Atrapado por amor

Louise: Because, my love, you are going to stay there until we work things out.

And so begins this drama between a married couple with no children, he a corporate office employee, she a successful lawyer.

I agree with most all previous posters mentioned. To pull off a story that will keep you interested until the very end with just 3 major players is quite a feat. The strength lies, of course, in the powerful dialogue between them. But more than that, this story is not just a flick on failed relationships, but on WHY they fail. Luoise (Meg Ryan) cannot and will not accept the fact that Ian (Timothy Hutton), her husband, wishes to leave her. She cannot accept he has fallen in love with a lovely, younger woman. But the truth is not so simple. If you listen carefully past the hurt locker, you will hear reasons, good ones, as to why these things happen. The fault is not entirely the wife's, but it is not entirely the husband's either. What happens is that in most cases, problems never get talked about and discussed. In this story, events unfolded in such a way they were forced to.

But then again, we have the usual guilt/blame game. It took both of them quite some time to accept where they had failed, Louise much longer than Ian. In the middle, you have Sara (Kristen Bell), who obviously loved Ian and went to lengths to fight for him. In the end, as they say, may the best man (or woman) win, but if you notice carefully, there was something lacking in Ian when these scenes were being played out, something which makes you think , "Ok, now, seriously, are you gonna be a man about this or what?" I couldn't help feeling sorry for the girl - she was obviously sincere and showed it without compunction.

However, just when you think you've got it all figured out and you see the pieces falling into place, well here comes the final scene, where you say, "What? what just happened...hello? what was that? run that by me again?" and you feel like I did, like the wind had just been knocked out of me and I sat staring at the screen wondering what I saw. Ingenious! I'm sitting here writing this and still turning this scene over and over in my mind, contemplating the different possible meanings.

I don't agree the movie is a waste of time or disappointing. Don't think this is another exercise at flogging the dead horse of marital what-have-you problems. No, this is an ingenious and well-written story, a bit off the regular path, yes, and bizarre in some ways, but well done. I don't think anyone's acting was poor either. The humorous parts made me laugh, and the sad ones made me shake my head in sorrow.

Watch it and enjoy yourself! Well worth it!!

It's been a full two decades since Meg Ryan emerged from a series of background girlfriend roles to become America's Sweetheart in 1989's "When Harry Met Sally…", but in this strangely conceived 2009 comedy, she still has that undeniable twinkle in spite of all the age-defying cosmetic alterations to her face. The screenplay is the last work of the late actress Adrienne Shelly, who wrote, directed, and co-starred in 2007's agreeably idiosyncratic "Waitress", and what they have in common is her supple dexterity in balancing the off-kilter elements of her stories into something deeper. This time, she takes a darker, less whimsical path in exposing the insidious nature of a marriage that has dissipated from a lack of communication. Her "Waitress" co-star Cheryl Hines ("Curb Your Enthusiasm") takes the helm in her directorial debut, and her lack of experience may attribute to the fact that it feels more like a filmed stage play despite Nancy Schreiber's expert cinematography.

The brief story focuses on married couple, Louise and Ian, on a day when they unexpectedly cross paths at their bucolic vacation home. A high-powered fortyish attorney, she comes home to find her house showered romantically with rose petals and Ian writing a Dear Jane letter to her. He has decided after thirteen years of marriage that he wants a divorce, so he can rendezvous with his 24-year-old girlfriend Sarah in Paris. Unwilling to accept that her marriage has gone kaput, Louise inadvertently knocks him out with a flower pot and takes advantage of his unconsciousness in order to duct tape him to a chair until he relents. This is the beginning of a roundelay in which they spar about the merits of their marriage. Ian spends most of the 84-minute running time stuck on the toilet as he faces one humiliation after another. Even though Louise exhibits vaguely sociopathic behavior, she does not represent the only threat to Ian.

There is a nasty twist to the story in the form of an interloper that turns their vituperative cat-and-mouse game into a game of survival. The open ending doesn't quite satisfy, although the implications that it raises lends texture to what has gone on before. Ryan acquits herself well as Louise, and although it's not remarkable work, it shows that the actress could thrive into middle-age with her fizzy spirit intact. She manages to give heart to the tenacious hold her character has on her flailing marriage. In a welcome big-screen return as Ian, Timothy Hutton does what he can under a lot of duct tape in a mostly passive role with moments of vented exasperation, while Kristin Bell ("Forgetting Sarah Marshall") shows surprising grit as Sarah, especially toward the end when the women grapple on the bathroom floor. Justin Long provides a menacing edge to the smallish role of the lawn-mowing low-life. More than Hines' workmanlike direction, Shelly's somewhat uneven screenplay offers enough dark elements to make the contrived set-up worth accepting for the sake of the unfolding story she wanted to tell.

This is one of the better movies I have seen this past month or so.

Meg Ryan puts on a marvelous performance as the slightly crazy wife doing whatever she can to make her husband love her.

This is a comedy unlike most other comedies out there. It had really good dialogue and some nice scenes. You just curl your toes at the extremes Meg Ryan's character goes to for making her husband stay with her. Now, it is not a comedy that will make you roll over laughing with tears streaming down your cheeks, but it is funny and have a very believable feel to it. You really get to feel for the characters of the movie.

I like Meg Ryan as an actress, and this is one of the better roles I have seen her portray in awhile. A good step away from the usual romantic comedies that she have been making.

Without giving away too much of the story, I found the plot to be very predictable. Very easy to figure out what happens early on and also easy to figure out how it will end - it is a Hollywood movie after all. And I am not just saying that because I am taped to a toilet!

This film is about a woman coming back home to find her husband writing a note asking for divorce. She holds her husband captive to try to win him back.

"Serious Moonlight" has only two actors most of the time, and the whole film is set in a house. Yet, it manages to maintain viewers' attention by the spectrum of emotions the two go through as the day progresses. The plot is engaging, but I find the husband's change of heart a little too abrupt. The final few seconds of the film is simple and yet effectively suggests something sinister has happened, thereby opening up viewers' imagination as to why things happened this way. "Serious Moonlight" is an interesting portrayal of a troubled couple who searches their soul for answers.

If you enjoy films like "War of the Roses", you should like this one.

Basically this is a love-triangle story about a man (Tim Hutton) whose planning on leaving his wife (Meg Ryan) of 14 years for a much younger woman (Kristin Bell). The wife doesn't respond well and much inappropriate behavior follows.

Not much depth is written into these people but Ryan and Hutton do a rather spectacular job with their roles anyway. Special notice should be given to Justin Long's cameo as a thug. He seems to relish his small 'against type-cast' role. Unfortunately, Kristin Bell bores us with her very two-dimensional performance.

The plot tidies itself up rather too quickly from this twisted story, but at least we're not left with an overly long film. And the first hour is one of the darkest hours of film I've ever seen--in a good way.

If you've seen Adrienne Shelly's (the writer) other film, "Waitress", you'll be familiar with the style of this film. "Waitress" is a more complete movie with much more depth. However, Cheryl Hines--who took over for Shelly after her untimely death--does a commendable job.

I'm saddened to realize this will be the last work we see from the mind of Adrienne Shelly. As it stands, it's not a bad way to be remembered. A writer/director who had a flair for gracefully exploring people's darkest emotions and desires.

And no, I'm not just saying this because I'm strapped to a toilet!

P.S. This film is not a date flick;)