PUNTUACIÓN EN IMDb
6,2/10
63 mil
TU PUNTUACIÓN
La verdad es por fin revelada sobre la desaparición de Katie Marks en 1982, por la que su esposo Mark fue sospechoso de asesinato, pero nunca juzgado.La verdad es por fin revelada sobre la desaparición de Katie Marks en 1982, por la que su esposo Mark fue sospechoso de asesinato, pero nunca juzgado.La verdad es por fin revelada sobre la desaparición de Katie Marks en 1982, por la que su esposo Mark fue sospechoso de asesinato, pero nunca juzgado.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Reseñas destacadas
Greetings again from the darkness. Who among us isn't intrigued by a real life "unsolved" murder mystery? Throw in a very wealthy New York real estate family, a never-discovered body, an executed friend, and a horrible childhood trauma and it is certain to draw the attention of filmmaker Andrew Jarecki. Jarecki's film "Capturing the Friedmans" won numerous awards and is among the best documentaries ever made. He has a knack with dark family secrets.
In the film, Ryan Gosling plays David Marks, disenchanted son of Real Estate mogul Sanford Marks (a powerful Frank Langella), who witnessed the grisly suicide of his mother when he was very young. David meets the energetic and affectionate Katie (Kirsten Dunst) and the two dreamers escape Daddy's clutches and head to Vermont to open a health food store. Finally wilting under pressure from Sanford, the couple returns to the city and David joins the family business. The good things are soon to end.
Since much of the real life story is still a mystery, Jarecki does a nice job in assembling pieces from the trial records. Along the way, we meet David's friend Deborah Lehrman (Lilly Rabe), an acclaimed writer who seems to always be there for David ... as he is for her. We witness the transformation of David from loving husband to mentally disturbed murder suspect.
Jarecki gives us some guidance on what might have happened and how the plan could have been executed, but we'll never know for sure. What we do know is that there was not much happiness associated with this family, despite the wealth and 42nd Street real estate holdings.
The acting in the film is tremendous. Gosling, Dunst and Langella are top notch. Yes, Ms. Dunst provides what is easily her best screen performance ever. Support work from Lily Rabe, Phillip Baker Hall, Nick Offerman and Kristen Wiig is all strong and believable. This one will give you the creeps ... and rightly so.
In the film, Ryan Gosling plays David Marks, disenchanted son of Real Estate mogul Sanford Marks (a powerful Frank Langella), who witnessed the grisly suicide of his mother when he was very young. David meets the energetic and affectionate Katie (Kirsten Dunst) and the two dreamers escape Daddy's clutches and head to Vermont to open a health food store. Finally wilting under pressure from Sanford, the couple returns to the city and David joins the family business. The good things are soon to end.
Since much of the real life story is still a mystery, Jarecki does a nice job in assembling pieces from the trial records. Along the way, we meet David's friend Deborah Lehrman (Lilly Rabe), an acclaimed writer who seems to always be there for David ... as he is for her. We witness the transformation of David from loving husband to mentally disturbed murder suspect.
Jarecki gives us some guidance on what might have happened and how the plan could have been executed, but we'll never know for sure. What we do know is that there was not much happiness associated with this family, despite the wealth and 42nd Street real estate holdings.
The acting in the film is tremendous. Gosling, Dunst and Langella are top notch. Yes, Ms. Dunst provides what is easily her best screen performance ever. Support work from Lily Rabe, Phillip Baker Hall, Nick Offerman and Kristen Wiig is all strong and believable. This one will give you the creeps ... and rightly so.
I had never heard this story before, and found it very interesting in a way that kept me wanting more to see of this film.This movie kept me entertained almost the whole time. has some boring moments like every movie, but still a fantastic movie to enjoy on a weekday. I recommend it to film lovers who wants something more then the usual crap Hollywood has been giving us lately. It's not an Oscar movie, but it in my opinion it deserve high points at IMDb.
Really enjoyed watching Ryan Gosling and Kirsten Dunst working together. they did a good job I think.
Summary: Good directing, Good acting, Good screenplay, Good film.
7/10
Really enjoyed watching Ryan Gosling and Kirsten Dunst working together. they did a good job I think.
Summary: Good directing, Good acting, Good screenplay, Good film.
7/10
A disquieting thriller, complexly plotted and with numerous twists and turns which actually turns out to be fairly closely based on a real-life story in America, which kind of shoots to pieces any criticisms I had of the credibility of the narrative development here.
That said, I'm not sure the time-honoured device of flash-backing from the trial of the accused David Marks, with interspersed updates as matters proceed, best serves the flow of the film. Moreover, things do take some time to get moving with too much concentration, in my opinion, on character development, especially on subsidiary characters, before Marks' strangeness starts to manifest itself, although this too is done awkwardly (off- camera conversations with himself, point-blank rejection of having a family with his living wife, peer-pressure from his father) so that I'm not sure I made the leap to psychopathy that Ryan Gosling's character actually makes.
The supposed thriller sequences are done in a hackneyed manner too, with night-time filming, dark shadowy interiors and even thunderstorms outside which work against the realism striven for elsewhere. By the end, after some head-scratching about Marks' transvestism and the strange, fateful relationship he builds up with his elderly fellow- tenant, I felt the movie hadn't satisfactorily plugged the plot-holes along the way for it to flow as it should.
Gosling and Kirsten Dunst are both good in the lead parts, although the shifts in character for the former, as indicated, are difficult to surmount. While Gosling plays each facet of Marks' contrasting personalities at different stages, I'm not sure he convinced this was all mixed up in one person, although that may be down to the writing. I did appreciate the sub-Herrmann use of soundtrack music, but ultimately felt this movie failed to gel in attempting to combine fact-based analysis of a psychotic Norman Bates type character with the conventions of a mainstream Hollywood psychological thriller.
