Zindagi Tamasha

Just watched it after they released it for free on youtube.

The pace of the movie is rather slow but the acting from the leading characters is very good.

There aren't any dialogues or lines in the movie that stand out (comparing to other hit Pakistani movies like Bol/Khuda Kay Liye) but some scenes are very powerful. I really liked the scenes involving the hypocrisy of the clergy.

The soundtrack is nice as well.

Some, especially the international audience, might find the story slow or boring and might not really understand the subtleties of the topics in the movie, but it is quite relevant to the Pakistani society.

It's a good effort by everyone involved.

One of the best movies of Pakistan a dark side and truth about their society.

It's a Masterpiece. Can't wait to wait it. Everyone needed to watch this movie. It's on another level. It is a beginning of a great era for Lollywood.

With another powerful story by the one & only Sarmad Khoosat, we see another Film based on the Exploitation of the Religion in the country and how it effects the norm. The characters were made alive by Arif Hassan & the all famous Samiya Mumtaz. With the release we see the same political problems we have always dealt with before. Before watching this, I had only seen clips of the movie but the whole watch on YouTube just made me appreciate the craft even more. The powerful & intense moments reallt hit the heart and mind in moments unnoticed. We see the typical Khoosat style in this film with long shots & realistic settings. Although the movie conveys a clear message of exploitation and effects of society on a person, I can't help but feel this is just a hint of something more complete yet to come. But talking about the Technical aspect which my analytical brain couldn't help but see, the edits especially the SFX seemed a bit choppy & repetitive considering this was being made for Cienema release. All in all, would have loved to watch it on the biggest possible sceen but the art still lives on. More power to you Sarmad Khoosat!

Finally, finally, finally I get to see "Zindagi Tamasha", a brainchild of the immensely talented Pakistani director, Sarmad Sultan Khoosat, that had not seen the light of day in cinema screens across the country due to its criticism and depiction of the mainstream religious clergy dominating the socio-political spectrum of the country.

Unfortunately though, the only medium graced by this movie, a considerable loss for all associated with the creation of this gem, was You Tube. Khoosat, in his introductory note, is visibly emotional as he lets his creation out of a cage imposed upon it by fundamentalists that have, for decades, proved to be an impediment to free artistic growth and expression in the country.

"Zindagi Tamasha" depicts an aging man who still has an air of youthful exuberance about him along-with a genuinely affectionate heart trapped in a quagmire of criticism and societal rejection when a video of him replicating a childhood dance to his friends is posted on social media.

"Zindagi Tamasha" depicts the human need to categorize events and characters into "right" and "wrong", "good" and "evil". It talks about how an intellectually starved society has no space to cultivate acceptance and fluidity of thought, emotions and opinions. Rather, every individual is expected to fit a mold, a pre-conceived caricature of righteous and non-righteous beings. In this belief, a transgender individual is an inherently evil being while an aged man who recites religious hymns is inherently pious, devoid of any interest in activities that do not fit the ideals of a dominant sect.

Voices like Sarmad Khoosat are key in the preservation of artistic expressionism in a country that has, in recent years, lost its voice out of fear and repudiation. In a spine-chilling scene a typical Molvi (cleric) unabashedly blackmails the protagonist, Rahat Khawaja, in a crowded gathering by saying, "Lagaun naara?" ("Should I raise the allegation?"), referring to the weaponization of archaic blasphemy laws prevalent in the country that to this day are used to stifle dissenting voices and minds.

A true gem of Pakistani cinema and a beacon of hope for independent, thought-provoking film-making in a country that is in dire need of it.