Presunto culpable

When I first saw this in 2008 (the first series) it was the first TV drama I had ever seen which immediately made me buy the DVD so that I could watch it again. The first ten minutes probably wouldn't hook American audiences, but as soon as the guilty verdict was passed I could feel my stomach dropping to the floor. It was the inevitability of getting dragged into the criminality of the prison system and the vulnerability of all those who aren't equipped to keep their heads above water by means of sheer brutality. I wasn't convinced by the authenticity of Con O'Neill's portrayal of a solicitor employed within the rather starchy UK justice system, but his performance was so utterly compelling that I'll forgive that minor deviation. David Harewood was evil incarnate, yet chose understated, intelligent, brooding menace for his character, rather than what could have been a comic book portrayal of a prison kingpin. By the end of it I felt emotionally shattered and it's certainly put me off going to prison.

Seriously, this should be made compulsory viewing for wayward teenagers, although not for any who are awaiting their day in court.

The reviews here are a bit confusing, as several of them seem to be reviewing Part 2, which in America, anyway, is not on Netflix as yet.

Part 1 concerns a young man, Ben Coulter (Ben Whishaw) who one night takes his dad's cab out in order to meet some friends. While the cab is stopped, a young woman named Melanie (Ruth Negga) gets in and wants to go to the seaside. Ben decides on a whim to take her. At the end of the evening, the two wind up at her place and have sex. The next morning, Ben wakes up in the kitchen. He goes upstairs, dresses, and tells Melanie he is going. Then he realizes she's dead and there's blood everywhere. Panicked, he rushes away, only to return to try to get rid of any sign that he was there. He's ultimately picked up, questioned, and later arrested for murder. Ben doesn't remember a darn thing about what happened.

This is a very good miniseries, a little too packed in the last episode, but an excellent indictment of not only the justice system but the prison system, as the frightened Ben endures abuse and bullying from seasoned prisoners. He soon learns that even the guards are run by one prisoner, Freddie Graham, a terrifying man who manages to get everyone in his debt and then forces payback.

Not that outside the prison, things are much better. Ben's father gets him high-prized solicitors who have no interest in Ben and just want to make a deal, and a barrister (Lindsay Duncan) who insists on a self-defense plea. Ben finally goes back to his original attorney, a public defender, a no-nonsense guy (Con O'Neill) who wants Ben to play the courtroom game but wants the truth as well.

Ben's plight and Whishaw's sensitive performance are more than enough to hold interest. What's best about Ben is how he matures from the first to the last episode. Fantastic work. There is one shot of him and Melanie, sitting on the other side of an amusement park, in the dark, looking at the brilliant lights from the rides, two young people, enjoying life with everything in front of them. It's quite sobering.

The rest of the acting is top-notch. Con O'Neill as Stone, the public defender, is wonderful as a streetwise solicitor with a husky voice and a big heart; Lindsay Duncan as a no-nonsense barrister who wants to cut to the chase; Pete Postlethwaite as Hooch, Ben's cell mate, a lifer who is there to protect Ben but has his own turmoil; and Bill Paterson as the gentle-speaking detective, Harry Box. That's only a few, but everyone is marvelous.

The last episode is almost done in shorthand, packing in a ton of information and referring to incidents rather than showing them. And you have to watch and listen closely, or you'll be asking 'what happened'. Pay close attention.

This mini-series hits the ground running, the first episode including the sea side scenes and part of the second are just fantastic, but then the drama engages in the ambitious task of analyzing whatever may or may not be wrong with the British penal and judicial system, I praise the intent, but to incorporate seamlessly and successfully this sort of concerns into a drama is not an easy task, we are promised some sort of rigorous examination, but instead of 'Oz' (brutal US prison drama), we get some sort of sub-Dickensian ambiguous horrors, where a lot is promised but very little delivered and there is always a little army of semi-benevolent Artful Dodgers and Fagins to save our hero's day, like Peter Postethwaite's Hooch 'the listener' and David Harewood's master criminal Freddie Graham, the latter does a really good job of injecting true menace in its role. We know we are entering Dickensian territory when Con O'Neill seedy lawyer complete with gotta, bandaged feet and perennial facial stubble appears on the scene, the irony is that he does a wonderful turn and steals every scene in which he appears, it is just that it feels like he had just been wandering out of a Great Expectation set to blunder into the wrong drama by mistake. In the last episode where all ideological concerns need to be shed to wind down the narrative the drama seem able to recreate some of the original dramatic tension of the first part. ON THE WHOLE Highly RECOMMENDED!

A bit too long and drawn out. There was more silence than there was talking. The acting was good but most of the time I found I'd get annoyed at the main character which I don't think was supposed to happen.

Season 1 and 2 excellent. Loved the raw characters and situations. Don't get this stuff done like this nowadays