That said, I'm not sure the time-honoured device of flash-backing from the trial of the accused David Marks, with interspersed updates as matters proceed, best serves the flow of the film. Moreover, things do take some time to get moving with too much concentration, in my opinion, on character development, especially on subsidiary characters, before Marks' strangeness starts to manifest itself, although this too is done awkwardly (off- camera conversations with himself, point-blank rejection of having a family with his living wife, peer-pressure from his father) so that I'm not sure I made the leap to psychopathy that Ryan Gosling's character actually makes.
The supposed thriller sequences are done in a hackneyed manner too, with night-time filming, dark shadowy interiors and even thunderstorms outside which work against the realism striven for elsewhere. By the end, after some head-scratching about Marks' transvestism and the strange, fateful relationship he builds up with his elderly fellow- tenant, I felt the movie hadn't satisfactorily plugged the plot-holes along the way for it to flow as it should.
Gosling and Kirsten Dunst are both good in the lead parts, although the shifts in character for the former, as indicated, are difficult to surmount. While Gosling plays each facet of Marks' contrasting personalities at different stages, I'm not sure he convinced this was all mixed up in one person, although that may be down to the writing. I did appreciate the sub-Herrmann use of soundtrack music, but ultimately felt this movie failed to gel in attempting to combine fact-based analysis of a psychotic Norman Bates type character with the conventions of a mainstream Hollywood psychological thriller.
All Good Things is a film that's 'based on a true story.' However, I've lost count of the amount of times I've seen those words, only to find that the movie was so loosely based on reality that it might as well have been Star Wars. Yet, with All Good Things, it really is based on a real murder/missing persons case in America from the eighties.
We see Ryan Gosling and Kristen Dunst meeting and falling in love. Everything seems idyllic until Gosling starts acting more and more strangely. Then his erratic behaviour starts to get physical and even violent. The strength of the movie as a story lies in its focus on a web of characters and their relationships to one another, rather than on the crimes themselves. We never see the actual violence, but only its effects on characters, and their subsequent efforts to conceal the truth, to escape from their situation, or to satisfy some personal need.
We're given plenty of visual ammunition with which to base our own conclusions on who may or may not be guilty of which crimes, mainly through alluding to deviant mental conditions or sexual preferences. None of these offer any real evidence, only circumstantial. However, despite leaving the viewer in the role of judge as to whether Gosling's character is guilty or innocent, the film is worth watching for the two leads' performances. They do well to get into some very difficult characters and the film is definitely worth a look.
So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.
We see Ryan Gosling and Kristen Dunst meeting and falling in love. Everything seems idyllic until Gosling starts acting more and more strangely. Then his erratic behaviour starts to get physical and even violent. The strength of the movie as a story lies in its focus on a web of characters and their relationships to one another, rather than on the crimes themselves. We never see the actual violence, but only its effects on characters, and their subsequent efforts to conceal the truth, to escape from their situation, or to satisfy some personal need.
We're given plenty of visual ammunition with which to base our own conclusions on who may or may not be guilty of which crimes, mainly through alluding to deviant mental conditions or sexual preferences. None of these offer any real evidence, only circumstantial. However, despite leaving the viewer in the role of judge as to whether Gosling's character is guilty or innocent, the film is worth watching for the two leads' performances. They do well to get into some very difficult characters and the film is definitely worth a look.
So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.
Let me begin with the acting. Very strong and good acting from all the major players on this film. Something you could expect, when you read the cast list. The story is decent too, but you might feel there is something missing (or maybe it was just me). Especially if you have seen similar movies.
The story evolves more or less linear (so you probably will be able to spot where this is heading), so it will mostly depend on your view on the subject and how much you like the actors in it. Again I liked both, but I think there is something missing, that I cannot really put my finger on, but I can feel it's absence. I know it sounds abstract, but I can still recommend the movie nevertheless
The story evolves more or less linear (so you probably will be able to spot where this is heading), so it will mostly depend on your view on the subject and how much you like the actors in it. Again I liked both, but I think there is something missing, that I cannot really put my finger on, but I can feel it's absence. I know it sounds abstract, but I can still recommend the movie nevertheless
¿Sabías que...?
- CuriosidadesRyan Gosling sent Kirsten Dunst flowers as an apology after filming a scene where he had to violently yank her by the hair. Although Kirsten said he hadn't hurt her at all, he was "visibly bothered" by the scene.
- PifiasIn a nightclub scene that takes place circa 1972, the song Boogie Oogie Oogie plays. This song didn't come out until 1978.
- Citas
Katie Marks: My father always said to only regret the things you didn't do not the things you did. But I had an abortion and I don't know if that's something I did or didn't do.
- Créditos adicionalesLebroz Ariel James Playing John The Lonely Pimp! Arrested by the 1970's N.Y.P.D.
- Versiones alternativasThere are two versions available, although they are of the same length: "1h 41m (101 min)".
- ConexionesFeatured in Richard Roeper & the Movies: All Good Things (2010)
- Banda sonoraDaddy Don't Live In That New York City No More
Written by Walter Becker and Donald Fagen
Performed by Steely Dan
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Tot coses bones
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 582.024 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 37.172 US$
- 5 dic 2010
- Recaudación en todo el mundo
- 1.754.389 US$
- Duración1 hora 41 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
What is the Japanese language plot outline for Todas las cosas buenas (2010)?
Responde