting film contains judicial thriller , intrigue , plot twists , suspense and some far-fetched elements including plausible events . This is a real critical on the American justice system ; as this tale develops , a variety of submerged elements slowly surfaces to make this picture far more one of intrigue . The screenwriter has created a story that is thought-provoking and quite predictable and it works a treat in that it gets you thinking about the fact that with this kind of law ; someone really could be framed for something they didn't do . Intriguing idea sometimes doesn't hold up because of several twists and turns . The picture results to be a remake from classic film (1956) by Fritz Lang ¨Beyond a reasonable doubt¨, a brilliant and masterly exposition of American justice as part of an effort to ban capital punishment and in which Lang gets a first-hand view of Justice system , being starred by Dana Andrews , Joan Fontaine , Barbara Nichols and Sidney Blackmer . Acceptable acting from protagonist trio , as Jesse Metcalf as a young reporter who pretends to be guilty of a murder to get first-hand view of corruption , enjoyable Amber Tamblyn as his girlfriend as well as prosecutor assistant and Michael Douglas as a nasty D.A. Thrilling and atmospheric musical score by David Shire . Functional and dark cinematography by the same director , Peter Hyams , who usually is in charge of his owns photography labors . This thrilling motion picture was finely photographed and compellingly directed by Peter Hyams , though with no originality . However it results to be an inferior remake of its predecessor, a noir classic directed by Fritz Lang . Peter Hyams is an irregular director with hits (Relic, End of days, Outland, Capricorn one) and flops (Sound and thunder, The Muskeeter , Stay tuned) . Rating : acceptable and passable thriller . The flick will appeal to Michael Douglas fans .

The career of director/cinematographer Peter Hyams has been one of slow decent into mediocrity like Beyond a Reasonable Doubt, which has just a slight improvement over his previous entry A Sound of Thunder. This movie is arguably the dopiest courtroom drama of the decade (at least). It is a story that lives purely on coincidence and contrivance. It feels rushed and ends on an anti-climactic note. Sounds pretty bad huh? Actually it wasn't. There is something kind of amusing about the idiocy of Beyond a Reasonable Doubt which may be just enough to keep you watching. Sometimes it gets actually fairly tense.

C. J. Nicholas is an investigative reporter in Missouri who is convinced that the district attorney, has been faking evidence for the last 17 murder cases he has taken on. In order to expose him, C. J. comes up with a crazy scheme which involves framing himself for a murder, getting arrested and hoping that Nicholas tries to pin something on him. Sounds good, but something goes very wrong.

Not for a moment is the story believable, and it takes too many ways out of conflict, including rushing scenes, throwing in cheap surprises, and also a deus ex machina to conclude the whole thing. If you are not bothered by this, you may find something to salvage from Beyond a Reasonable Doubt. There are some quirky scenes here and there and a few good Hyams shots

Well, it could have been worse I suppose, the movie was better than I expected, but I think I may be giving it more generosity than it deserves.

This movie is a remake but will be judged on its own merit, especially since I did not see the original.

On paper, things look good. You've got the seed of a promising story featuring several characters who could have been interesting, some courtroom drama which could have been intense, some plot twists which could have been shocking and a star lead actor in Michael Douglas who could have sold you this movie with his charisma.

But none of it ever happens. And much of the fault lies with Hyams' terribly outdated direction. While he used to direct somewhat interesting films several decades ago, Hyams has long since lost any edge he might have had and every weakness in his style which we readily forgave back in the 80s are now terribly grating when seen in a 2009 movie. The photography is downright boring, the music is cheesy, pacing and editing awful. Everything seems to come out of a made-for-TV or direct-to-video movie featuring Cheryl Ladd or some other has been.

Michael Douglas only has a few scenes and gives by far the best performance but that's not saying much in this present case, because everybody else is just terrible. Really awful. On top of that, several lines in the script are embarrassing, which makes the actors' job harder. Jesse Metcalfe and Amber Tamblyn are both the real co-leads of this flick and do absolutely nothing with their screen time. Orlando Jones is terribly miscast.

While the premise and basic sketch of the whole plot could have been interesting, neither the writers or the director made it believable. The twists along the way of the story might have been surprising for an average moviegoer in 1984. A quarter of a century later, even a lobotomized hamster will see it from a mile (provided you don't fall asleep before that).

There are so many negatives to this movie that usually it would be worth a 1. But I am raising it by one point for Michael Douglas giving a decent performance and by another point for the interesting seed of a story.

3/10 for the last movie by director Hyams I will ever watch